Yamaha MO6 Owner's Manual page 190

Song Mixing Edit mode
[F6] TEMPLATE
[SF1] MIX
[SF2] PERFORMANCE
Song Mixing Edit mode
This mode provides more detailed Mixing parameters than in the Song Mixing mode.
Keep in mind that Song Mixing parameters are not actually part of the Song sequence data in each track, but rather are settings for the tone
generator, as it is played back by the Song data. As such, the Song Mixing parameter settings are not recorded to the Song tracks.
CAUTION
Parameter settings made in the Song Mixing mode and Song Mixing Edit mode should be stored to internal memory (DRAM) as part of the Song data.
In addition, make sure to save the entire Song data (including the Mixing settings) to the USB storage device, since the data in DRAM is stored only
temporarily (page 150).
n
Parameter settings in the Song Mixing mode and Song Mixing Edit mode can be stored as a template to internal Flash ROM, as well as being stored as
part of a Song. See page 94 for details.
Common Edit
Use Common Edit to edit the settings common to all Parts.
[F1] GENERAL
[SF1] MEQ OFS
(Master EQ Offset)
[SF5] OTHER
KnobAssign
Assign A, Assign B,
Assign 1, Assign 2
[F2] MEQ/MEF (Master EQ/Master Effect)
[SF1] MEQ (Master EQ)
[SF2] MEF (Master Effect)
[F3] ARP (Arpeggio)
[SF1] TYPE
[SF2] LIMIT
[SF3] PLAY FX (Play Effect)
[SF4] OUT CH (Output Channel)
Owner's Manual
190
Common Edit
From this display you can copy the Mixing Template to the Mixing settings of currently edited Part. As soon as
a Template is selected, the relevant Mixing settings will be automatically loaded.
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In addition to the Mixing settings, the tempo setting stored in the Mixing Template will also be automatically loaded.
From this display you can copy the Part settings of the Performance to the currently edited Song. As soon as a
Performance is selected, the relevant settings of all Parts will be copied.
This display is similar to the [F5] PF COPY display in Song Mixing Job mode (page 192). However, this display
is different from the [F5] PF COPY display in two major points:
• All parameters are copied simultaneously.
• The Receive Channel settings are assigned to the destination automatically, according to the following rules.
1) When note limit settings for all Parts are the same and the Part Switch and ArpSwitch parameters are both
set to ON, the same Receive Channel is assigned to the Parts.
2) When Note Limit settings for the Parts are different and Part Switch is set to ON for the Parts, Parts whose
ArpSwitch parameter is set to OFF are given different Receive Channel values, while other Parts are set to
the same channel.
3) For those Parts which Part Switch is set to OFF, Receive Channel is also set to OFF.
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In addition to the Part settings, the Arpeggio tempo setting stored in the Performance will also be copied.
[SONG]
[SONG] Song selection
The Song Mixing parameters feature global EQ settings for all Parts of the selected Song (see "MEQ," below).
The settings made here in this display are applied as offsets to those MEQ settings.
Settings: -64 – +63
Determines the function for the assignable Knobs (1 – 4). Pressing any of the Knob Control Function buttons on
the panel sets the desired function row, which is automatically stored to memory with the currently selected
Song.
Settings: pan, tone, assign, partEQ, MEF, arpFx
This lets you directly set and memorize the value for each Assign Knob (A, B, 1, and 2), from the Knob itself.
Simply tweak the knob to the desired setting.
Settings: -64 – 0 – +63
From this display you can apply five-band equalization to all Parts of the selected Song.
The parameters are the same as in Performance Common Edit. See page 172.
From this display you can set parameters related to the Master Effect (page 140).
The parameters are the same as in Performance Common Edit. See page 172.
The basic parameters (e.g., type) of the Arpeggio are provided in this display.
This is the same as in Normal Voice Common Edit (page 154), except that the Tempo setting is not available
here, since the Arpeggio plays according to the Song tempo.
Same as in Normal Voice Common Edit. See page 155.
Same as in Normal Voice Common Edit. See page 155.
Same as in Performance Common Edit. See page 173.
Song selection [MIXING]
[MIXING] [EDIT] [COMMON]
[EDIT]