Amp Simulate - Yamaha 006IPTO-F0 Owner's Manual

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Appendix A: Parameter Lists

AMP SIMULATE

One input, two output guitar amp simulator.
Parameter Range
1
AMP TYPE
DST1, DST2,
DST TYPE OVD1, OVD2,
CRUNCH
DRIVE 0–100
MASTER 0–100
BASS 0–100
MIDDLE 0–100
TREBLE 0–100
CAB DEP 0–100%
EQ F 100–8.00 kHz
EQ G –12.0 to +12.0 dB
EQ Q 10.0–0.10
N. GATE 0–20
1. STK-M1, STK-M2, THRASH, MIDBST, CMB-PG, CMB-VR,
CMB-DX, CMB-TW, MINI, FLAT
DYNA. FILTER
Two input, two output dynamically controlled filter.
Parameter Range
SOURCE INPUT, MIDI
SENSE 0–100
DIR. UP, DOWN
1
DECAY
TYPE LPF, HPF, BPF
OFFSET 0–100
RESO. 0–20
LEVEL 0–100
1. 6 ms–46.0 s (fs=44.1 kHz), 5 ms–42.3 s (fs=48 kHz), 3 ms–23.0 s
(fs=88.2 kHz), 3 ms–21.1 s (fs=96 kHz)
DYNA. FLANGE
Two input, two output dynamically controlled
flanger.
Parameter Range
SOURCE INPUT, MIDI
SENSE 0–100
DIR. UP, DOWN
1
DECAY
OFFSET 0–100
FB.GAIN –99 to +99%
LSH F 21.2 Hz–8.00 kHz
LSH G –12.0 to +12.0 dB
EQ F 100 Hz–8.00 kHz
EQ G –12.0 to +12.0 dB
EQ Q 10.0–0.10
HSH F 50.0 Hz–16.0 kHz
HSH G –12.0 to +12.0 dB
1. 6 ms–46.0 s (fs=44.1 kHz), 5 ms–42.3 s (fs=48 kHz), 3 ms–23.0 s
(fs=88.2 kHz), 3 ms–21.1 s (fs=96 kHz)
DM1000 Version 2—Owner's Manual
Description
Guitar amp simulation type
Distortion type (DST = distor-
tion, OVD = overdrive)
Distortion drive
Master volume
Bass tone control
Middle tone control
High tone control
Speaker cabinet simulation
depth
Parametric equalizer frequency
Parametric equalizer gain
Parametric equalizer bandwidth
Noise reduction
Description
Control source: input signal or
MIDI Note On velocity
Sensitivity
Upward or downward fre-
quency change
Filter frequency change decay
speed
Filter type
Filter frequency offset
Filter resonance
Output Level
Description
Control source: input signal or
MIDI Note On velocity
Sensitivity
Upward or downward fre-
quency change
Decay speed
Delay time offset
Feedback gain (plus values for
normal-phase feedback, minus
values for reverse-phase feed-
back)
Low shelving filter frequency
Low shelving filter gain
EQ (peaking type) frequency
EQ (peaking type) gain
EQ (peaking type) bandwidth
High shelving filter frequency
High shelving filter gain
DYNA. PHASER
Two input, two output dynamically controlled
phaser.
Parameter Range
SOURCE INPUT, MIDI
SENSE 0–100
DIR. UP, DOWN
1
DECAY
OFFSET 0–100
FB.GAIN –99 to +99%
2, 4, 6, 8, 10, 12,
STAGE
14, 16
LSH F 21.2 Hz–8.00 kHz
LSH G –12.0 to +12.0 dB
HSH F 50.0 Hz–16.0 kHz
HSH G –12.0 to +12.0 dB
1. 6 ms–46.0 s (fs=44.1 kHz), 5 ms–42.3 s (fs=48 kHz), 3 ms–23.0 s
(fs=88.2 kHz), 3 ms–21.1 s (fs=96 kHz)
REV+CHORUS
One input, two output reverb and chorus effects in
parallel.
Parameter Range
REV TIME 0.3–99.0 s
INI. DLY 0.0–500.0 ms
HI. RATIO 0.1–1.0
DIFF. 0–10
DENSITY 0–100%
THRU,
HPF
21.2 Hz–8.00 kHz
50.0 Hz–16.0 kHz,
LPF
THRU
REV/CHO 0–100%
FREQ. 0.05–40.00 Hz
AM DEPTH 0–100%
PM DEPTH 0–100%
MOD. DLY 0.0–500.0 ms
WAVE Sine, Tri
SYNC OFF, ON
1
NOTE
1.
Description
Control source: input signal or
MIDI Note On velocity
Sensitivity
Upward or downward fre-
quency change
Decay speed
Lowest phase-shifted frequency
offset
Feedback gain (plus values for
normal-phase feedback, minus
values for reverse-phase feed-
back)
Number of phase shift stages
Low shelving filter frequency
Low shelving filter gain
High shelving filter frequency
High shelving filter gain
Description
Reverb time
Initial delay before reverb begins
High-frequency reverb time ratio
Spread
Reverb density
High-pass filter cutoff frequency
Low-pass filter cutoff frequency
Reverb and chorus balance (0%
= all reverb, 100% = all chorus)
Modulation speed
Amplitude modulation depth
Pitch modulation depth
Modulation delay time
Modulation waveform
Tempo parameter sync on/off
Used in conjunction with
TEMPO to determine FREQ.