Yamaha DM1000 Owner's Manual page 192

192
Chapter 16—Automix
When the TO END button is on, the way in which fader events are processed depends
on the currently-selected Fader Edit mode and Edit Out mode. The following table
shows how the faders operate when the Fader Edit mode is set to Absolute.
TO END
At the point at which recording is stopped, the fader
returns to the position specified by the existing fader
data, at the speed specified by the Time parameter
on the Fader1 or 2 page.
OFF
At the point at which recording is stopped, the fader
returns to the position specified by the existing fader
data, at the speed specified by the Time parameter
on the Fader1 or 2 page. All subsequent events are
erased. The fader remains at that position through to
the end of the Automix.
ON
If the Fader Edit mode is set to Relative, and the Edit Out mode is set to either Takeover
or Off, the fader will remain at a position relative to its position when recording was
stopped right through to the end of the Automix.
G
EDIT OUT
This parameter sets the Edit Out mode: TAKEOVER, RETURN, or OFF (both buttons
are off). This mode determines how rerecorded fader moves align with existing fader
data at the punch out point.
Fader data includes Input Channel levels, Bus Out master levels, Aux Send master levels,
the Stereo Out level, and Remote layer faders.
DM1000—Owner's Manual
Return
Existing data
Return time
Fader edit
Time
Punch in Stop recording
Existing data
Return time
Fader edit
Time
Punch in Stop recording
Takeover or Off
At the point at which recording is stopped, the fader
remains at the same position until the next fader
event in the existing data is encountered.
Existing data
Fader edit
Punch in Stop recording
At the point at which recording is stopped, all subse-
quent events are erased so that the fader remains at
that position right through to the end of the Auto-
mix.
Existing data
Fader edit
Punch in Stop recording
Time
Time