Yamaha A4000 Owner's Manual page 268

Professional sampler
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Effect Parameter List
88: TEMPO DELAY (MONO)
1
Dry/Wet
D63>W — D=W — D<W63
@2
Delay Time
32nd note — whole note
3
Feedback Level
-63 — +63
4
Feedback High Damp
0.1 — 1.0
5
L/R Diffusion
-63ms — +63ms
6
Lag
-63ms — +63ms
7
EQ Low Frequency
32Hz — 2.0kHz
8
EQ Low Gain
-12dB — +12dB
9
EQ High Frequency
500Hz — 16.0kHz
10
EQ High Gain
-12dB — +12dB
Synchronizes to external MIDI clock when Program LFO sync is set to "MIDI," and to the Program LFO tempo when set to "Manual."
89: TEMPO DELAY (STEREO)
1
Dry/Wet
D63>W — D=W — D<W63
@2
Delay Time
32nd note — half note
3
Feedback Level
-63 — +63
4
Feedback High Damp
0.1 — 1.0
5
L/R Diffusion
-63ms — +63ms
6
Lag
-63ms — +63ms
7
EQ Low Frequency
32Hz — 2.0kHz
8
EQ Low Gain
-12dB — +12dB
9
EQ High Frequency
500Hz — 16.0kHz
10
EQ High Gain
-12dB — +12dB
Synchronizes to external MIDI clock when Program LFO sync is set to "MIDI," and to the Program LFO tempo when set to "Manual."
90: TEMPO CROSS DELAY
1
Dry/Wet Balance
D63>W — D=W — D<W63
@2
Delay Time L>R
32nd note — half note
@3
Delay Time R>L
32nd note — half note
4
Feedback Level
-63 — +63
5
Feedback High Damp
0.1 — 1.0
6
Input Select
L, R, L&R
7
Lag
-63ms — +63ms
8
EQ Low Frequency
32Hz — 2.0kHz
9
EQ Low Gain
-12dB — +12dB
10
EQ High Frequency
500Hz — 16.0kHz
11
EQ High Gain
-12dB — +12dB
Synchronizes to external MIDI clock when Program LFO sync is set to "MIDI," and to the Program LFO tempo when set to "Manual."
91: TEMPO FLANGER
1
Dry/Wet Balance
D63>W — D=W — D<W63
2
LFO frequency
32nd note — 1/4 note x 16
3
LFO depth
0 — 127
4
Feedback Level
-63 — +63
5
Delay Offset
0.0ms — 50.0ms
6
LFO Phase Difference
-180deg — +180deg
@7
LFO Init Phase
0deg, 90deg, 180deg, 270deg
8
EQ Low Frequency
32Hz — 2.0kHz
9
EQ Low Gain
-12dB — +12dB
10
EQ Mid Frequency
100Hz — 10.0kHz
11
EQ Mid Gain
-12dB — +12dB
12
EQ Mid Width
1 — 12.0
13
EQ High Frequency
500Hz — 16.0kHz
14
EQ High Gain
-12dB — +12dB
15
LFO Reset (Ctrl)
Synchronizes to external MIDI clock when Program LFO sync is set to "MIDI," and to the Program LFO tempo when set to "Manual."
The initial phase of the LFO modulation waveform can be reset from a MIDI controller.
In order to do this the controller to be used must be assigned to "E*-15" ("*" is the effect number used for this effect) via the program controller setup display. The phase is reset when
a corresponding MIDI control change message is received, regardless of the control change value.
92: TEMPO PHASER
1
Dry/Wet Balance
D63>W — D=W — D<W63
2
LFO frequency
32nd note — 1/4 note x 16
3
LFO depth
0 — 127
4
phase shift offset
0 — 127
5
feedback level
-63 — +63
6
stage
3, 4, 5, 6
7
LFO phase difference
-180deg — +180deg
@8
LFO Init Phase
0deg, 90deg, 180deg, 270deg
9
EQ Low Frequency
32Hz — 2.0kHz
10
EQ Low Gain
-12dB — +12dB
11
EQ High Frequency
500Hz — 16.0kHz
12
EQ High Gain
-12dB — +12dB
13
LFO Reset (Ctrl)
Synchronizes to external MIDI clock when Program LFO sync is set to "MIDI," and to the Program LFO tempo when set to "Manual."
The initial phase of the LFO modulation waveform can be reset from a MIDI controller.
In order to do this the controller to be used must be assigned to "E*-13" ("*" is the effect number used for this effect) via the program controller setup display. The phase is reset when
a corresponding MIDI control change message is received, regardless of the control change value.
268
Appendix
• A5000/A4000
Balance of the dry sound and effect sound
Delay length specified by note length
Amount of feedback
High range attenuation (lower values cause the high range to decay faster)
The feeling of "width" produced by the delay
Lag in relation to tempo
Frequency at which the EQ will boost/cut the low range
Gain with which the EQ will boost/cut the low range
Frequency at which the EQ will boost/cut the high range
Gain with which the EQ will boost/cut the high range
Balance of the dry sound and effect sound
Delay length specified by note length
Amount of feedback
High range attenuation (lower values cause the high range to decay faster)
The feeling of "width" produced by the delay
Lag in relation to tempo
Frequency at which the EQ will boost/cut the low range
Gain with which the EQ will boost/cut the low range
Frequency at which the EQ will boost/cut the high range
Gain with which the EQ will boost/cut the high range
Balance of the dry sound and effect sound
Left (input) to right (output) delay specified by note length
Right (input) to left (output) delay specified by note length
Amount of feedback
High range attenuation (lower values cause the high range to decay faster)
Input selection
Lag in relation to tempo
Frequency at which the EQ will boost/cut the low range
Gain with which the EQ will boost/cut the low range
Frequency at which the EQ will boost/cut the high range
Gain with which the EQ will boost/cut the high range
Balance of the dry sound and effect sound
Delay modulation frequency specified by note length
Delay modulation depth
Level at which the delay output is returned to the input
Offset value for delay modulation
L/R phase difference in the modulation waveform (no difference at 0 deg)
Sets the initial phase of the LFO waveform
Frequency at which the EQ will boost/cut the low range
Gain with which the EQ will boost/cut the low range
Frequency at which the EQ will boost/cut the mid range
Gain with which the EQ will boost/cut the mid range
Width of the mid range area which the EQ will boost/cut
Frequency at which the EQ will boost/cut the high range
Gain with which the EQ will boost/cut the high range
Reset to initial phase (for MIDI control)
Balance of the dry sound and effect sound
Phase modulation frequency specified by note length
Depth of phase modulation
Phase shift offset value
Level at which phaser output will be returned to the input (negative values invert the phase)
Number of phaser shifter stages
L/R phase difference in the modulation waveform (no difference at 0 deg)
Sets the initial phase of the LFO waveform
Frequency at which the EQ will boost/cut the low range
Gain with which the EQ will boost/cut the low range
Frequency at which the EQ will boost/cut the high range
Gain with which the EQ will boost/cut the high range
Reset to initial phase (for MIDI control)

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