Yamaha A4000 Owner's Manual page 259

6: JUMP
1 Depth 0 — 127
2 Speed 0 — 127
3 Direction L<>R,L>>R
@4 Type Type-A,Type-B,Type-C
@5 Jump Wave Type Type-A,Type-B,Type-C,Type-D
@6 Resolution 1/1 — 1/256
7 LPF Frequency 1.0kHz — 18.0kHz, thru
8 HPF Frequency thru, 20Hz — 8.0kHz
9 Dry/Wet Balance D63>W — D=W — D<W63
7: BEAT CHANGE
1 BeatChange(Ctrl) -63 — +63
2 Beat Range 0 — 12
3 PitchChange(Ctrl) -63 — +63
4 Pitch Range 0 — 12
@5 Accuracy Type sound4 — normal — rhythm4
6 EQ Frequency 100Hz — 10.0kHz
7 EQ Gain -12dB — +12dB
8 EQ Width 1.0 — 12.0
9 Dry/Wet Balance D63>W — D=W — D<W63
You can use this effect to set up a controller so that the controller will vary the playback speed while leaving the pitch unchanged.
In order to use this effect a controller must first be assigned to "E*-1" ("*" is the effect number used for this effect) in the program controller setup display after selecting the effect. Then
"2. BeatRange" must be set as required. "1. BeatChange(Ctrl) and 3. PitchChange(Ctrl are controlled from controllers and should be set to "0."
8: PITCH CHANGE 1, 9: PITCH CHANGE 2
1 Dry/Wet Balance D63>W — D=W — D<W63
2 Pitch -24 — +24
3 Initial Delay 0.1ms — 200.0ms
4 Fine1 -50 — +50
5 Fine2 -50 — +50
6 Feedback Level -63 — +63
7 Pan1 -63 — 0 — +63
8 Output Level1 0 — 127
9 Pan2 -63 — 0 — +63
10 Output Level2 0 — 127
The Fine1 and Fine2 settings are in cents for the PITCH CHANGE 2 effect only.
10: LOW RESOLUTION
1 Mod Depth 0 — 127
2 Mod Delay Offset 1 — 127
3 Mod Feedback -63 — +63
@4 Resolution 1/1 — 1/128
5 Mod Mix Balance 0 — 127
6 Phase Inverse R off,Wet,Wet+Dry
7 Dry/Wet Balance D63>W — D=W — D<W63
11: NOISY
1 Drive 0 — 127
2 Mod Depth 1 — 10
3 Mod Speed 0 — 127
4 Mod Feedback -63 — +63
5 AM Speed 0.00Hz — 39.7Hz
6 AM Depth 0 — 127
7 Mod Mix Balance 1 — 127
8 LPF Frequency 1.0kHz — 18.0kHz, thru
9 LPF Resonance 1.0 — 12.0
10 EQ Frequency 100Hz — 10.0kHz
11 EQ Gain -12 — +12dB
12 EQ Width 1.0 — 12.0
13 Dry/Wet Balance D63>W — D=W — D<W63
12: ATTACK LOFI
1 Sensitive 0 — 127
@2 Resolution 1/1 — 1/32
3 Peak Frequency 100Hz — 10.0kHz
4 LPF Frequency 1.1kHz — 18.0kHz, thru
5 Flanger Speed 0.00Hz — 39.7Hz
6 Flanger LFO Wave tri,sine,saw up,saw down
7 Flanger Depth 0 — 127
8 Fln Depth Ofst R -64 — +63
9 Flanger Delay 0.1 — 650.0ms
10 Fln Delay Ofst R 0 — 884
11 Flanger Feedback -63 — +63
12 Flanger FB Ofst R -63 — +63
13 Flanger FB HiDamp 0.1 — 1.0
14 FB HiDamp Ofst R -0.9 — +0.9
15 Fln Mix Balance 1 — 127
16 Dry/Wet Balance D63>W — D=W — D<W63
Modulation depth
Modulation speed
Modulation type
Modulation type
Modulation type
Resolution
Frequency at which the low pass filter will cut the high range
Frequency at which the high pass filter will cut the low range
Balance between the dry sound and effect sound
A beat change effect
Width of variation for sample playback speed
A pitch change effect
Width of variation for Pitch Change
Balance between emphasis on sound quality and emphasis on sense of beat
Frequency at which the EQ will boost/cut the mid range
Gain by which the EQ will boost/cut the mid range
Width of the area in which the EQ will boost/cut the mid range
Balance between the dry sound and effect sound
Balance of the dry sound and effect sound
Pitch change in semitone steps
Delay length
Fine pitch setting for first unit
Fine pitch setting for second unit
Amount of feedback
Panning of first unit
Output level of first unit
Panning of second unit
Output level of second unit
Modulation depth
Modulation delay offset
Feedback amount
Resolution
Delay sound and bypass sound balance
Left/right phase reversal
Balance between dry sound and effect sound
Degree of distortion
Modulation depth
Modulation speed
Feedback amount
Amplitude modulation frequency
Amplitude modulation depth
Balance between noise modulated sound and bypass sound
Frequency at which the low pass filter will cut the high range
Resonance of the low pass filter
Frequency at which the EQ will boost/cut the mid range
Gain by which the EQ will boost/cut the mid range
Width of the mid range area which the EQ will boost/cut
Balance between the dry sound and effect sound
Sensitivity
Resolution
Frequency at which a peak will be created in the mid range
Frequency at which the low pass filter will cut the high range
Frequency of delay modulation
Modulation waveform selection
Modulation depth
R ch offset for depth
Delay time
R ch offset for delay time
Feedback amount
R ch offset for feedback
Adjust the high range attenuation (low values will cause the high range to decay faster)
R ch offset for high damp
Balance between flanger sound and bypass sound
Balance between dry sound and effect sound
Effect Parameter List
259
Appendix
A5000/A4000 •