Yamaha QX5 Owner's Manual page 29

Digital sequence recorder
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Shift Control
Shift Macro
5. QUANTIZE
6. TRANSPOSE
Shift a specified control change to another contro! change.
4>SHIFT
143
4>SHIFT
143
CNTL
0001..0015
CNTL
001
004
TL
|
Control no. 0-121
lf you executed the example above, all Modulation Wheel messages (control #1)
would
be Shifted to Foot Controller messages
(control #4) for measures
1-15.
See the table of Control Changes on p. 22.
Shift a specified Macro number to another Macro number.
4>SHIFT
143
4>SHIFT
MACRO
0001..0015
MACRO
Macro 1-32
If you executed the above example, Macro 5 would
be shifted to Macro 32 for
measures
1-15. For example, suppose
Macro 5 was a drum roll and Macro 32
was a harp glissando. A certain track calls Macro 5 in several places, but you want
to change each drum roll to a harp glissando.
Simply specify "MACRO
05 32."
Use this to adjust the timing of each event to the nearest specified step. This lets
you "tighten up" performances you recorded in Realtime.
S5>QUANTIZE
143
1/8
0005.
.0020
Timing precision 1/2 - 1/96
If you executed the above example, all events in measures 5-20 would be moved
to the nearest eighth note.
If you want to Quantize only notes, Extract the notes
(p. 32), Quantize them, and re-combine the two tracks (Track Down, p. 31).
Use this to move all note numbers up or down by a specified interval of up to 2
octaves. Notes are limited
C-2- D#7.
6>TRANSPOSE
143
+07
0005..0020
Interval —24 - +24
If you executed the above example, all notes in measures 5-20 would be transposed
up a fifth.
28

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