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The
+ 0.1
% and -
0.1
% resolve
percentages listed in
Tables
3
-
2
and 3
-
3 indicate the deviation from the nominal
recorded
tape
speed
which the transport runs at
during
Resolve
on Play
mode
.
It should be noted that
operation
of the machine to
other more substantially
mis
-
matched clock rates during
Resolve on Play mode will not
provide
reliable
operation
.
APR
-
5003 V
TIME CODE ON TAPE
INPUT SIGNAL
SMPTE NDF
SMPTE DF
EBU
FILM
LTC
@
30 f /
s
Resolve
+
0.1
%
n / a
n / a
60 Hz
NTSC B
^
W Video
Resolve
+
0.1
%
n / a
Resolve
*
LTC
@
29.97 f / s
Resolve
n
/
a
n
/
a
- 0.1
%
59.54
Hz
NTS Color Video
Resolve
n / a
-
0.1 %
*
-
0.1 %
LTC
@
25 f / s
Resolve
n / a
n / a
n / a
Resolve
n / a
n / a
50 Hz
PAL
/
SECAM Video
n
/
a
Resolve
LTC
@
24 f /
s
n / a
n / a
n / a
*
NOTE : One
of the most interesting applications
of RESOLVE ON PLAY
is
the ability
to
resolve 60 Hz
input
reference signals
to
the 24 f / s
Film
Time
Code
,
by
maintaining
a
4
5 Time Code
to
reference signal resolving
ratio
.
Table 3
-
2
.
Resolve
Capabilities
with
LTC Input
APR
-
5003 V
TIME CODE ON
TAPE
INPUT SIGNAL
SMPTE NDF
SMPTE DF
EBU
FILM
LTC
@
30 f /
s
Resolve
+
0.1
%
n / a
n / a
60
Hz
NTSC B
^
W Video
Resolve
+ 0.1 %
n / a
Resolve
*
LTC
@
29.97 f /
s
Resolve
-
0.1 %
n / a
n / a
59.54 Hz
NTS Color Video
Resolve
- 0.1 %
n
/
a
-
0.1 %
*
LTC
@
25 f / s
Resolve
n / a
n
/
a
n
/
a
50 Hz
PAL / SECAM Video
Resolve
n / a
n
/
a
n
/
a
LTC
@
24 f / s
n /
a
n / a
n / a
Resolve
*
NOTE
:
One of
the most interesting applications of
RESOLVE ON PLAY
is
the ability
to
resolve 60 Hz
input
reference signals
to
the 24 f / s Film Time Code
,
by
maintaining
a
4.5 Time
Code
to reference signal resolving ratio
Table 3
-
3
.
Resolve Capabilities with Video
Signal
/ Tone
Input
3
-
16
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