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About this manual
This manual will provide you with a quick overview of how to get rocking fast as well as an in-depth look at the pedal's more advanced features. Happy reading!
Please note: TC Electronic reserves the rights to change the contents of this manual at any time.
This is version 1.0 of the Flashback X4 Delay & Looper manual.
If you still have questions after reading this manual, please use TC Electronic Support:
http://support.tcelectronic.com/
To reduce the risk of fire or electrical shock, do not expose this equipment to dripping or splashing and ensure that no objects filled with liquids, such as vases, are placed on or near the equipment.
Do not install this product in a confined space.
All service must be performed by qualified personnel.
You are cautioned that any change or modifications not expressly approved in this manual could void your authority to operate this equipment.
When replacing the battery follow the instructions on battery handling in this manual carefully.
This equipment has been tested and found to comply with the limits for a Class B Digital device, pursuant to part 15 of the FCC rules.
These limits are designed to provide reasonable protection against harmful interference in residential installations. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:
This Class B digital apparatus complies with Canadian ICES-003.
The Flashback X4 Delay & Looper box should contain the following items:
Inspect all items for signs of transit damage. In the unlikely event of transit damage, inform the carrier and supplier.
If damage has occurred, keep all packaging as it can be used as evidence of excessive handling force.
Play!
"OK... So what does this thing do?"
"Glad you asked. First and foremost, the Flashback X4 Delay & Looper is a top-notch delay unit – so let's talk delays!"
Who doesn't love the smooth sound of an old tape echo machine? The "Tape" setting makes for an overall great starting point with its mellow and "warbling" sound.
This delay type has been tweaked to sound like an old tube tape echo – much like the "Tape" setting, but with a bit more warmth. Use this setting if you want your fans to check the stage for hidden vintage gear...
It's hard not to like the luscious tape sound of the original Roland® Space Echo*. The "Space" setting instantly gives you rich echo sounds with a bit of Space Echo* mojo.
This is as close as you can get to the charming nature of an old analog transistor bucket-brigade delay without buying the real thing! With every repeat you get more of that old-school "fade to grey" vibe.
Take a trip down Memory Lane with this rich and larger-than-life sounding delay. "Analog w/mod" will definitely spice up your sound.
If you've been around for some time, you know the drill: Record a guitar part on tape. Flip the tape over. Play it back. This is a classic effect made famous by guitar legends such as Jimi Hendrix – and although it's kind of "old school", the reverse effect still seems to inspire people to try out new things.
Try this:
Turn the FEEDBACK knob all the way down to hear only the reversed signal.
Imagine you had someone turn up the volume of your delay pedal as soon as you stop playing for a second... and turn it down again when you resume playing.
Why not let the Flashback X4 Delay & Looper be that someone? That's what the "Dynamic" delay type does. It's especially useful for fast solo parts where you don't want the delay repetitions interfering with your playing.
Once upon a time... (i.e., back in 1985) TC Electronic released the 2290 Dynamic Digital Delay. It set the bar for professional delays for years to come and is still held in high regard among delay enthusiasts.
Use the "2290" setting for the most crisp and clean delay you can imagine. This is the standard.
Take the 2290's pristine sound, send it through three (!) chorus pedals... et voilà. If you're into the sound of The Edge, you don't want to miss this setting.
Oh, and while you're at it, try playing around with the SUBDIVISION SELECTOR Switch.
A delay type for all things country – but you can also use this for many other genres.
Use this setting to get your rockabilly on and pay homage to the rich staccato heritage of Brian Setzer, Chet Atkins and Scotty Moore, or as an alternative to reverb.
Fed up with hi-fi? Try the "Lofi" setting to get that dirty feel.
From punk to rock – play around with the knobs, but no matter what you do: It ain't gonna sound pretty.
Like the ball in the eponymous game, the delay repeats jump from left to right (provided you're using both outputs for a stereo signal). The effect is really wide.
Ping Pong is a lot of fun to play around with in stereo – but it sounds great in mono, too.
* All product names are trademarks of their respective owners, which are in no way associated or affiliated with TC Electronic. These product names and descriptions are provided for the sole purpose of identifying the products that were studied during product development.
1 - Audio inputs and outputs
The Flashback X4 Delay & Looper is equipped with ¼" input and output jacks.
"So how do I configure the Flashback X4 for mono or stereo operation? What if I want mono input and stereo out or..."
"Stop worrying – start rocking!"
You don't need to worry about mono/stereo configuration issues. The Flashback X4 Delay & Looper uses auto-sensing technology to detect if you are using it in mono or stereo – both on inputs and outputs.
2 - Expression pedal input
The Flashback X4 Delay & Looper allows you to connect an expression pedal (optional/not included).
Once you have connected and configured an expression pedal, you can use it to control one or more of the following parameters:
You can define...
For use with the Flashback X4 Delay & Looper, you'll want to use a 25 kOhm linear pot expression pedal.
Please note that a standard guitar volume pedal has a 250 kOhm logarithmic pot and cannot be used as an expression pedal for the Flashback X4 Delay & Looper.
If you already own an expression pedal and you are not sure if you can use it with the Flashback X4 Delay & Looper, please ask your local vendor or get in touch with TC Support.
You can control any combination of the Delay Time, Feedback Level and Delay Level parameters with an external expression pedal. To set up parameters and parameter ranges, proceed as follows:
To reset the parameters and parameter ranges assigned to a Flashback X4 Delay & Looper preset, proceed as follows:
3 - Power input
4 - USB jack
5 - MIDI IN / MIDI THRU jacks
Type: standard 5.5/2.1 mm DC plug, centre negative (supplied).
To power up the pedal, connect the power supply that came with the Flashback X4 Delay & Looper to the power input jack.
You may also use another 9V or 12V power supply, as long as it provides 300 mA or more. Use power supplies with isolated outputs to minimize hum.
You can download new TonePrints from the TC website to your computer and transfer them to your pedal.
Use the Mini-B to Type A USB cable that came with the pedal to connect the Flashback X4 Delay & Looper to a computer. For more on downloading and using TonePrints, see http://www.tcelectronic.com/toneprint
These are standard MIDI (Musical Instrument Digital Interface) connectors.
Connect a computer/DAW (or another device generating a MIDI Clock signal) to the MIDI IN jack to control the pedal's delay tempo.
An incoming MIDI Clock signal will override the settings of the pedal's own Delay Time knob. However, the Subdivision Selector switch still defines the actual note values used to generate the delays.
You can also send MIDI Program Change messages from your computer (or another MIDI-capable device) to the pedal to switch between the pedal's three presets.
The Flashback X4 Delay & Looper is receiving MIDI messages on all MIDI channels (MIDI Omni Mode).
To forward the incoming MIDI signal to another MIDI-equipped device, connect the MIDI THRU jack of the Flashback X4 Delay & Looper to the MIDI Input of another MIDI device.
6 - Delay type selector
Use the DELAY TYPE SELECTOR to choose the type of delay you want to work with. The Flashback X4 Delay & Looper offers a wide range of delays – from classic tape delays to the pristine sound of a TC 2290.
When you choose a delay type, the chosen delay type will "pick up" the current positions of the delay control knobs (for example DELAY TIME). However, if you choose a preset and turn one of the delay control knobs, nothing will change except for that one, specific parameter.
The slots "1", "2", "3" and "4" of the Delay Type Selector are "placeholders" for TonePrints. The Flashback X4 Delay & Looper comes equipped with the following default TonePrints:
"So what exactly is this TonePrint thing?"
"Amazing, that's what it is! Allow us to explain..."
When you look at your pedal, you'll only see a few knobs and switches. However, they actually control a large number of internal parameters.
TC has defined the relationship between each knob and all the parameters "under the hood". But wouldn't it be cool to have guys like Steve Stevens, Scott Ian or Paul Gilbert (i.e., some of the world's leading guitar players) virtually rewire these controls, defining what should happen behind the scenes?
This is exactly what TonePrint does.
We work with top guitar players who explore a pedal's hidden tonal potential, redefining the controls and creating their personal TonePrints.
TC is making these custom TonePrints available to you. Uploading them to your pedal is really easy, you can even change them as often as you like, and the best part: They're totally free.
"So how do I load new TonePrints into my pedal?"
"Use USB, Luke – or beam it."
For all you iPhone and Android users out there, we created the TonePrint App. iPhone users can download it from Apple's App Store, Android users will find it on Google Play.
7 - Delay time knob
8 - Subdivision selector switch
Turn the DELAY TIME knob all the way down for really short repeats. Turn the DELAY TIME knob up until you find your preferred amount of delay time. Turning the DELAY TIME knob all the way up will give you a whopping seven seconds of delay time for most delay types.
The knob is scaled so that you'll be within the most usable range from the minimum position to approximately the 3 o'clock position. Turning it beyond this point will give you very high values.
Use this switch to choose the note intervals that the delay repetitions are based on.
9 - Feedback knob
10 - Delay level knob
Use the FEEDBACK knob to set the desired numbers of delay repeats. Turning the FEEDBACK knob to the right will give you more delay repeats.
Use the DELAY LEVEL knob to set the desired level of the delay signal. Turning the DELAY LEVEL knob to the right will increase the volume of the delay signal.
Unlike the delay level knobs of some other pedals, the DELAY LEVEL knob of the Flashback X4 Delay & Looper will not influence the volume of the dry (unprocessed) signal, since we don't want to mess with the original signal from your instrument.
Analog-dry-through allows the analog signal from your guitar to pass through the pedal without being digitized, even when the pedal is turned on. This means absolutely zero latency and no tone coloration.
11 - Looper/Delay switch
Use this LOOPER/DELAY switch to set the functionality of the footswitches A, B and C.
12 - Looper level knob
Use the LOOPER LEVEL knob to set the playback volume of the Flashback X4's Looper module.
You can still use the delay effect when using the Looper module. If you do so, use the DELAY LEVEL and the LOOPER LEVEL knobs to balance the volumes of the effect and the audio loop.
13 - Presets
When the LOOPER/DELAY switch is in the bottom position ("Delay"), the three switches A, B and C can be used to access the Flashback X4 Delay & Looper's three presets.
When the LOOPER/DELAY switch is in the top position ("Looper"), you do not have access to presets. Instead, the current positions of the delay knobs apply.
Press the footswitch corresponding to the preset you want to recall (use). Only one preset can be active at a time. The LED of the active preset's footswitch will be lit.
The Flashback X4 Delay & Looper comes with three factory presets, but you can overwrite them with your own favorite settings.
When none of the three footswitch LEDs are lit, the pedal is in bypass mode, and you will only hear the dry, unprocessed signal.
If you have set the internal Kill-Dry dip switch to the "On" position and none of the three footswitch LEDs are lit, no signal will be present at the Flashback X4 Delay & Looper's output.
When you have selected a preset and you have changed parameters (e.g. the delay time), you may want to store your edited version of the preset.
To store the current delay settings, press and hold the footswitch of the currently active (lit) preset slot for circa two seconds.
The LEDs of the TAP footswitch and the selected preset will blink to confirm that the preset has been stored.
The Flashback X4 Delay & Looper has two bypass modes: True Bypass and Buffered Bypass.
"So what is saved as part of a preset?"
"Every delay parameter!"
A preset includes all settings of the Flashback X4 Delay & Looper's delay module, including the TonePrint (i.e., if the Delay type selector is set to one of the four TonePrint slots).
If you have attached an external expression pedal to the Flashback X4 Delay & Looper, the parameters assigned to this expression pedal are stored as part of the preset, too.
When you have stored a preset that is using a TonePrint, you can upload/beam a new TonePrint to that TonePrint slot without affecting the preset. This means that the Flashback X4 Delay & Looper effectively gives you access to seven TonePrints, like this:
You now have access to seven TonePrints – those in the four TonePrint slots and those stored as a part of presets A, B and C.
14 - Tap footswitch
To set the desired delay time, you can tap the TAP footswitch rhythmically. This is an alternative to using the DELAY TIME knob.
Simply tap the TAP footswitch a few times in the current song tempo.
To readjust the tempo when it's a bit off (of course, the drummer is to blame!), just tap the TAP footswitch again in the correct tempo.
Please note that the tempo is defined by tapping quarter notes. However, if you have set the Subdivision Selector switch to the mid or bottom position, what you will actually hear are delay repeats with dotted eighths and/or quarter notes timing.
The Flashback X4 Delay & Looper is actually two products in one:
To operate the looper module, set the LOOPER/DELAY switch to the "Looper" position.
You can still use the delay when working with the looper module of the Flashback X4 Delay & Looper. This means that you can record loops with delay effects.
Please note the following differences between Delay mode and Looper mode:
As you can change delay settings during loop recording, you can get really creative when stacking your recordings. For example, you could start with a dry bass line (DELAY LEVEL set to minimum), then add some chords with a subtle Tape delay and top it all off with a solo drenched in a luscious "2290 w/mod" delay.
To start playback of a previously recorded loop from the start, press the footswitch with the Playback/Pause symbol. Playback will continue until you stop it.
To stop playback immediately, press the footswitch with the Playback/Pause symbol again.
To play back a previously recorded loop just once, press the Playback ONCE footswitch.
To stop the playback of the loop at the end of the loop cycle, press the Playback ONCE footswitch. The Playback ONCE footswitch will blink until the end of the loop cycle is reached. At this point, playback is stopped.
This is very helpful if you want to end a performance "gracefully" (i.e. right at the end of a loop cycle) without having to worry about hitting the footswitch at just the right moment.
During loop recording, each new recording is added on top of the loop's previous version. However, if you make a mistake during a recording cycle, you can undo it by pressing the UNDO/REDO footswitch.
If you change your mind, you can press the UNDO/REDO footswitch again to bring back the previously deleted recording cycle.
The undo/redo feature is not only useful for fixing mistakes – it can also be used as a creative tool on stage. Here is a simple example:
To delete your loop recording (not only the last recording cycle) completely, press and hold the UNDO/REDO footswitch.
Please note that while you can store the delay module's settings as presets, you cannot store loops. When you switch off the Flashback X4 Delay & Looper, the current loop is erased.
The Flashback X4 Delay & Looper has two bypass modes: True Bypass and Buffered Bypass. To set the desired mode, you have to open the device.
...is a hard-wire bypass that ensures that there is absolutely no coloration of tone when the pedal is bypassed.
Using True Bypass on all your effect pedals is the right choice for setups with only a few pedals and relatively short cables before and after the pedals.
If you use a long cable between your guitar and the first pedal, or if you use many pedals on your board, or if you use a long cable from your board to the amp... the best solution will most likely be to activate Buffered Bypass mode in the first and the last pedal in the signal chain.
"Can I hear the difference between a pedal in True Bypass or Buffered Bypass mode?"
"Maybe, maybe not – many factors apply: active vs. passive pickups, single coil vs. humbucker, cable quality, amp impedance... There is no ultimate answer. Use your ears and find the best solution for your setup!"
The Kill-Dry feature allows you (you guessed it) to "kill" the dry signal and only keep the processed signal.
If you use this pedal in the parallel effects loop of your guitar amplifier, you do not want the dry (unprocessed) signal to pass through the pedal, as this could lead to undesired phasing and cancellation effects.
To activate Kill-Dry, you have to open the device.
The default mode is Kill-Dry off – i.e., by default, the dry signal is being passed through the pedal.
Here you can download full pdf version of manual, it may contain additional safety instructions, warranty information, FCC rules, etc.
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