Blue Snowball User Manual

Blue Snowball User Manual

Blue microphones snowball microphones: user guide
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The Snowball
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Summary of Contents for Blue Snowball

  • Page 1 The Snowball...
  • Page 3 You have just purchased the world’s most unique and innovative USB professional condenser microphone — the Snowball ! Here at Blue, we are known for designing and building the finest microphones available for studio, stage, film, broadcast — and now — you guessed it —...
  • Page 4 Well, we’re glad you asked. You will find the USB output port and a three-position switch on the rear of the Snowball. You can probably figure out what the USB port is for, but in case you can’t, this is the place where you connect the boxy end of the USB cable — with the other end going into, you guessed it, your computer.
  • Page 5: Frequency Response

    (well, of course, two capsules are better than one!) The Snowball uses two separate capsules to offer you a wide variety of applications. The first cap- sule generally “hears” what’s right in front of it in a fixed cardioid pattern with a neutral sonic sig- nature (engineering geeks call this unidirectional).
  • Page 6: System Requirements

    Snowball link at the top of the home page. *While the Snowball has been designed to work effectively with a wide range of recording applications, we cannot guarantee full compatibility with all software on the market. If you are experiencing difficulties using the Snowball with a particular application, please contact the software manufacturer for assistance and technical support.
  • Page 8 4. Exit control panel. Great, so now I’m ready to go! How do I get the most out of my Snowball? The following application hints are intended to give you a good starting point to get the most out of this unique audio tool.
  • Page 9 Here’s a little-known secret: vocalists love singing into unique and impressive mics like the Snowball. Put it in front of any singer and you’re sure to get an inspired performance. For a “big” vocal sound, position the vocalist within one to four inches of the diaphragm. With the input volume properly adjusted in your computer’s settings, there is no need to worry about overloading the...
  • Page 10 Strings The Snowball is an excellent choice for miking all members of the bowed string family. In general, the diaphragm should be angled toward the instrument’s bridge to pick up a blend of body resonance and bow sound.
  • Page 11 For soprano sax, clarinet, oboe and related instruments, position the Snowball directly above and in front of the keys between the middle of the horn and the lowest pads. Try moving the Snowball up or down along the length of the body to adjust the balance of airy highs (toward the mouthpiece) and cutting midrange (toward the bell).
  • Page 12 Baltic Latvian Universal Electronics (BLUE) reserves the right to alter specifications without prior notice. Blue Microphones, Snowball, Ball, 8-Ball, Kickball, The Pop and The Ringer are trademarks or registered trademarks of Blue Microphones, Inc. All other trademarks contained herein are the property of their respective owners.

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