If . either . of . the . Guides . do . not . provide . the . information . you . need, . be . sure . to . consult . . http://www.focusrite.com/answerbase, . which . contains . a . comprehensive . collection . of . answers . to .
AIR . subtly . modifies . the . pre-amp’s . frequency . response . to . model . the . impedance . and . resonance . characteristics . of . Focusrite’s . classic . transformer-based . ISA . mic . preamps. . When . recording . with .
Connecting Clarett 4Pre to loudspeakers The .1/4” .jack .LINE OUTPUTS 1 .and .2 .on .the .rear .panel .will .normally .be .used .to .drive .monitoring . speakers. .Self-powered .monitors .(e.g., .typical .computer .speakers) .incorporate .internal .amplifiers, . and . m ay . b e . c onnected . d irectly. .Passive . l oudspeakers . w ill . r equire . a . s eparate . s tereo . a mplifier; . i n . t his . case, .the .outputs .should .be .connected .to .the .amplifier’s .inputs.
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LINE OUTPUTS . 3 . and . 4 . to . check . your . mix . on . different . types . of . speaker. . You . can . easily . configure . Focusrite .Control .to .route .the .mix .to .these .outputs .as .well .as .Outputs .1 .and .2. .
LINE INPUTS .5 .and .6 .on .the .rear .panel. The .engineer .can .monitor .the .recording .via .Headphone .Output .1 .if .he/she .wishes, .using .Focusrite . Control . t o . s et . u p . h is/her . d esired . m onitoring . m ix. . A . s econd, . d ifferent . m ix . c an . b e . c reated . i f . n ecessary .
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.the .same .sample .rate. . The . additional . inputs . realised . by . use . of . the . optical . port . may . be . routed . using . Focusrite . Control . in . exactly . the . same . manner . as . the . other . inputs. . The . additional . inputs . can . also . form . part . of . any .
FOCUSRITE CONTROL - OVERVIEW Focusrite Control . is . the . software . application . used . with . the . Clarett . 4Pre. . It . allows . you . to . create . a . custom . monitor . mix . for . each . musician, . and . also . to . specify . the . routing . of . all . audio . signals . to .
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