DigiTech RP-20 VALVE User Manual

Tube preamp/effects processor & controller
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Tube Preamp/Effects Processor & Controller
User's Guide
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Summary of Contents for DigiTech RP-20 VALVE

  • Page 1 Tube Preamp/Effects Processor & Controller User’s Guide Please visit Digitech Electronics on the World Wide Web at http://www.digitech.com...
  • Page 2: Electromagnetic Compatibility

    WARNING C A U T I O N FOR YOUR PROTECTION, PLEASE READ THE FOLLOWING: R I S K O F E L E C T R I C S H O C K WATER AND MOISTURE: Appliance should not be used near water (e.g. near a bathtub, D O N O T O P E N washbowl, kitchen sink, laundry tub, in a wet basement, or near a swimming pool, etc).
  • Page 3: Declaration Of Conformity

    8760 S. Sandy Parkway Sandy, Utah 84070, USA Tel: 801.566.8800 Fax: 801.566.7005 Effective August 30, 1997 European Contact: Your Local Digitech Sales and Service Office or International Sales Office 3 Overlook Drive #4 Amherst, New Hampshire 03031, USA Tel: 603.672.4244 Fax: 603.672.4246...
  • Page 4: Quick Start

    Input jack (located on the rear of the RP-20). Now run from the Output of the RP-20 to the Input of the either the Guitar Amp, Power Amp or Mixing board. Apply Power: Note: When applying power to the RP-20 Valve, it is recommended that the <Input> and <Output> be turned down prior to powering up the unit. Adjust Input and Output: Use the <Input>...
  • Page 5: Table Of Contents

    Safety Information Making Connections ..............10 Declaration of Conformity..............i RP-20 Valve into Extension Speaker Cabinets ......10 Quick Start..................ii RP-20 Valve direct with the Programmable Speaker Cabinet Table of Contents ................iii. Emulator ..................11 Getting Around the Operating System........12 Section 1 - Introduction Program Mode................12...
  • Page 6 RP-20 Valve Section 4 - Editing Modules Section 5 - Advanced Topics Storing/Naming Defaults ..............25 Assigning Modifiers ................51 Editing a Module ................26 MIDI CC..................51 Output Module Functions..............27 LFO ....................51 Effect Module Size and Type List ............28 Dynamic..................51 Effect Default List ................29 Internal Expression Pedal ............52...
  • Page 7 RP-20 Valve Section 7 - Appendix SysEx Implementation Guide ............80 Factory Program List ..............68 MIDI Basics ................80 Program Descriptions ..............70 General Format ..............81 Effect Configuration Chart ............76 Procedures ................81 Harmony Interval Charts..............77 Request One Program- 01(h)..........82 Specifications................78 Receive One Program- 42(h) ..........82 MIDI Implementation Chart ............79...
  • Page 8 RP-20 Valve User Guide...
  • Page 9: Section-1 Introduction

    Congratulations..you are now the proud owner of a Digitech RP-20 Valve Guitar Preamp/Processor. The RP-20 Valve is the first-ever Floor processor with a Tube (12AX7) Preamp section. This allows you to obtain almost any tone imaginable with a full menu of state of the art digital effects right at your feet.
  • Page 10: Warranty

    7. The foregoing is in lieu of all other warranties, expressed or implied, and Digitech neither assumes nor authorizes any person to assume any obligation or liability in connection with the sale of this product. In no event shall Digitech or its dealers be liable for special or consequential damages or from any delay in the performance of this warranty due to causes beyond their control.
  • Page 11: A Quick Tour Of The Rp-20 Valve

    The <Bypass/(hold) Tuner> footswitch (located on the bottom row can be used to bypass all of the effects within the RP-20 Valve or activate the tuner mode when held. The <Bank Up/(Hold) Bank down>...
  • Page 12 Analog input section (pre-digital). The DIGITAL CLIP icon indicates that there is clipping in the digital effects domain. This meter is also used to show note activity while the RP-20 Valve is in Tuner Mode 2g) Effect Routing Matrix - The Effect Routing Matrix shows the signal flow of the currently selected program through the amp and effect sections.
  • Page 13 63. 6) Data Wheel - The <Data> Wheel is used for scrolling through the programs of the RP-20 Valve and various editing functions 7) Expression Pedal - The Expression pedal is used for continuous control over any parameter of the RP-20 Valve. For more about continuous control assignments of the RP-20 Valve, please see page 63.
  • Page 14: The Rear Panel

    LED (3) occasionally lights when an input signal is fed into the RP-20 Valve. 3) Input Signal Clip LED - This is the Input signal clip LED of the RP-20 Valve. When this LED lights, the input signal is too strong and should be turned down until this LED only occasionally lights.
  • Page 15: Prea Mp Section

    This is a great effect for producing clean and distorted tones at the same time. Solid State Distortion Path: The Solid State distortion path in the RP-20 Valve gives you the ability to get great clean tones, classic rock fuzz distortions, and even high gain rock distortions.
  • Page 16: The Digital Effects Section

    Low Frequency Oscillator (LFO) or MIDI Continuous Controller information. Every Program in the RP-20 Valve has a set of modifiers. Up to 16 Modifier links can be assigned to control parameters. There are 5 types of Modifiers that can be linked to a parameter: Foot Switch, Expression Pedal, MIDI CCs, LFOs, and Dynamic (signal level dependent).
  • Page 17: Module Types

    • Quarter (module type = 4th) Dividing the S-DISC II’s processing power allows your RP-20 Valve to produce up to 4 digital effects at one time. The figure below represents how the S-DISC II can be divided to accommodate a wide variety of effect routing.
  • Page 18: Section-2 Setting Up

    For those of you out there that feel that “bigger is better”, this set-up should work quite nicely for you. First plug into the input of the RP-20 Valve. RP-20 Valve run out of both of the outputs into the stereo inputs of the power amp. Using a set-up such as this will let you produce that classic Stack Sound.
  • Page 19: Emulator

    Running Direct with the Programmable Cabinet Emulator The RP-20 Valve provides you with a speaker cabinet emulator for running direct to a mixing board. When using the speaker cabinet emulator, it can be done by simply engaging cabinet Emulator in Page 2 of the Utilities menu. To get there, press the <Utilities>...
  • Page 20: Getting Around The Operating System

    Your RP-20 Valve uses “Pages” to navigate within an effect. A “Page” is a group of up to four effect parameters that appear on the screen at one time. Use the <Next Page > or <Previous Page> buttons to move through the pages in the menu. Note that as you scroll through the pages, the page indicator in the lower left corner of the display changes to show the currently displayed page number.
  • Page 21: Getting Sounds

    The best setting for the input control is to use the <Input level> knob so you’re occasionally lighting the clip LED. As far as setting the <Output level> knob, let your ears be the judge. But, if you can’t hear the rest of the band, chances are that you need to back off on the output level of the RP-20 Valve. Preamp Effects...
  • Page 22 4. Effect Module Size When you are editing the digital effect section of the RP-20 Valve, whether it be effect type, Wet/Dry Mix, Effect configuration or module size, simply press the <Effects> button, which will put you in digital effect edit mode. From there continue to press the <Effect> button until you reach the digital effect module that you wish to edit.
  • Page 23: Selecting A Program

    The Tuner of the RP-20 Valve can be accessed pressing and holding the < Bank Down/Tuner> footswitch. Instant Tuner Access To instantly access the Tuner Mode of the RP-20 Valve, press and hold the <Bypass/Tuner> footswitch. This will take you directly to the tuner function.
  • Page 24 Reference and Output The RP-20 Valve gives you the option of changing the Tuning reference from as low as F# or A=427 to A=453, by simply pressing the <3> button and then turning the <Data> wheel while the RP-20 Valve is in Tuner mode. Another feature available in the RP-20 Valve Tuner mode, is the ability to set the amount of signal that is passed to the output while tuning.
  • Page 25: Section 3 - Editing Program

    RP-20 Valve Section - 3 Editing Programs Section-3 Editing Programs Naming and Storing Programs Before we get into editing programs and creating your own sounds, let’s learn how to store changes so you won’t lose any modifications you’ll want to keep. The Store procedure allows you to rename, relocate and save any modifications you have made to programs so that they can be accessed easily later.
  • Page 26 Section - 3 Editing Programs RP-20 Valve Storing the Program 1. When you have the name how you want it, press the <Store> button again. The top line of the display appears something like this: Store Prg to: Big Thick C...
  • Page 27: Editing A Program

    Editing a Program The RP-20 Valve is capable of producing almost any guitar sound ever thought conceivable. Whether it be Preamp tone or an effect configura- tion that utilizes the most sophisticated digital effects available. Great sounds aren’t just a crazy concept, but a very achievable possibility, and in these next few pages, we will give you some pointers in editing programs, to help achieve your own unique tones.
  • Page 28: Editing The Analog Wah Module

    Section - 2 Setting Up RP-20 Valve 3. Pressing the <1> button and then turning the <Data> wheel will turn the distortion type on and the <4> button and <Data> wheel will select the default types of the distortion. 4. Once the distortion type has been selected, use the <Next Page> or <Previous Page> buttons to move to page 2 of the distortion type menu.
  • Page 29: Editing The Noise Gate Module

    PAGE 4. Now press the Expression Pedal. If the Expression Pedal is already assigned to control another parameter, the display of the RP-20 Valve will ask you if you want to re-assign. If you wish to re-assign press the <1> knob and turn the <Data> wheel for yes or the <2> knob to abort the assign function.
  • Page 30: Selecting Fx Configurations

    Selecting Effect Configuration Routes Within every Program of the RP-20 Valve, you have the option of selecting any 1 of the 15 Effect Configuration routes available in the RP-20 Valve. This can be very helpful when you have a program that uses a preamp tone that you prefer, but the currently selected effect configura- tion is not ideal for the digital effects that you wish to use in the Program.
  • Page 31: Changing Effect Modules

    Once you have selected the effect you want in the program (ie: Dual Chorus), you can quickly scroll through several different Dual Chorus defaults stored in your RP-20 Valve's library. Defaults are modified effect modules which have custom settings that can be called up to use in a program anytime that particular sound is required.
  • Page 32: Comparing Changes

    During the course of editing programs, you may find that you want to compare the edited version of the program to the original, stored version. Fortunately, your RP-20 Valve provides you with a compare function. To compare an edited program with the original stored version, do the following: 1.
  • Page 33: Section-4 Editing Modules

    RP-20 Valve Section - 4 Editing Modules Section-4 Editing Modules Storing/Naming Defaults Before we get into editing modules and creating your defaults, let’s learn how to store changes so you won’t lose any modifications you’ll want to keep. The Store procedure allows you to rename, relocate and save any modifications you have made to defaults so that they can be accessed easily later.
  • Page 34: Editing A Module

    Editing a Module Each of the RP-20 Valve’s effects has several usable factory defaults, however, you may need to tweak the parameters of the module in order to the right sound you’re looking for. The parameters of each effect module are reached through a series of pages.
  • Page 35: Output Module Functions

    Output Module Functions The last module in the audio chain within any program of the RP-20 Valve gives you control over crucial output functions of the RP-20 Valve such as: Master Mix, Master Volume and On and Bypass of the cabinet emulator for each program.
  • Page 36: Effect Module Size And Type List

    Section - 4 Editing Modules RP-20 Valve Digital Effect Module Size and Type With all of the work that these digital effect modules do for your sound, they have a tendency to work up an appetite. So, they consume their food from the FX pies chart referred to on page 9.
  • Page 37: Effect Default List

    RP-20 Valve Section - 4 Editing Modules Default List The Following list contains the names of all of the Effect Defaults in the RP-20 Valve Multi-FX Mods Preamp Stereo Flange Gated Reverb Auto Wah Quad Pitch Quad Delay •Hi Boost 1 •Low Sens...
  • Page 38: Effect Library

    Selects which Wah type is to be used. Selections are: Toe heavy, Linear, and Heel Heavy. Distortion Types All of the great preamp tones of today and the past are present under the hood of the RP-20 Valve. The distortion menu offers solid state and tube distortions that can be used separately or together.
  • Page 39: Noise Gate

    RP-20 Valve Section - 4 Editing Modules Noise Gate The Silencer noise reduction system is definitely going to become your best friend in any recording session or live performance for keeping signals quiet. Noise Gate Parameters Type Selects the type and placement of the noise reduction to be used.
  • Page 40: Digital Effects Section

    "slapback" the room wall produces when a sound hits. Today’s technology allows the RP-20 Valve to offer a complete palette of flexible, easy to use reverbs. There are five basic reverbs to choose from: 1) Reverb - Simple, straight ahead reverb with only the most basic parameters.
  • Page 41: Gated Reverb

    RP-20 Valve Section - 4 Editing Modules Gated Reverb Gated reverb doesn't behave as naturally as the standard varieties of reverb. Originally, it was created by taking a long, dense reverb and chopping it short with a noise gate. This made for a burst of reverberation energy that could help thicken up a variety of sounds.
  • Page 42 Section - 4 Editing Modules RP-20 Valve irregularity of the surfaces themselves. This builds smoothness over the reverb progression. Ranges from 0% to 99%. Selects which crossover type will be used for the Primary Secondary reverb stages. The two crossover types are High X-Over Type Pass (HP) and Low Pass (LP).
  • Page 43: Chorus & Flangers

    RP-20 Valve Section - 4 Editing Modules Note: The following Delay Parameters that are utilized within the Reverb section are to be used in the Room Echo reverb module. Delay A Sets the length of time before hearing Delay Group A. Ranges from 0 to 120 milliseconds.
  • Page 44 Section - 4 Editing Modules RP-20 Valve The Dual Chorus creates two different pitch “voices”, while the Octal Chorus creates eight voices for extremely full, rich sounds . 1 sec 2 sec 3 sec Modulated Sound T I M E...
  • Page 45 RP-20 Valve Section - 4 Editing Modules When do I use Chorus? The Chorus effect is so vast in applications, an easier question would probably be “When can’t I use a Chorus. When playing the Blues, turn the Speed and Depth parameters up to produce an almost Leslie-Type effect When trying to obtain “Big” rock guitar tone, use the Chorus to thicken-up and add depth to your sound.And, any time your using a clean tone program, guitar always...
  • Page 46 Section - 4 Editing Modules RP-20 Valve Pan A - B Controls the placement of chorus voice A or B. Ranges from -99 to 99. Out C - D Adjusts the overall level of chorus voice C or D. Ranges from Off to 100%.
  • Page 47: Phasers

    RP-20 Valve Section - 4 Editing Modules (Special 2). The sine wave setting is probably the most easily recognized, but the smooth response of the triangle wave or the intensity of SP1 or SP2 typically produce better results. See figure 4-2.
  • Page 48: Rotary Speaker Simulator

    Section - 4 Editing Modules RP-20 Valve Out L - R Controls the output level of the left or right side of the flanger. Ranges from Off to 100%. Pedal Phaser The Pedal phaser is a phaser that can be controlled by an expression pedal to control the depth and feedback of the effect...
  • Page 49: Tremolo & Auto Panner

    It could be emulated by turning a volume knob up and down. But you probably have better things to do than turn a volume control up and down throughout a whole song, so let the RP-20 Valve do it for you.
  • Page 50: Pitch Shifters

    Section - 4 Editing Modules RP-20 Valve stereo extremes. When do I use an auto panner? The auto panner can be a very creative tool. When running your guitar rig in a stereo set-up with the right amount of cabinet separation, the Auto-Panner creates a stereo panning effect that is right out of this world.
  • Page 51 RP-20 Valve Section - 4 Editing Modules Controls the level of the dry (uneffected) signal. Ranges from Off to 100%. Dry: Lvl Balance Controls the positioning of the dry signal in the stereo soundfield. Ranges from -99 (all left) to 99 (all right) SHFTA and SHFTB control the pitch intervals between the original note and voices A and B of the pitch shifter.
  • Page 52: Detuners

    Section - 4 Editing Modules RP-20 Valve Adjusts the left-side level of pitch-shifted voice A or B. Ranges from Off to 100%. Out LA - LA Out RA - RB Adjusts the right-side level of pitch-shifted voice A or B. Ranges from Off to 100%.
  • Page 53: Delays

    This used to mean grabbing a calculator, dividing 60 by the tempo (beats per minute), then dividing that answer by the desired sub- beats . . . Sound like a hassle? Yeah, we thought so too. So the RP-20 Valve takes care of all the calculations for you! All you have to do is tap the TapIt (assign the tapit parameter to a footswitch) and manually tap in the desired delay time and the new time is added.
  • Page 54 Section - 4 Editing Modules RP-20 Valve Controls the fade time of the delay repeats. Higher settings take longer to fade out, while a setting of zero could be FdBck used to limit the delay to one repeat per voice. The delay provide both positive and negative feedback settings.
  • Page 55: Equalizers

    Equalizers The RP-20 Valve has a broad selection of equalizer Modules to cover virtually any need. If you need bigger Guitar tone, the EQs will give it to you. Both mono and stereo modules are available. Remember that mono equalizers connected to stereo sources will always sum the stereo signal together for equalization (thus eliminating the stereo image).
  • Page 56: Multi Effect Modules

    Parametric EQs offer the added flexibility of letting you define the center frequency you want to adjust, and how many frequencies around that center frequency you want to affect. Some of the PEQ modules in the RP-20 Valve, also include high shelf and low shelf EQ bands. A high shelf allows you select a frequency, and the boost/cut parameter changes the level of all the frequencies above that selected frequency.
  • Page 57: Whammy Effects

    RP-20 Valve Section - 4 Editing Modules FX: Lvl Controls the signal input level fed to the Module. Ranges from Off to 100%. Dry: Lvl Controls the level of the dry (uneffected) signal. Ranges from Off to 100%. Balance Controls the positioning of the dry signal in the stereo soundfield. Ranges from -99 (all left) to 99 (all right).
  • Page 58: Auto Wah

    Section - 4 Editing Modules RP-20 Valve the module if the dry level is turned up. FX Level This parameter lets you select the overall FX level mix of the Whammy Effect module. Ranges from: Off to 100%. Dry Level This parameter lets you select the amount of Dry signal that is included in the Whammy effect.
  • Page 59: Section-5 Advanced Topics

    Low Frequency Oscillator (LFO) or MIDI Continuous Controller. Every Program in your RP-20 Valve has a set of Modifiers. Up to 16 Modifier links can be assigned to control any parameter. There are five types of Modifiers that can be linked to a parameter: •...
  • Page 60: Internal Expression Pedal

    Section - 5 Advanced Topics RP-20 Valve Expression Pedal The RP-20 Valve has a built-in expression pedal for the assignment of continuous control over any effect parameter. The assignment procedure to be followed is listed below. Linking a Parameter to a Modifier To link a parameter to a Modifier, please complete the following steps: 1.
  • Page 61: Setting Up An Lfo And A Dynamic Modifier

    RP-20 Valve Section - 5 Advanced Topics Setting up an LFO To set up an LFO that is linked to an effect parameter, the procedure is as follows: 1. Enter Assign Mode by pressing the <Assign> button. 2. Use the <Data> knob to scroll to the LFO page. The display looks something like:...
  • Page 62: Morphing Pedal Assignments

    Morphing Pedal Assignments The RP-20 Valve preamp distortion modules and the effect configurations within the RP-20 Valve have special morphing capabilities that allow you to morph between one Amplifier type to another in selected Amplifier models. This feature is also available in certain Effect configurations so you can pan between effects.
  • Page 63 RP-20 Valve Section - 5 Advanced Topics Select a Contrl F.Switch %kHz msdB LINK CHANGED LINK CHANGED LINK CHANGED COMP TUBE GATE L/R OUTS DIST FACTORY USER BANK L/R OUTS 4. Now move the expression pedal to assign the pedal and the display will appear like this:...
  • Page 64: Volume Pedal Assignment

    Volume Pedal Assignments Volume control can be assigned to any program within the RP-20 Valve. When volume control is used in a selected program. The procedure for assigning volume control to any program of the RP-20 Valve is as follows: 1.
  • Page 65: Midi Functions

    In this day and age where the role of the Guitarist has taken on so many new responsibilities, his or her equipment has to be fast, and has to be able to communicate with other devices at the drop of a hat. So, we at Digitech have given the RP-20 all of the MIDI goodies that your heart may desire.
  • Page 66: Midi Transmit Map

    RP-20 Valve USER changes along with the MIDI number. 3. Press the <4> button and then turn the <Data> wheel to select the RP-20 Valve program you want the selected MIDI program change number to recall. As this number increases above program 100, note that RP-20 Valve USER changes to RP-20 Valve FACT, indicating that the mapped number will recall the indicated program number in the Factory bank..
  • Page 67: Sysex Dumps

    Program Dump : Allows you to dump individual RP-20 Valve programs to another RP-20 Valve or external MIDI devices like patch librarians, computers, or sequencers for backup, storage, or organization. This option allows you to select the program to be dumped, and, when dumping to another RP-20 Valve, the program location where you want the program dumped.
  • Page 68: Bulk Dump

    Default Dump : Allows you to dump individual RP-20 Valve User defaults to another RP-20 Valve or external MIDI devices like patch librarians, computers, or sequencers for backup, storage, or organization. This option allows you to select the default to be dumped.
  • Page 69: System Dump

    Factory Reset Allows you to erase all User Programs, Default and Utility settings at once and restore the RP-20 Valve’s memory to its factory settings. WARNING! This procedure will destroy and reset ALL User Programs in the RP-20 Valve memory. Be sure you want to erase the memory, and start fresh before continuing with this procedure.
  • Page 70: Global-Local Cabinet Emulator

    CHANGED COMP TUBE GATE L/R OUTS FACTORY USER BANK PAGE L/R OUTS 2. Pressing the <2> button and then turning the <Data> wheel, you can turn set your RP-20 Valve to output either a Stereo or Mono signal. User Guide...
  • Page 71: Assigning Functions

    • Assign a MIDI CC# for the Expression pedal to send out the MIDI port To change Banks, Press either the Bank Up or Bank Down footswitches on the RP-20 Valve to take you up or down one bank at a time.
  • Page 72: Assigning Parameter Control To Footswitches Or The Expression Pedal

    This is where the RP-20 Valve becomes the dedicated work horse that it is, by doing all of the organizing for you so all you have to do is select which parameter is being controlled, then tell the RP-20 Valve to “Make it so”.
  • Page 73: Other Footswitch Functions

    MIDI devices. If you are using the RP-20 Valve only, you don't need to worry about setting up this option. However, if you plan to use the RP-20 Valve for continuous control over other MIDI devices (either in conjunction with the RP-20 Valve or by themselves), you need to assign a MIDI transmit channel for each of the CC numbers you'll be using for continuous control of the other devices.
  • Page 74: Other Pedalboard Tidbits

    2. As you play a note on the guitar, the indicator in the display of the RP-20 Valve will move either to the right, or the left. If the indicator is moving right, the note you are playing is sharp. If the indicator moves left, you are flat. The goal is to tune your guitar so that the indicator stops in the middle and the display locks-in, indicating you are in tune.
  • Page 75 RP-20 Valve Section - 5 Advanced Topics 3. At this point, press the <2> button and then turn the <Data> wheel to select the bank to be named. Once the Bank has been selected, press the <4> button to rename the bank. The display now appears like this:...
  • Page 76: Rp-20 Factory Program List

    Section - 6 Appendix RP-20 Valve Section-6 Appendix RP-20 Factory Program List 28-Twin Combo Cfg-13 29- Custom British Stack Cfg-13 Bank 1 Top 5 30- Rocket Mang Cfg-13 1- Tube Idol Solo Cfg-7 Bank - 7 Preamp Only 2 2- Big Thick Clean...
  • Page 77 RP-20 Valve Section - 6 Appendix Bank 12 Studio Applications Bank 18 Jam-Along 56- Huge Chorus/Delay Cfg-12 86- Sound On Sound 1>4>5 Cfg-14 57- L.A. Super Solo Cfg-8 87- Sound On Sound Jam Cfg-4 58- Power Stack Cfg-4 88- Space Chord...
  • Page 78: Program Descriptions

    RP-20 Valve RP-20 Valve Program Descriptions To help all of you Tone and Effect connoisseurs along the way, this list gives you a brief description all 100 Factory Programs of the RP-20 Valve. Bank - 1 Top 5 1- Tube Idol Solo - USe this program when you really want the solo to be heard by using big tube distortion, Detuner, Delay and Reverb.
  • Page 79 RP-20 Valve Section - 6 Appendix Bank - 4 Morphing Programs 16- Clean Chorus>>Dist Octv - This program morphs from a clean chorus type program, to a tube distortion program with an octave pitch shifter all at the push of an expression pedal.
  • Page 80 32- Smooth Solo - A heavy sustain distortion is used in this program that is ideal for the big solo spot. 33- Super Fuzz - The classic Fuzz Face distortion is used in this program to bring out the tone nuances of the RP-20 Valve.
  • Page 81 RP-20 Valve Section - 6 Appendix 50- Pedal to the Metal Phase- A big rectifier tone that uses a grunge distortion with lush phasing effects for the big tones. Bank - 11 Alternative Tones 51- Clean Pong Phase - A clean toe program uses a ping pong delay and dual phaser module.
  • Page 82 Section - 6 Appendix RP-20 Valve 67- Warm Panner - This program uses a warm-clean tube distortion type that uses an Autopanner and a dual delay effect module. 68- Clean Thick Detune/Delay - This overdrive solid state distortion program will also provide you with a Quad Detuner and Delay module.
  • Page 83 RP-20 Valve Section - 6 Appendix 85- Strum and Wait - Dual Phaser and Dual Flanger effects pan back and forth in this special effect program. Bank - 18 Sound On Sound 86- Sound On Sound 1>4>5 - A Dynamic modifier is used in this program so the harder your attack is, the more delay will be heard.
  • Page 84: Effect Configuration Chart

    Section - 6 Appendix RP-20 Valve Effect Configuration Chart Config:Series Full Config:MonoSplit 2,2 Config:Stereo 4,4,2 GATE L/R OUTS GATE GATE L/R OUTS L/R OUTS L/R OUTS L/R OUTS Config:Series 2,4,4 Config:Mono Split 4,4,2 Config:Series 3,4 GATE GATE L/R OUTS L/R OUTS...
  • Page 85: Harmony Interval Charts

    RP-20 Valve Section - 6 Appendix Harmony Interval Charts Interval Major Minor Harm.Minor Mel.Minor Dorian Mixolydian Lydian üOct ü7th ü6th ü5th ü4th ü3rd ü2nd ¨2nd ¨3rd ¨4th ¨5th ¨6th ¨7th ¨Oct Lydian Minor Whole Hlf-Whl Whl-Hlf Major Int. Int. Int.
  • Page 86: Specifications

    Section - 6 Appendix RP-20 Valve RP-20 Valve Specifications A/D Converter: 16 bit PCM General: D/A Converter: 16 bit PCM Frequency Response: 20 Hz - 20 kHz +0, -3 dB Sampling Frequency: 40 kHz S/N Ratio: Greater than 90 dB: ref= max signal, 22 kHz measurement...
  • Page 87: Midi Implementation Chart

    RP-20 Valve Section - 6 Appendix MIDI Implementation Chart Function... Transmitted Recognized Remarks Basic Default 1-16 1-16 Memorized Channel Channel Default Mode 2, Mode 4 Messages Mode 2, Mode 4 Memorized Mode Altered Note Number True Voice Velocity Note ON...
  • Page 88: Sysex Implementation Guide

    MIDI Channels : The RP-20 Valve can be set so that it communicates on 1 of 16 discrete MIDI channels. Some devices may also be set up to transmit or receive information on all channels in an Omni mode or to none of the channels in a Disabled mode.
  • Page 89: General Format

    In the following section, SYS_HEAD refers to a valid System Exclusive header. The System Exclusive header starts with the System Exclusive status byte, and includes all bytes through the Digitech device type. F7(h) is the System Exclusive ‘Message End’ byte. All SysEx numbers in the format definition of each procedure are given as hexadecimal values, along with this symbol (h) for clarification.
  • Page 90: Request One Program (01H)

    Program data The Receive One Program procedure is used to load a program into the RP-20 Valve. The number of program bytes to be received (n) is different for each program. If the RP-20 Valve is sent a Receive One Program procedure where the program number is not a valid RAM destination, it will be ignored.
  • Page 91: Request Parameter Value (17H)

    Effect Parameter’s Position Parameter Value The Receive Parameter Value procedure is used to load Parameter Values into the RP-20 Valve. Please refer to the Parameter Charts for more information. REQUEST ALL CURRENT PARAMETER VALUES (23h) SYS_HEAD, 23(h), ww1, ww2, F7(h)
  • Page 92: Receive All Current Parameter Values For Current Prg

    (position of the module minus 1), only that module’s parameters will be requested. Requested Module’s parameter Values When a Request All Current Parameter Values procedure is received, the RP-20 Valve will respond with a Respond All Current Parameter Values procedure.
  • Page 93: Receive Key Scan Code (54H)

    68 Time key is pressed expressed in 0.1 seconds increments (note: there is only one byte, not two) The Receive Hold Key Scan Code procedure is used to emulate a button press and hold on the front panel of the RP-20 Valve. The device will respond with a Receive Key Accepted procedure.
  • Page 94: Reset Program (20H)

    SYS_HEAD, 21(h), F7(h) The Reset Device procedure causes the RP-20 Valve to reboot the software as if the power had been turned off, and then back on. If edits have been made to the current program without saving, they will be lost.
  • Page 95: Key Scan Codes

    RP-20 Valve Section - 6 Appendix SysEx Button/Keys/Footswitch codes The following are codes for each of the buttons or keys on the RP-20 Valve. Numbers are given as hexadecimal values. Key Label Hex equivalent Key Label Hex equivalent Footswitch 1...
  • Page 96: Sysex Program Dump Example

    Section - 6 Appendix RP-20 Valve SysEx Program Dump Example For those of you that are reluctant to stick your feet in the SysEx water, we have included a simple example of a SysEx Program jump. It takes you set by step through all of the operation commands of a typical SysEx procedure.
  • Page 97: Fx Modules And Parameter Codes

    RP-20 Valve Section - 6 Appendix 01(h) Default type Fx Module codes and numbers Page 2 02(h) Level The Following chart shows all effect modules and their respective parameters with 03(h) Phase SysEx Effect I.D. numbers attached. Page 3 04(h)
  • Page 98 Section - 6 Appendix RP-20 Valve 08(h) 100Hz 1F(h) 8.0kHz Page 4 09(h) 160Hz 20(h) 10.0kHz 0A(h) 250Hz Page 9 21(h) 12.5kHz 0B(h) 400Hz 22(h) 16.0kHz 0C(h) 630Hz 23(h) 18.0kHz Page 5 0D(h) 1kHz 0E(h) 1.6kHz 41(h) St GEQ 8...
  • Page 99 RP-20 Valve Section - 6 Appendix Page 5 09(h) Band2 Freq 0C(h) PanA 0A(h) Width Level 0D(h) OutB Page 6 0B(h) Band3 Freq 0E(h) PanB 0C(h) Width Level Page 7 0D(h) Band4 Freq 20(h) Quad Cho Page 1 00(h) On/Off...
  • Page 100 Section - 6 Appendix RP-20 Valve 12(h) DlyH 09(h) Rotor Lvl Page 7 13(h) Spread Page 4 0A(h) Dummy (ignore) 0B(h) Horn Slow Speed 47(h) Dual Flange Page 1 00(h) On/Off 0C(h) Horn Slow Depth 01(h) FX Type 0D(h) Horn Slow Doppler...
  • Page 101 RP-20 Valve Section - 6 Appendix 09(h) DlyB 0F(h) DlyB Page 4 0A(h) OutA 10(h) DlyC 0B(h) PanA 11(h) DlyD 0C(h) OutB Page 6 12(h) DlyE 0D(h) PanB 13(h) DlyF 14(h) DlyG 2E(h) Quad Detune Page 1 00(h) On/Off 15(h)
  • Page 102 Section - 6 Appendix RP-20 Valve 08(h) ShftB 1D(h) OutH 09(h) DtnB Page 9 1E(h) Spread Page 4 0A(h) ShftC 0B(h) DtnC 27(h) Stereo Pitch Page 1 00(h) On/Off 0C(h) ShftD 01(h) FX Type 0D(h) DtnD 02(h) Default Page 5...
  • Page 103 RP-20 Valve Section - 6 Appendix 02(h) Default 0F(h) OutB Page 2 03(h) FX Level 10(h) PanB 04(h) Dry Level Page 6 11(h) OutC 05(h) Balance 12(h) PanC Page 3 06(h) Delay Time 13(h) OutD 07(h) FeedBack 14(h) PanD 08(h)
  • Page 104 Section - 6 Appendix RP-20 Valve 07(h) FeedBack 0B(h) Freq 08(h) Tapit (ignore) 0C(h) Gain Page 4 09(h) DlyA Page 5 0D(h) OutL 0A(h) DlyB 0E(h) OutR 0B(h) DlyC 0C(h) DlyD 37(h) Chorus/Dly Page 1 00(h) On/Off Page 5 0D(h)
  • Page 105 RP-20 Valve Section - 6 Appendix Page 8 12(h) Secondary Decay 09(h) PreDelay Page 1 00(h) On/Off 13(h) Secondary Size 01(h) FX Type 14(h) Second Reflection 02(h) Default Page 9 15(h) Primary OutL Page 2 03(h) FX Level 16(h) Primary OutR...
  • Page 106 Section - 6 Appendix RP-20 Valve 09(h) Dispersion 06(h) Thrsh Closed 0A(h) Low Pass 07(h) Attn Page 5 0B(h) Blend Page 3 08(h) Delay 0C(h) OutL 09(h) Attack 0D(h) OutR 0A(h) Hold 0B(h) Release 8(h) Spring Reverb Page 1 00(h)
  • Page 107 International Distribution: 3 Overlook Drive, Unit 4 Amherst, New Hampshire 03031 U.S.A. FAX 603.672.4246 Digitech™, RP-20 Valve™, and S-DISC™II are registered trademarks of the Harman Music Group Incorporated Copyright © 1997 the Harman Music Group Incorporated Printed In U.S.A. 8/97 Manufactured in the U.S.A.

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