The Fx500: What It Is And What It Does.4; Effects; Memory Configuration - Yamaha FX500 Operation Manual

Simul-effect processor
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2. The FX500: What It Is and What It Does
Effects
The FX500 SIMUL-EFFECT PROCESSOR is a high-
performance digital signal processor intended for use with
electric guitars, electronic keyboards or other instruments.
It employs leading-edge Yamaha digital signal processing
technology to provide a "chain" of up to six independent
effects tharcan be independently controlled to produce
precisely the required overall sound. As shown below, the
FX500 includes five effect (compressor, distortion,
equalizer, modulation and reverb) stages. Stages can be
turned on or off as required, and the order of the
modulation and reverb stages can be reversed. The
compressor, distortion and equalizer stages are basically
single-function processors. The modulation and reverb
stages each incorporate a number of separate effects
which can be selected and used as required. Several of
the reverb effects actually combine both delay and reverb,
effectively giving you a total of six effects in the chain!
Each effect has a number of parameters which can be
adjusted to tailor its sound to your specific musical needs.
• CHORUS
• FLANGER
• SYMPHONIC
•TREMOLO
REVERB
' REVERB
Hall, Room.
Vocal, Plate
• EARLY REF.
H^l, Random.
ReverEe, Plate
•DELAY
• ECHO
• REVERB^OEUY
•REVERB-DELAY
• DELAY-REVERB
COMPRESSOR 11 DISTORTION
Memory Configuration
The FX500 has a total of 91 memory locations. Memory
locations 1 through 60 are ROM (Read Only Memory)
containing 60 pre-programmed effects that you can simply
select and use. Memory locations 61 through 90 are RAM
(Random Access Memory), and can be used to store
original effect programs that you create by editing the
presets. The 30 RAM memory locations (61 — 90)
originally contain a selected group of the preset programs.
The last memory location — memory location number 0 —
contains "initialized data" that can be used as a basis for
creating your own original effects programs from scratch.
ROM MEMORY
RAM MEMORY
ROM MEMORY
1 — 60
61 — 90
0
• Preset effect
• User-edited
• Ir^itialData
programs
programs
Program Title
Program
Program Title
1
Broad Dist.
Clisp Chords
Warm Strings
Shsup Chops
Standard Jazz
Tremolo
Soft Echo
Sweet Flange
Power Pan
ili*i
Chord-Clouds
Trad. Dist.
Light Symphonic
Dark Dist.
WWih
Clean Acoustic
Ring Dist.
Acoustic Solo
Metal Overdrive
Lush Strings
10
Echo Dist.
Soft Focus
Tight Dist.
Brass Room
Brass Burst
Mmm
Trumpet Flange
-■
m
Brass Energizer
Echo Rhythm
mmm
Chasing Leads
Symphonic Hall
^mm
Horror House
i
^ IB
Symphonic Dist.
Sitar
Turbo Drive
Staccato Vibe
Chasing Rhythm
Sweep Gate
Stereo Dist.
Monk Akkal
HSIlgggSi Fusion Dist.
Straight Bass
Boogie Room
- -
Slap Bass
Buzz Backer
msm
Fretless Bass
mm
Liquid Dist.
Trad. Bass
Electric Chords
Sax Solo
Clean Repeat
Vocal Reverb
Sweet Swirl
Drum Gate'/Rev
Mild Motion
Tight Snare
Li-.;--'
'! Pearly Chords
Rock Drums
User Programs
_o_
Initial Data
MiDI Controi
For further versatility and smooth integration with MIDI-
based music systems, the FX500 offers broad MIDI control
capabilities. Any of its 90 memory locations may be
directly selected from a remote MIDI device such as a
keyboard or MIDI foot controller *. It is also possible to
directly control up to two different effect parameters
simultaneously in real time. This means that two MIDI
controllers (a MODULATION WHEEL and DATA ENTRY
slider on a keyboard, for example) could be used to
control, say, the modulation depth of the flanger effects
and the reverb time of a reverb effect in real time as you
playl Any two MIDI controllers can be assigned to any two
effect parameters (See "MIDI Parameter Control: Control
Change 1 Table Edit and Control Change 2 Table Edit" on
page 20 for operational details).
* Extensive MIDI control is also possible with the MFC1
MIDI Foot Controller. Consult the MFC1 operation
Manual for details.
4

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