1 Sel ect i ng from V oi ce C ondi t i on
Pages
T o cal l up t he V oi ce C ondi t i on page:
C hoose a voi ce on t he panel , t hen press t hat voi ceユs panel but t on agai n (or
agai n press t he D at a C ont rol but t on correspondi ng t o t he sel ect ed voi ce).
T he V oi ce C ondi t i on di spl ay pages of t he vari ous voi ce sect i ons have sl i ght
di fferences i n t hei r funct i ons.
E ach funct i on i n t he V oi ce C ondi t i on page i s i ndependent l y appl i ed t o each
voi ce sect i on.
V oi ce C ondi t i on [PA G E 1]
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1 T O U C H T O N E
T he T ouch T one funct i on gi ves you expressi ve cont rol over t he vol um e and
t i m bre of a voi ce. T w o t ypes of keyboard t ouch affect t hi s funct i on: Ini t i al
T ouch and A ft er T ouch.
A l l voi ces are provi ded w i t h t hi s expressi ve funct i on, m aki ng i t possi bl e t o
perfectly reproduce the subtle dynam ic and tonal changes of actual
i nst rum ent s. For exam pl e, pi ano voi ces sound m uch bri ght er w hen you hi t
t he keys st rongl y, especi al l y i n t he at t ack port i on of t he sound ム exact l y as i f
you w ere pl ayi ng an acoust i c pi ano.
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IN IT IA L T ouch
C ont rol s vol um e and t i m bre accordi ng t o t he vel oci t y at w hi ch you
st ri ke t he keys. The harder you st ri ke t he keys, t he great er t he vol um e
and t he bri ght er t he t i m bre w i l l becom e.
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A FT E R T ouch
C ont rol s vol um e and t i m bre accordi ng t o t he pressure you appl y t o
t he keys aft er pl ayi ng t hem . The harder, you press dow n on t he keys,
t he great er t he vol um e and t he bri ght er t he t i m bre w i l l becom e.
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LEAD VOICE 1
BRILLIANCE
BRILLIANT
VIOLIN
FLUTE
1
OBOE
TRUM-
TO
PET
LOWER
M ELLOW
2
3
4
VOLUME
M AX
M IN
5
6
Upper/Lower
Pedal
N O T E :
G eneral l y, A ft er T ouch has no effect on
percussive voices (such as P iano,
H arpsi chord or V i braphone) or percussi on
sounds.
N O T E :
M i ni m um set t i ng produces no effect at al l .
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