Yamaha DIGITAL MIXING STUDIO 01X Owner's Manual
  1. Manuals
  2. Brands
  3. Yamaha Manuals
  4. Music Mixer
  5. 01x
  6. Owner's manual

Yamaha DIGITAL MIXING STUDIO 01X Owner's Manual

Digital mixing studio
Hide thumbs Also See for DIGITAL MIXING STUDIO 01X:
Table of Contents

Advertisement

Quick Links

See also: Service Manual

Advertisement

Table of Contents
loading

Related Manuals for Yamaha DIGITAL MIXING STUDIO 01X

Summary of Contents for Yamaha DIGITAL MIXING STUDIO 01X

  • Page 2 This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is used, please observe all safety markings and instructions that accompany the accessory product.
  • Page 3 Compliance with FCC regula- * This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. tions does not guarantee that interference will not occur in all installations.
  • Page 4 • Only use the voltage specified as correct for the instrument. The required voltage is printed on the name plate of the instrument. • Use the specified adaptor (PA-300 or an equivalent recommended by Yamaha) only. Using the wrong adaptor can result in damage to the instrument or overheating.
  • Page 5 XLR-type connectors are wired as follows (IEC60268 standard): pin 1: ground, pin 2: hot (+), and pin 3: cold (-). Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.
  • Page 6 Multi Part Editor for MOTIF- RACK editing the Mixing parameters of Songs and Patterns of the Yamaha MOTIF-RACK. Included also are plug-in software effects that provide effect processing using the processing power of your computer.

  • Page 7: About This Manual

    • This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has license to use others’ copyrights. Such copyrighted materials include, without limitation, all computer software, styles files, MIDI files, WAVE data and sound recordings.
  • Page 8 The 01X — What it is and what it can do Powerful, multi-faceted digital mixer, computer audio recording interface, and control surface—all in one The 01X is actually several full-featured high-end digital devices in one compact, easy-to-use package. It serves as a flex- ible 28-channel (maximum) digital mixer for recording in home and project studios, and even live applications.
  • Page 9 • SQ01 V2 (Windows only) This is the latest version of Yamaha’s powerful audio/MIDI sequencer, featuring a new Audio Mixer window. The SQ01 V2 lets you easily record, edit and play back your own songs on computer, and provides a seamless environ- ment for the included Plug-in software (as well as third-party plug-ins).

  • Page 10: Switches Between Automatic/Manual Setting Of Mlan Wordclock. ..................................................................................... W.clk Select

    This convenient, easy-to use index is divided into general categories to help you when you want to find informa- tion on a specific topic or function. For information on the electronic owner’s manuals (PDF), refer to the sepa- rate Installation Guide. ■...

  • Page 11: X Owner's Manual

    ■ Saving data ● Backing up system data..BACKUP ([SHIFT]+[UTILITY] (page 86) Saving/recalling/deleting groups of programmed settings (Library)..LIBRARY (page 36) ● ● Using the channel Library..[SHIFT] + [SELECTED CHANNEL] (page 103) Saving the 01X’s settings to a computer ... Studio Manager (Studio Manager Owner’s Manual; PDF) ●...
  • Page 12 ■ Output ● Outputting only the DAW’s stereo output to Monitor Out or headphones... MONITOR (pages 37, 96) Outputting only the stereo output of the 01X to Monitor Out or headphones..MONITOR (pages 37, 96) ● ● Assigning the stereo bus, Rec bus and Aux bus signals to the desired mLAN outputs... OUTPUT PATCH (mLAN OUT CHANNEL) (page 90) Selecting which signals (stereo bus, Rec bus, Aux bus 1/2 or Aux bus 3/4) ●...

  • Page 13: Table Of Contents

    Before Using 01X Terminology ...14 Controls and Connectors ...16 Connections ...23 Setting Up ...24 Basics Section Overview of the 01X ...25 Mixer ...27 Internal effects 1/2 ...31 Remote Control...32 mLAN Interface ...33 Application examples ...34 1) Recording mixer and monitor mixer...34 2) Digital mixer function ...35 3) Recording mixer, monitor mixer —...

  • Page 14: Before Using

    Digital Mixing Terms ■ Attenuator (ATT) After A/D conversion, input signals (pre-EQ level) can be attenuated using this control. This is used mainly in the EQ section to prevent the signal from clipping and to adjust the level so that fader of each channel can be operated around 0dB.
  • Page 15 Remote Control Terms ■ Automation A function by which adjustments of mixer parameters via the knobs and faders are recorded in real time, and are exactly reproduced during playback. The 01X works in tandem with DAW (digital audio work- station) software such as SQ01, Cubase SX/SL, etc.-- recording operations on the DAW software by using the Remote Control function, and features synchronized oper- ation of the mixer functions on the DAW and fader opera-...

  • Page 16: Controls And Connectors

    1 - 8 regardless of the MIXER/LAYER selection. The settings cannot be stored (saved) as a Scene Library. 01X Owner’s Manual Controls and Connectors Copyright(c) Yamaha w Display This backlit LCD (liquid crystal display) displays various information for operation of the 01X or DAW (digital audio workstation).

  • Page 17: Channel Faders

    e Channel knobs These knobs mainly control the parameter settings/values respectively assigned to them. They are also used to exe- cute (YES) or cancel (NO) operation when a confirmation message appears (page 143). By simultaneously holding down the [SHIFT] button and turning the desired knob, you can quickly make broad value changes.
  • Page 18 Controls and Connectors MODE !6 [REMOTE] button This button selects the Remote mode, enabling you to con- trol DAW (digital audio workstation) software on a con- nected computer (page 23). In this condition, the MIXER/ LAYER buttons (page 19) function according to their upper names ([AUDIO], [INST], [MIDI], [BUS/AUX], [OTHER]).
  • Page 19 PAGE @1 [SELECTED CHANNEL] button This button switches between the Selected Channel mode (the lamp lights) and Multi Channel mode (the lamp is off). ● Selected Channel mode In this mode, the display shows several parameters (or functions) for a single, selected channel--selected by pressing the [SEL] button (page 17).
  • Page 20 Controls and Connectors Transport Buttons These buttons are used primarily for controlling song play- back/recording on your DAW software. They also let you control the software no matter which mode is selected, Remote or Internal. The functions are the same as the transport buttons in the software (page 104).

  • Page 21: Phones Jack

    Rear Panel q MIC/LINE INPUT • MIC/LINE INPUT (XLR) jacks 1/2 These are XLR-3-31 type balanced input jacks. The nominal input level is -46 to +4 dB. Mics, direct boxes, or line level devices with balanced output jacks can be connected here. Each jack corresponds to AD1and AD2 of the Input Patch settings (pages 27, 61, 88).
  • Page 22 !1 DC IN terminal Connect the AC adaptor (PA-300) to this terminal. • Do not attempt to use an AC adaptor other than the Yamaha PA-300 or an equivalent recommended by Yamaha. The use of an incompatible adaptor may cause irreparable damage...

  • Page 23: Connections

    • For information on installing the mLAN driver and connecting the 01X to your computer via mLAN as well as information on necessary system requirements, refer to the separate Installation Guide. Connections IEEE 1394-equipped Computer mLAN MUSIC PRODUCTION STUDIO Copyright(c) Yamaha 3 ~ 8 MIDI IN MIDI OUT MONITOR OUT...

  • Page 24: Setting Up

    • When unplugging the AC Adaptor, disconnect it in reverse order from that above. • Do not attempt to use an AC adaptor other than the Yamaha PA- 300 or an equivalent recommended by Yamaha. The use of an incompatible adaptor may cause irreparable damage to the 01X,...

  • Page 25: Basics Section

    Basics Section This section gives you an overview of the 01X’s features. The following diagram shows the various component sections or “blocks” of the 01X: mixer, effects and remote control. It also indicates the mLAN interface capabili- ties, both audio and MIDI. Signal flow between the 01X and the DAW on the computer ●...
  • Page 26 Overview of the 01X ● When using the included SQ01 V2 Computer Multi Part Editor for MOTIF-RACK Program Change USB MIDI Driver Port Program Change/ Scene Selection (Port 5) Remote Control 01X Owner’s Manual SQ01 V2 Plug-in File exchange Software Effect 01X Channel Module Pitch Fix Vocal Rack...

  • Page 27: Mixer

    Mixer ● Symbol Indications ... Amplifier stage ... Value change via knob ... Value change via fader ... On/off switch, button ... Phase ... Connected ... Unconnected ... AD (Analog/Digital) converter ... DA (Digital/Analog) converter ... Sampling rate converter * Switches or faders connected with dotted line mean the set- ting/value for one is linked to the other.
  • Page 28 Overview of the 01X Input channel ● Input channels 1 through 8 These are monaural input channels used mainly for input of microphones or line-level instruments. The signals that are input to input channels 1 through 8 pass through an attenuator, phase switch, 4-band EQ, and dynamics proces- sor, and are sent to the stereo bus, AUX buses 1 through 4 and Rec bus.
  • Page 29 Stereo input channels 1/2 These are stereo input channels used mainly for inputting the return signal from internal effects 1/2. However, the input signal assignment can be changed in the input patch section, allowing these to be used as additional input chan- nels.
  • Page 30 Overview of the 01X Output channel ● Stereo output channel This is a stereo output channel that processes the signals sent from each channel to the stereo bus. Stereo faders con- torl the level of these outputs. It provides a 4-band EQ and dynamics processor identical to those provided on the input channels.

  • Page 31: Internal Effects 1/2

    Monitor output/headphone output For monitoring purposes, the 01X provides MONITOR OUT jacks and a PHONES jack. The MONITOR OUT jacks and PHONES jack always output the same signal, and is linked to the level adjustment. You can monitor the output directly (monitor cascade) through the connected speaker system/headphones (according to the [MONITOR A/B] setting), if the stereo master output of the DAW is set to the last two available channels (the last two numbered...

  • Page 32: Remote Control

    With mLAN MIDI transfer, the 01X can be used to conrtol DAW (digital audio workstation) software, such as Cubase SX and Logic, as well as the Multi Part Editor for Yamaha MOTIF ES or MOTIF-RACK program (contained on the included CD-ROM). This powerful feature lets you control software programs by using knobs, faders and buttons on the panel of the 01X, rather than your computer’s mouse...

  • Page 33: Mlan Interface

    mLAN Interface The mLAN interface of the 01X also lets you connect MIDI or audio devices that do not have mLAN connectors or capability. The following conversion is possible: • mLAN MIDI signal to/from MIDI signal (2 ports) (mLAN MIDI IN/OUT Port 2/3 of mLAN connectors to/from MIDI IN/OUT A/B jack) •...

  • Page 34: Application Examples

    Application examples The 01X is one of the most versatile recording mixers available. Its all-in-one, fully digital operation makes it ideal for song- writers, producers, project studios, home recording, and virtually all post-production applications. Here are some of the ways you can set up and use the 01X in your own system.

  • Page 35: Digital Mixer Function

    2) Digital mixer function Here, the 01X functions simultaneously as a front-end/ audio interface for a computer system as well as a fully digital mixer for your sequencer audio tracks. Computer HDR (Wave) Synth Audio Mixer EQ, Dynamics EQ, Dynamics Synth/Instrument With the mLAN connection, this system allows you to route up to sixteen independent audio channels (plus the...

  • Page 36: Memory (Library) Structure

    Memory (Library) Structure The 01X features several libraries (internal memory) that enable you to store Scene, Input Patch, Output Patch and other data. You can also quickly recall this data from the libraries to restore previous parameter values. Fur- thermore, the Backup function lets you save your data including the Utility settings. The 01X offers the following libraries: ■...

  • Page 37: Basic Operations

    In this section, you’ll learn about the structure of the modes of the 01X, its panel display indications and its fun- damental operations. Modes [REMOTE] button [INTERNAL] button Mode REMOTE GENERAL (SQ01) [REMOTE] lights Mode LOGIC [REMOTE] lights CUBASE [REMOTE] lights SONAR [REMOTE] lights DIGITAL PERFORMER [REMOTE] lights...

  • Page 38: Mode Selection And Display Indications

    Basic Operations Mode selection and display indications (A) Remote Mode (Ex. SQ01 V2) Drums- Drums- SteelG SteelG CleanG CleanG DistGt DistGt Drums- Drums- SteelG SteelG CleanG CleanG DistGt DistGt Fader Drums-0Drums-0SteelG0SteelG0CleanG0CleanG0DistGt0DistGt -8.18 -7.73 -8.18 -8.18 -8.18 [NAME/VALUE] Fader FADER -8.18 -7.73 -8.18 -8.18...
  • Page 39 (F) Page (Ex. EQ-LOW) [REMOTE] Multi Channel + 2.1 + 0.4 - 0.4 - 0.4 + 0.4 [INTERNAL] Channel knob EQL-G EQL-G EQL-G EQL-G EQL-G EQL-G Fader LEVEL LEVEL LEVEL LEVEL LEVEL LEVEL -6.3 -3.05 -3.95 -6.6 -4.85 -3.05 [NAME/VALUE] EQ LOW GAIN + 2.1 + 0.4...

  • Page 40: Layer Selection/Channel Selection

    Basic Operations Layer selection/Channel selection The Input Channels and Output Channels are arranged into layers, as illustrated below. There are four layers altogether. The currently selected layer determines the function of the channel strip, [SEL] buttons, [ON] buttons, and faders. Use the LAYER buttons to select a layer you wish to edit using the channel strip controls.

  • Page 41: Entering Characters (Title Edit)

    ● Selected Channel mode To select a channel on the 01X, press the corresponding [SEL] button. The channel is selected and the [SEL] button lamp lights up. ● Stereo Input Channel For stereo input channels, you can set the left and right panpots individually.

  • Page 42: Factory Set (Restore Factory Defaults)

    Basic Operations r Enter the letters, numbers, or symbols by turning the channel knob [5]. SCENE LIBRARY 05 [Initial Eata CHAR t Turn any of the channel knobs [2] - [4] to move the cur- sor to the position of the next character. y Enter the other characters, by repeating steps r - t above.

  • Page 43: Getting Started

    Getting Started ■ Sound Mixing 101: The Fundamentals Mixing is a skill, but it’s also an art. Making a good recording and creating a good mix is more than simply plugging in a microphone and moving a couple of faders. In this section, you’ll learn some of the basics of mixing, from setting up to tips on how to use effects and how to use the 01X to create a well-balanced mix.
  • Page 44 Getting Started ● Clean up sounds Garbage in usually means garbage out. So make sure your source sounds are as clean and noise-free as possible. Use quality cabling, check microphone placement, turn off the air conditioner or anything else causing hum, patch in a noise gate, or change the pickups in your guitar if neces- sary.
  • Page 45 ● Use Solo and Mute (page 51) When several instruments are mixed, it can be difficult to make individual judgments about them. Solo allows you to listen to channels in isolation, while Mute (on/off) lets you turn off channels you don’t want to hear. ●...

  • Page 46: Mixing Tutorial

    Mixing Tutorial • The example displays are generally taken from the Value mode. • Be sure to enter the INTERNAL mode before you start the following tutorial. Setting input levels and viewing the meters Setting the input levels is a straightforward process, but we’ve included two separate sets of instructions here.
  • Page 47 With Studio Manager q Follow the basic procedure above, or at least the first two steps—setting the controls to minimum and con- necting the source(s). w Make sure that the mLAN connection with your com- puter is active. For instructions on installing the mLAN driver and connecting the 01X to your computer via mLAN, refer to page 22 and the separate Installation Guide.

  • Page 48: Applying Eq

    Mixing Tutorial Applying EQ EQ stands for “equalizer” or “equalization” and lets you change the tonal characteristics of the audio. The 01X is equipped with a four-band sweepable parametric EQ, for maximum versatility and control. ● EQ Tips Keep in mind, EQ has three main uses in recording and mixing: •...
  • Page 49 r-a From the Selected Channel mode, adjust the desired EQ parameter by turning the corresponding knob. EQ-ON EQHM-Q EQHM-F EQHM-G 0.70 4.00k On/Off Q (bandwidth) Gain Attenuation Frequency (input signal level) r-b From the Multi Channel mode, press the same EQ button (as in step 2 above) repeatedly to select the desired parameter.
  • Page 50 Mixing Tutorial ● Hints on using EQ • In general, cut rather than boost. For example, if you want to make a sound brighter, try cutting the bass first. This will not only emphasize the higher frequen- cies, overall it will give you a cleaner mix. •...

  • Page 51: Using Mute (On/Off) / Solo

    Using Mute (On/Off) / Solo Mute and Solo are two simple yet important functions in monitoring your mixes. When you have guitars, vocals, drums, bass, horns and keyboards coming into the mixer through eight, sixteen or twenty-four channels—it’s cru- cial that you be able to isolate each signal and listen to it, with or without the others.

  • Page 52: Using Dynamics - Applying Compression, Etc

    Mixing Tutorial Using Dynamics — applying compression, etc. The Dynamics effects of the 01X provide useful, powerful ways to process the sound, both during and after recording. They can be used to tame excessively wild sounds or expand and enhance less lively sounds. ●...
  • Page 53 ● Compressor parameters/ranges Threshold Determines the amount of signal necessary to trigger compression. Any signal softer than this level passes through unprocessed, while signals louder than the Threshold are compresses at the specified Ratio (below). Range: -54.0 — 0.0 Ratio Determines the amount of compression, or the change in output relative to the change in input.

  • Page 54: Dynamics Library

    Mixing Tutorial Dynamics Library Here is another handy feature of the 01X that puts the real- world experience of professional engineers to work for you. The Dynamics Library contains forty different dynamics processing presets for a variety of common recording applications, such as compressing drums, guitar and vocals.

  • Page 55: Panning

    Panning Pan lets you set where the audio of a channel appears in the stereo image. Normally, if you’ve connected a stereo source to two adjacent channels—for example channels 1 and 2—you’ll want to to set channel 1 hard left and chan- nel 2 hard right, to preserve the original stereo image.

  • Page 56: Using The Internal Effects

    Mixing Tutorial r-b From the Multi Channel mode, press the [PAN] but- ton, repeatedly if necessary, to select the Pan parame- ter. Adjust the parameter for each channel with the corre- sponding knob. RECORDING BUS ASSIGN STEREO BUS ASSIGN PHASE NORMAL REVERS NORMAL •...
  • Page 57 1) Effect send routing The 01X features four separate effect send routings: AUX 1, AUX 2, AUX 3 and AUX 4. AUX 1 and 2 are used only for external routing (to your favorite outboard effects, for example). AUX 3 and 4 are used for the two internal effect blocks, and those are the ones we’ll cover here.
  • Page 58 Mixing Tutorial e Edit the effect if desired. Press the DISPLAY [ ] (Up) button repeatedly to step back through the effect parameter pages—Reverb Hall has four of them. (To jump directly to the ‘top’ page, hold down [PAGE SHIFT] and press the DISPLAY [ ] (Up) button.) REV TIME INI.DLY...
  • Page 59 e Press the [SEND] button (several times, if necessary) to call up the AUX 3 display below. AUX3 SEND LEVEL r Go back to the input channels—press the MIXER/ LAYER [1-8] button. AUX3 SEND LEVEL -78.0 -68.0 -40.0 -76.0 t Adjust the send level for the desired channel with the corresponding channel knob.

  • Page 60: Using External Effects

    Mixing Tutorial Using external effects With all of the EQ, Dynamics and Effect processing avail- able within the 01X itself, you can do all your recording and mixing without ever having the need for an external effect unit. Still you may have a favorite reverb, delay or other effect device that you’d love to patch into the system.

  • Page 61: Input And Output Patching

    Input and Output Patching With all its ins and outs, the 01X is an exceptionally flexi- ble mixer, adaptable to a wide range of applications and setups. The key to tapping into all that flexibility and power is in the Patch parameters. These let you manage your ins and outs internally, within the 01X, and even let you store your often used routings to the Patch Libraries.
  • Page 62 Mixing Tutorial Routing audio to the digital stereo output In the section above you learned how to route digital audio into the 01X. In this section, we’ll see how to send it back out again. One common routing would be to send the entire stereo mix to the digital output for recording.
  • Page 63 Routing audio to specific mLAN outputs You can use the following operation to send audio buses to specific mLAN output pairs. For example, you can direct the two Aux Out pairs (AUX 1/2, AUX 3/4) to separate mLAN outputs. You can route the stereo bus and the record bus (REC Bus) to independent mLAN outputs from this page as well.

  • Page 64: Groups

    Mixing Tutorial Groups You can use the Group features to make mixdown chores easier. For example, if you assign all of your drum chan- nels to the same Fader Group, you can adjust the levels of all the drums together just by moving one of the faders. What’s more, the relative balance of all channels is pre- served—even when fading out! Channels can also be put in Mute Groups, leting you...

  • Page 65: Creating And Recalling Scenes

    Creating and Recalling Scenes Scenes are digital “snapshots” of your mixing work. They allow you to save all settings in a mix—including EQ, Dynamics, Effects, Groups, and more—and call them up instantly whenever you need them. There are 99 Scene memory locations for your custom mixes, and if you need more, you can save them to your computer by using the Studio Manager.

  • Page 66: Recording/Playback/Remote Control

    Templates are included for most major DAW applications and MIDI/audio sequencers, including Cubase SX/SL, Nuendo, Logic, SONAR, and Digital Performer. Naturally, the Yamaha SQ01 V2 is supported as well. Throughout this section, we’ve used Cubase SX for the examples, but most or all of these control features are available for the other supported sequencers as well.
  • Page 67 Select “Mackie Control” (or “Yamaha 01X”) from the list and click Add. r Select “Mackie Control” from the “Devices” list, then click on the setup tab. t Set the MIDI Input and Output ports. Select the unnumbered mLAN MIDI port; this corre- sponds to Port 1 for the remote control functions.
  • Page 68 Recording/Playback/Remote Control • Do not select the unnumbered mLAN MIDI port; this corresponds to Port 1 and is reserved for the remote control functions. t Select “All MIDI Inputs” from the list at left. y From the Setup tab, disable mLAN MIDI In Ports 1 and 4 - 8.
  • Page 69 t If desired, click the Control Panel button and adjust the latency (Preferred Buffer Size). For details on setting the latency, refer to the separate Installation Guide. y Click OK to finish. Recording/Playback/Remote Control ASIO Driver Setup q From the Devices menu, select “VST Inputs.” w Activate all the inputs you intend to use.
  • Page 70 Recording/Playback/Remote Control e From the Devices menu, select “VST Outputs.” r Activate all the outputs buses you intend to use. Click on the [power] button to activate a desired bus. (Bus 1 is on by default and doesn’t have such a button.) Up to nine buses can be activated.
  • Page 71 ● Using multiple mLAN channels In the instructions above, all tracks were routed to a single mLAN output pair. Here, we’ll see how to assign audio tracks to different buses (and hence, separate mLAN output pairs). From the Devices menu, select “VST Outputs.” Activate all the the output buses you intend to use.
  • Page 72 Recording/Playback/Remote Control ● Recording audio In this section, you’ll learn how to record an audio input signal from the 01X to the computer. Connect the instrument or microphone to the 01X and set the level(s). Make sure the 01X is set to Internal mode (press the [INTERNAL] button so that it lights).

  • Page 73: Working In The Project Window

    Select the Remote setting to match your sequencer q Make sure your computer is on and the mLAN driver is active. Refer to the explanation in the separate Installation Guide. w Press the [UTILITY] button. e Press knob 1 to select the REMOTE SELECT page. r Select the appropriate sequencer.
  • Page 74 Recording/Playback/Remote Control Using the transport controls These buttons let you control Cubase in the same way as using a tape recorder. Rewind Fast-forward Stop Dial This is like a jog/shuttle wheel on a video deck, and gives you an even faster way to move the song position in the window.

  • Page 75: Working In The Mixer Window

    Zoom The Zoom controls are another navigation convenience. No longer do you have to mouse with the zoom sliders or the magnifying glass tool or use the Zoom submenu in the sequencer. You’ll soon appreciate how easy it is to navi- gate through your song and change the views of your song data —...

  • Page 76: Working In An Editor Window

    Recording/Playback/Remote Control Using Mute/Solo First make sure the [AUTO R/W], [SOLO] and [REC RDY] buttons are off, and use the BANK [</>] (Left/ Right) buttons (if needed) to call up the desired set of tracks on the 01X. • To Mute a track: Press the [ON] button of the channel you want to mute (or un-mute).

  • Page 77: Automation

    Audio parts — Sample Editor window You can also call up the Sample Editor window for audio parts in the same way. Use the cursor buttons as described above to select the desired audio part, then press the [EDIT] button to call up the Sample Editor. •...
  • Page 78 Recording/Playback/Remote Control ■ Operation q Select the desired channel/track. Press the appropriate [SEL] button or use the [ / ] (Up/Down) cursor buttons. w Activate Read/Write automation. Press [AUTO R/W] (the button lights), then press the [ON] button of the channel, repeatedly if necessary, until both “R”...

  • Page 79: Editing Eq Settings

    Editing EQ settings In this section, we’ll be making edits to individual tracks again — but this time from the Channel Settings window. This window not only has a volume fader and pan control, it also features a complete EQ control window, and gives you basic controls for all your effects.

  • Page 80: Editing Effect Settings

    Recording/Playback/Remote Control Editing Effect settings The 01X can also be used to edit the plug-in effects in Cubase SX. Using the 01X to control the effects in Cubase SX is essen- tially a three-stage operation: 1) setting up, 2) adjusting the send levels, and 3) changing the effect settings.
  • Page 81 2) Adjust the send levels q Select the desired audio channel. Use the [SEL] buttons (and the BANK [</>] (Left/ Right) buttons, if necessary). Note that the display windows in Cubase SX change as well — letting you directly select the Channel Settings window for any track.

  • Page 82: Other Control Features

    Recording/Playback/Remote Control Other control features Using the Function buttons The eight Function buttons [F1] - [F8] provide a powerful and versatile way to customize DAW control and stream- line your recording, editing and mixing work. Just as with the Key Commands, these buttons can be assigned to any desired function, operation or command.
  • Page 83 Recording/Playback/Remote Control Undo The [UNDO] button performs the same function as Undo in the sequencer — allowing you to cancel the last edit made and restore the previous condition of the song. You can also execute Redo from the 01X. Simply hold down the [SHIFT] button and press [UNDO].

  • Page 84: Reference

    This chart shows the names, ranges and explanations of all settable parameters in the Internal mode, listed in order according to the function tree. These parameters can be set not only from the 01X itself, but also conveniently from a computer—using the included software program “Studio Manager”...
  • Page 85 ■ INTERNAL MODE [INTERNAL] Function name/ Knob settings SCENE MODE [SCENE] → DISPLAY [ (or [SCENE] → [SCENE] → [SCENE]) SCENE LIBRARY Determines the Library number. Preset Scene numbers and write-protected Scenes are indicated by asterisks (*) in the display and cannot be changed (see “Protect”...
  • Page 86 Function Tree/Function List Function name/ Knob settings CLEAR PROTECT PATCH LIBRARY ASSIGN IN-PATCH (Input Patch) 00 – 32 OUT-PATCH (Output Patch) 00 – 32 RECALL SAFE ENABLE – ---- (disable) UTILITY MODE [UTILITY] BACKUP [SHIFT] + [UTILITY] 01X Owner’s Manual Explanation This deletes the selected Scene.
  • Page 87 Port 1, yet still be able to switch to General Remote mode for control- GENERAL REMOTE ling Yamaha software (such as the SQ01 and the Multi Part Editor) over mLAN MIDI Port 5. To switch to General Remote control, hold down [SHIFT] and press the [REMOTE] button (the lamp flashes).
  • Page 88 Function Tree/Function List Function name/ Knob settings REMOTE AUTOMATION SETUP FADER TOUCH TIMEOUT ∞ 100 msec – PATCH [UTILITY] → Channel knob 2 INPUT PATCH (IN1-4) (Input Channels 1 – 4) INPUT PATCH (IN5-8) (Input Channels 5 – 8) NONE/AD1 – 8/ DIN-L/DIN-R →...
  • Page 89 Function name/ Knob settings INPUT PATCH (ST1/2) (Input Channel Stereo 1/2) Determines the input signal routing for Stereo Input channels (STI1/2). The settings “FX1”and “FX2” correspond to the outputs of internal effects. The NONE, AD1/2 – AD7/8, settings “AD1/2” – “AD7/8” correspond to MIC/LINE INPUTS 1 – 8, while D.IN/FX1 →...
  • Page 90 Function Tree/Function List Function name/ Knob settings OUTPUT PATCH (mLAN OUT CHANNEL) ST-BUS → 1/2 – 23/24 (17/18 – 23/24 are available in 48kHz/ 44.1kHz mode only) RECBUS → 1/2 – 23/24 (17/18 – 23/24 are available in 48kHz/ 44.1kHz mode only) AUX1/2 →...
  • Page 91 Function name/ Knob settings OUTPUT PATCH (DIGI. ST/AUX OUT PORT) The 01X’s Stereo Bus Out, Rec Bus Out, Aux Out 1 through 4 signals can be patched to any output jacks by using these Output Patch parameters (also see page 30). Select the signals for Digital Out or STEREO AUX/OUT here. Turning the knob immediately changes the routing.
  • Page 92 Function Tree/Function List Function name/ Knob settings STORE CLEAR W.CLK (Wordclock) [UTILITY] → Channel knob 3 mLAN AUTO W.CLK (mLAN Auto Wordclock) ENABLE DISABLE W.CLK SELECT (Wordclock Select) INTERNAL (Internal clock) z INT44.1kHz c INT48kHz b INT88.2kHz m INT96kHz EXT-D.IN (External clock: digital in) EXT-mLAN...
  • Page 93 Function name/ Knob settings DIO (Digital In/Out) [UTILITY] → Channel knob 4 D.IN ST-BUS CASCADE (Digital In Stereo Bus Cascade) Determines whether cascade connection to the stereo bus is enabled or not for ON/OFF the external device connected to the DIGITAL STEREO IN terminal. ATT (Attenuate) This control is used to attenuate Cascade Input signals.
  • Page 94 Function Tree/Function List Function name/ Knob settings MIDI [UTILITY] → Channel knob 6 STUDIO MANAGER ID 1 – 8 MIDI CHANNEL TX CH (Transmit Channel) 1 – 16 RX CH (Receive Channel) 1 – 16 PROGRAM CHANGE TX ON/OFF (Transmit On/Off) RX ON/OFF (Receive On/Off) OMNI ON/OFF...
  • Page 95 Function name/ Knob settings mLAN MIDI INFORMATION 1 : GENERAL 1 : LOGIC This page is for display only and the parameters cannot be changed here. 1 : CUBASE This display shows the settings for each mLAN port. The 01X features five 1 : SONAR independent MIDI ports, and the assigned functions are shown here.
  • Page 96 Function Tree/Function List Function name/ Knob settings SOLO MODE MIX SOLO/ LAST SOLO SOLO SAFE – ENABLE MON (Monitor) [UTILITY] → Channel knob 8 MONITOR (Monitor Mix Balance) A (LED-ON) “INT>0: 126<DAW” – “INT>126: 0<DAW” B (LED-OFF) “INT>0: 126<DAW” – “INT>126: 0<DAW”...
  • Page 97 Function name/ Knob settings EQ ON/OFF Turns the EQ on or off. The LOW-band EQ functions as a high-pass filter when the Q parameter is set to HPF. It functions as a shelving-type EQ when – ON/OFF the Q parameter is set to L.SHELF. The L and R settings of the ST IN chan- nel’s EQ are linked together.
  • Page 98 Function Tree/Function List Function name/ Knob settings EQ HIGH-MID FREQUENCY/EQHL-F – 21.2Hz – 20.0kHz EQ LOW Q/EQL-Q – 10.0 – 0.10 EQ ON/OFF – ON/OFF ATT (Attenuate) (Selected Channel only) - 96.0dB – +12.0dB ■ EQ LIBRARY (Selected Channel only) (This can be called up by pressing the same EQ button twice in a row.
  • Page 99 Function name/ Knob settings ■ EQ LIBRARY (Common to 4 bands) (Selected Channel only) (This can be called up by pressing the same EQ button twice in a row. For example: [EQ LOW] → [EQ LOW]) Determines the Library number. Preset EQ numbers (01 – 40; see page 115) 01 –...
  • Page 100 Function Tree/Function List Function name/ Knob settings SEND [INTERNAL] → ([SELECTED CHANNEL]) → [SEND] SEND 1 – 4 (AUX Send Level 1 – 4 ) – ∞ – +6.0 AX 1 – 4-PP/AUX 1 – 4PREPOST (AUX1 – 4 PRE/POST) –...
  • Page 101 Function name/ Knob settings For calling up the selected Dynamics effect. The confirmation prompt can be RECALL turned on/off as desired. (See “Recall Confirmation” on page 95.) Dynamics settings are stored to internal memory in the Dynamics Library. Up to 88 Dynamics settings can be stored. The confirmation prompt can be turned on/off as desired.
  • Page 102 Function Tree/Function List Function name/ Knob settings CH PAIR (Channel Pair) – PAIRED/---- EFFECT [INTERNAL] → [EFFECT] (EFFECT1) → [EFFECT] (EFFECT2) → [EFFECT] (EFFECT1) EFFECT1/2 PATCH/BYPASS/MIX/TYPE (Effect 2 is 48kHz/44.1kHz mode only) AUX3/4, CH1 – 8, mL1 – 16 (mL9 – 16 are 48kHz/ 44.1kHz mode only), BUS, STEREO BYPASS...
  • Page 103 Function name/ Knob settings 1 – 7 EFFECT1/2 PARAMETER (Effect 2 is 48kHz/44.1kHz mode only) Determines the effect parameters. Parameters depend on the Effect Types – (Effect Parameters) selected in the Library (see the Effect Library List). EFFECT1/2 LIBRARY Determines the Library number. Preset Effect numbers (01 – 43; see page 01 –...

  • Page 104: Remote Function List

    Remote Function List • For information and instructions on setting up the 01X for remote control, refer to the Getting Started and the section “Demo Song Playback/Remote Control Setup” in the separate Installation Guide booklet. • For information on the Remote functions of the Multi Part Editor, refer to the Multi Part Editor owner’s manual (PDF file). •...
  • Page 105 Button This cancels the Save operation, when the final confirmation for Save appears ([SAVE] [F8] ([SAVE] flashes) flashes). Brings the Track View window to the front of the computer screen. (This operation [SHIFT]+[F1] applies to the current song.) Displays the Mixer window (Audio Mixer/Multi Part Editor) or brings it to the front of [SHIFT]+[F2] the computer screen.

  • Page 106: Logic

    Remote Function List ■ LOGIC: On the 01X, set Remote Select (page 87) in the Utility mode to “LOGIC.” Button In all modes: [NAME/VALUE] [SHIFT]+[NAME/VALUE] [PAGE SHIFT]+DISPLAY [ Cursor [ (Multi Channel View) (Parameters other than PAN/NSTRUMENT mode) [SHIFT]+[REMOTE] [SEL] (in normal status) [SEL] ([SEL] flashes) [SEL] ([AUTO EDIT] lights) [ON] (in normal status)
  • Page 107 Button [SAVE] Executes the Save operation. [MARKER] Turns the Marker on or off. [SHIFT]+[MARKER] Enters the Marker Option mode. Press to continuously rewind. Press repeatedly to rewind more quickly. When the Marker is turned on, this operation moves the song position to the previous Marker. When Nudge is turned on, this operation moves the current object.

  • Page 108: Cubase/Nuendo

    Remote Function List Button Knobs 1 – 8 (pressing) (Parameter page) DISPLAY [ Cursor [ (Parameter page) [SHIFT]+[PLUG-IN] INSTRUMENT mode [SHIFT]+[INST] (Multi Channel View) [SHIFT]+[INST] ➝ [SHIFT]+[INST] (Track Parameter View) Knobs 1 – 8 (turning ➝ pressing) Knobs 1 – 8 (pressing) (Knob to which the Instrument is assigned) Knobs 1 –...
  • Page 109 Button Starts the Mixer View window./Brings the Mixer View window to the front of the com- [SHIFT]+[F2] puter screen. [SHIFT]+[F3] as defined in Cubase/Nuendo. [SHIFT]+[F3] Closes the current window. [SHIFT]+[F4] [SHIFT]+[F5] as defined in Cubase/Nuendo. [SHIFT]+[F5] [SHIFT]+[F6] as defined in Cubase/Nuendo. [SHIFT]+[F6] [SHIFT]+[F7] [SHIFT]+[F7] as defined in Cubase/Nuendo.

  • Page 110: Sonar

    Remote Function List ■ SONAR: On the 01X, set Remote Select (page 87) in the Utility mode to “SONAR.” Button In all modes: [NAME/VALUE] [SHIFT]+[NAME/VALUE] DISPLAY [ ] (Multi Channel) [PAGE SHIFT]+DISPLAY [ (Multi channel) DISPLAY [ (SELECTED CHANNEL) [PAGE SHIFT]+DISPLAY [ (SELECTED CHANNEL) [SHIFT]+[REMOTE] [SEL] (in normal status)
  • Page 111 Button Forward (or Fast Forward). When the Marker is turned on, this operation moves the song position to the next Marker. Moves the song position to the end of the song. When the Marker is turned on, this oper- [SHIFT]+[f] ation opens the window for entering the Marker.

  • Page 112: Digital Performer

    Remote Function List ■ Digital Performer: On the 01X, set Remote Select (page 87) in the Utility mode to “DP.” Button In all modes: [SHIFT]+[PAN] [SHIFT]+[NAME/VALUE] [SHIFT]+[REMOTE] [SEL] (in normal status) [SHIFT]+[SEL] (in normal status) [SEL] ([SEL] flashes) [SEL] ([AUTO EDIT] lights) [ON] (in normal status) [ON] ([SOLO] lights) [ON] ([REC RDY] lights)
  • Page 113 Button [PAN] ( or [SHIFT]+[PAN] ➝ Knob) PAN mode Knobs 1 – 8 (turning) For editing parameters. Enters the PANNER Effect Edit mode. Press the [EDIT] button to return to the PAN Knobs 1 – 8 (pressing) (Surround Audio Channel) mode.
  • Page 114 Remote Function List The normal condition is when the [AUTO R/W], [SOLO] and [REC RDY] button lamps are off. Not used or operable for the Master channel. The Multi Part Editor must be selected as the MIDI editor in SQ01 V2. (This is done from the Track view window by selecting [Set] ➝...

  • Page 115: Appendix

    ■ Preset EQ Library Preset Name Description Emphasizes the low range of a bass drum and the Bass Drum 1 attack created by the beater. Creates a peak around 80 Hz, producing a tight, stiff Bass Drum 2 sound. Snare Drum 1 Emphasizes “snappy”...

  • Page 116: Preset Eq Parameters/Values

    Parameter Lists ■ Preset EQ Parameters/Values Title PEAKING PEAKING +3.5 dB Bass Drum 1 100 Hz PEAKING PEAKING +8.0 dB Bass Drum 2 80 Hz PEAKING PEAKING –0.5 dB Snare Drum 1 132 Hz L.SHELF +1.5 dB Snare Drum 2 180 Hz —...

  • Page 117: Eq Parameters

    Parameter Title LOW-MID HIGH-MID PEAKING PEAKING –0.5 dB 0.0 dB Male Vocal 1 190 Hz 1.00 kHz 0.11 PEAKING PEAKING +2.0 dB –5.0 dB Male Vocal 2 170 Hz 236 Hz 0.11 PEAKING PEAKING –1.0 dB +1.0 dB Female Vo. 1 118 Hz 400 Hz 0.18...

  • Page 118: Preset Dynamics Library

    Parameter Lists ■ Preset Dynamics Library Preset Name Type Compressor for reducing the overall vol- ume level. Use it on the stereo output Comp COMP during mixdown, or with paired Input or Output Channels. Expand EXPAND Expander template. Compander (H) COMPAND-H Hard-kneed compressor template.

  • Page 119: Preset Dynamics Parameters/Values (Fs=44.1Khz)

    ■ Preset Dynamics Parameters/Values Title Type Threshold (dB) Ratio ( :1) Attack (ms) Comp COMP Out gain (dB) Knee Release (ms) Threshold (dB) Ratio ( :1) Attack (ms) Expand EXPAND Out gain (dB) Knee Release (ms) Threshold (dB) Ratio ( :1) Attack (ms) Compander (H) COMPAND-H...
  • Page 120 Parameter Lists Title Type Strings3 COMP BrassSection COMP Syn. Pad COMP SamplingPerc COMPAND-S Sampling BD COMP Sampling SN COMP Hip Comp COMPAND-S Solo Vocal1 COMP Solo Vocal2 COMP Chorus COMP 01X Owner’s Manual Parameter Value Threshold (dB) –17 Ratio ( :1) Attack (ms) Click Erase Out gain (dB)

  • Page 121: Dynamics Parameters

    ■ Dynamics Parameters Threshold –54 dB–0 dB (0.1 dB step) Ratio (x :1) x=1, 1.1, 1.3, 1.5, 1.7, 2, 2.5, 3, 3.5, 4, 5, 6, 8, 10, 20, ∞ (16 points) Out gain 0 dB to +18 dB (0.1 dB step) Knee Hard, 1, 2, 3, 4, 5 (6 points) Compressor...
  • Page 122 Parameter Lists Explanations for Dynamics Parameters Compressor Compression ratio = 2:1 Threshold = -20dB Knee = hard -10 0 +10 +20 Input Level ● Compressor (CMP) parameters: Threshold (THRESH) determines the level of input signal required to trigger the compressor. Signals at a level below the threshold pass through unaffected.
  • Page 123 ● Expander (EXP) parameters: Threshold (THRESH) determines the level of input signal required to trigger the expander. Signals above the threshold pass through unaffected. Signals at and below the threshold level are attenuated by the amount specified using the Ratio parameter.
  • Page 124 Parameter Lists Gate and Ducking Threshold = -10dB A gate, or noise gate is an audio switch used to mute signals below a set threshold level. It can be used to suppress background noise and hiss from valve (tube) amps, effects pedals, and microphones. Ducking is used to automatically reduce the levels of one signal when the level of a source signal exceeds a specified threshold.

  • Page 125: Preset Effects Library

    Stereo delay with crossed left/right feedback ● Modulation-based Effects Preset Name/ Description Types Chorus Chorus Flange Flanger Proprietary Yamaha effect that produces a richer Symphonic and more complex modulation than normal cho- Phaser 16-stage stereo phase shifter Auto Pan Auto-panner Tremolo Tremolo HQ.Pitch...

  • Page 126: Effects Parameters

    Parameter Lists ■ Effects Parameters ● REVERB HALL, REVERB ROOM, REVERB STAGE, REVERB PLATE One input, two output hall, room, stage, and plate reverb simulations, all with gates. Parameter Range REV TIME 0.3–99.0 s INI. DLY 0.0–500.0 ms HI. RATIO 0.1–1.0 LO.

  • Page 127: Delay Lcr

    ● MONO DELAY One input, two output basic repeat delay. Parameter Range DELAY 0.0–2730.0 ms Delay time FB. GAIN –99 to +99% Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) HI. RATIO 0.1–1.0 High-frequency feedback ratio THRU, 21.2 Hz–8.00 kHz High-pass filter cutoff frequency 50.0 Hz–16.0 kHz, THRU...
  • Page 128 Parameter Lists ● ECHO Two input, two output stereo delay with crossed feedback loop. Parameter Range DELAY L 0.0–1350.0 ms DELAY R 0.0–1350.0 ms FB.DLY L 0.0–1350.0 ms FB.DLY R 0.0–1350.0 ms FB. G L –99 to +99% FB. G R –99 to +99% L->R FBG –99 to +99%...

  • Page 129: Auto Pan

    ● SYMPHONIC Two input, two output symphonic effect. Parameter Range FREQ. 0.05–40.00 Hz Modulation speed DEPTH 0–100% Modulation depth MOD. DLY 0.0–500.0 ms Modulation delay time WAVE Sine, Tri Modulation waveform LSH F 21.2 Hz–8.00 kHz Low shelving filter frequency LSH G –12.0 to +12.0 dB Low shelving filter gain...

  • Page 130: Dual Pitch

    Parameter Lists ● HQ. PITCH One input, two output high-quality pitch shifter. Parameter Range PITCH –12 to +12 semitones FINE –50 to +50 cents DELAY 0.0–1000.0 ms FB. GAIN –99 to +99% MODE 1–10 ● DUAL PITCH Two input, two output pitch shifter. Parameter Range PITCH 1...

  • Page 131: Amp Simulate

    ● MOD. FILTER Two input, two output modulation filter. Parameter Range FREQ. 0.05–40.00 Hz Modulation speed DEPTH 0–100% Modulation depth PHASE 0.00–354.38 degrees Left-channel modulation and right-channel modulation phase difference TYPE LPF, HPF, BPF Filter type: low pass, high pass, band pass OFFSET 0–100 Filter frequency offset...
  • Page 132 Parameter Lists ● DYNA. FLANGE Two input, two output dynamically controlled flanger. Parameter Range SENSE 0–100 DIR. UP, DOWN DECAY OFFSET 0–100 FB.GAIN –99 to +99% LSH F 21.2 Hz–8.00 kHz LSH G –12.0 to +12.0 dB EQ F 100 Hz–8.00 kHz EQ G –12.0 to +12.0 dB EQ Q...
  • Page 133 ● REV->CHORUS One input, two output reverb and chorus effects in series. Parameter Range REV TIME 0.3–99.0 s Reverb time INI. DLY 0.0–500.0 ms Initial delay before reverb begins HI. RATIO 0.1–1.0 High-frequency reverb time ratio DIFF. 0–10 Spread DENSITY 0–100% Reverb density THRU, 21.2 Hz–8.00 kHz...
  • Page 134 Parameter Lists ● REV+SYMPHO. One input, two output reverb and symphonic effects in parallel. Parameter Range REV TIME 0.3–99.0 s INI. DLY 0.0–500.0 ms HI. RATIO 0.1–1.0 DIFF. 0–10 DENSITY 0–100% THRU, 21.2 Hz–8.00 kHz 50.0 Hz–16.0 kHz, THRU REV/SYM 0–100% FREQ.
  • Page 135 ● DELAY+ER. One input, two output delay and early reflections effects in parallel. Parameter Range DELAY L 0.0–1000.0 ms Left channel delay time DELAY R 0.0–1000.0 ms Right channel delay time FB. DLY 0.0–1000.0 ms Feedback delay time FB. GAIN –99 to +99% Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) HI.
  • Page 136 Parameter Lists ● DELAY->REV One input, two output delay and reverb effects in series. Parameter Range DELAY L 0.0–1000.0 ms DELAY R 0.0–1000.0 ms FB. DLY 0.0–1000.0 ms FB. GAIN –99 to +99% DELAY HI 0.1–1.0 THRU, 21.2 Hz–8.00 kHz 50.0 Hz–16.0 kHz, THRU DLY.BAL 0–100%...
  • Page 137 ● ST REVERB Two input, two output stereo reverb. Parameter Range REV TIME 0.3–99.0 s Reverb time REV TYPE Hall, Room, Stage, Plate Reverb type INI. DLY 0.0–100.0 ms Initial delay before reverb begins HI. RATIO 0.1–1.0 High-frequency reverb time ratio LO.

  • Page 138: Scene Memory To Program Change Table

    Parameter Lists ■ Scene Memory to Program Change Table Program Initial Scene User Change No. Scene No. 01X Owner’s Manual Program Initial Scene User Change No. Scene No. Program Initial Scene User Change No. Scene No. — — — — —...

  • Page 139: Input Patch Parameters

    ■ Input Patch Parameters * Each display may differ depending on the channel name (Studio Manager) settings. : Disabled when Wordclock is set to 96kHz/88.2kHz. ● INPUT PATCH (IN1-8) Display Description (Input) NONE NONE MIC/LINE INPUT (AD IN) 1 MIC/LINE INPUT (AD IN) 2 MIC/LINE INPUT (AD IN) 3 MIC/LINE INPUT (AD IN) 4 MIC/LINE INPUT (AD IN) 5...

  • Page 140: Output Patch Parameters

    Parameter Lists ■ Output Patch Parameters * Each display may differ depending on the channel name (Studio Manager) settings. : Disabled when Wordclock is set to 96kHz/88.2kHz. ● mLAN OUT (Output) Display 9/10 11/12 13/14 15/16 17/18 19/20 21/22 23/24 ■...

  • Page 141: Midi Data Format

    1. Ports The mLAN MIDI ports 1, 4 and 5 are used to communicate via MIDI with the 01X. The mLAN MIDI ports 2 and 3 are connected directly to the MIDI-A and MIDI-B terminals of the 01X and do not communicate via MIDI with the 01X. 2.

  • Page 142: Midi Implementation Chart

    MIDI Implementation Chart MIDI Implementation Chart YAMAHA [DIGITAL MIXING STUDIO] Model:01X Function... Basic Default Channel Changed Default Mode Messages Altered Note Number : True voice ************** Velocity Note ON Note OFF After Key's Touch Ch's Pitch Bend Control 0-95,102-119 x...

  • Page 143: Display Messages

    Messages *** SURE? ---- (Channel number “flashes” alternately with “----”) Do you want to initialize backup data? ERROR: Backup Data Crashed!! Do you want to initialize backup data? EXECUTING BACKUP. PLEASE KEEP POWER ON... INCORRECT WORDCLOCK! Initializing backup data, please keep power on ... LIBRARY: CATEGORY CONFLICT! LIBRARY: FOR EFFECT1 ONLY! LIBRARY: INVALID CHANNEL!

  • Page 144: Troubleshooting

    No sound? Wrong sound? When a problem like this occurs, please check the following points before assuming that the product is faulty. In many cases you’ll find the solution to your problem here. If the problem persists, then contact your Yamaha dealer or service center. ■ No sound, or sound is too faint.
  • Page 145 ■ Noise is produced. • Is the latency setting of the mLAN Driver appropriate? ... “mLAN Driver Setup”, “ASIO mLAN Control Panel” (Installation Guide) • (For Windows) In the BIOS settings, set Hyper Threading to off. • Is the wordclock setting correct for both the 01X and the external device(s)? ...
  • Page 146 Troubleshooting ■ Faders move to the lowest/Highest position on their own. • Automation (Automix) may have been recorded..page 15 ■ Meters move even though the faders are lowered. • The direct out setting may be PRE EQ or PRE FADER..page 91 •...
  • Page 147 ■ The pitch is wrong. • Is the 01X operating on the same sampling frequency as the synchronized external device? ... page 92, “Settings by mLAN Auto Connector” (Installation Guide) • Is the master device operating in a stable way? •...
  • Page 148 Troubleshooting • There may be a limit on the IEEE 1394 interface of your computer as to the number of ports that can be used simultaneously. Check how many ports can be used simultaneously. • Turn off all devices on the mLAN network (except the computer) and re-connect each device one-by-one until the device causing the problem is found.

  • Page 149: Specifications

    ■ General Specifications Internal, External Sampling Frequency 44.1 kHz, 48 kHz 20 Hz – 20 kHz Frequency Response 88.2 kHz, 96 kHz 20 Hz – 40 kHz Total Harmonic Distortion Less than 0.02 % Dynamic Range 103 dB Noise level -105 dBV Crosstalk 70 dB...
  • Page 150 Operating free-air temperature range * Specifications and descriptions in this owner’s manual are for information purposes only. Yamaha Corp. reserves the right to change or modify products or specifications at any time without prior notice. Since specifications, equipment or options may not be the same in every locale, please check with your Yamaha dealer.

  • Page 151: Index

    Numerics 01X Channel Module (Basics Section) ...28 About This Manual ...7 Accessories ...6 ACTIVE lamp ...22 Application examples (Basics Section) ...34 Application Index ...10 ASIO Driver Setup ...69 ASIO mLAN ...68 Attack (Compander) ...123 Attack (Compressor) ...122 Attack (Expander) ...123 Attack (Gate and Ducking) ...124 Attenuator (ATT) (01X Terminology) ...14 Audio setup ...68...
  • Page 152 Index F1 - F8 (Function 1 - 8) buttons ...19 Factory Set (Restore Factory Defaults) (Basics Section) ...42 FADER GROUP ...101 Fader Groups ...64 FADER LEVEL DISP ...95 Fader Level Display ...95 FADER TOUCH TIMEOUT ...88 Final Master ...9 FLIP button ...19 FOOT SWITCH jacks 1/2 ...22 Forward f button ...20 Function buttons ...82...
  • Page 153 NAME/VALUE button ...17 Nominal level (01X Terminology) ...14 NUENDO (Remote Function List) ...108 ON buttons ...17 ON/OFF (channel) ...99 OSC (Oscillator) ...93 OSC. ASSIGN (Oscillator Assign) ...93 OSCILLATOR ...93 Oscillator ...93 Oscillator (Basics Section) ...29 Oscillator Assign ...93 Out Gain (Compander) ...123 Out Gain (Compressor) ...122 Out Gain (Expander) ...123 Output channel (Basics Section) ...30...
  • Page 154 Index SQ01 V2 ...9 SQ01 V2 (Remote Function List) ...104 STANDBY/ON switch ...22 ST-BUS (Stereo bus assign) ...99 Stereo bus assign ...99 Stereo buses L/R (01X Terminology) ...14 Stereo fader ...17 Stereo input channels 1/2 (Basics Section) ...29 STEREO/AUX OUT jacks ...21 Stop ■...
  • Page 155 (FX2) (FX1) BUS) (STEREO STEREO BUS) (STEREO STEREO (BUS) RECBUS (BUS) RECBUS PATCH) (INPUT SELECT INPUT PATCH) (OUT PATCH) (OUT SELECT SELECT SELECT SELECT PATCH) (OUT SELECT...
  • Page 156 For details of products, please contact your nearest Yamaha representative or the authorized distributor listed below. Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante.

Table of Contents