Yamaha 9000 Pro Owner's Manual page 145

Volume/EQ
VOLUME PAN-
POT
Master Overall – –
Keyboard All Voices – –
VOICE R1 O O
VOICE R2 O O
VOICE R3 O O
VOICE L O O
Auto All Tracks O O
Accompaniment
RHYTHM 1 O O
(Style)
RHYTHM 2 O O
BASS O O
CHORD 1 O O
CHORD 2 O O
PAD O O
PHRASE 1 O O
PHRASE 2 O O
Multi Pad Multi O O
Pad 1~4
Song All Tracks O O
TRACK 1 O O
TRACK 2 O O
• • •
• • •
TRACK 16 O O
Microphone MIC O O
Sound
O : available * Same as the [TRANSPOSE] button (pages 61 and 162)
** Same as the [UPPER OCTAVE] button (page 18)
*** Cannot be applied to the part using the Plug-in voice from the PLG150-PF. If you wish
to adjust them from the PLG150-PF, use the Native Part Parameter settings display
(Frequency/Gain) in the Plug-in Custom Voice Creator function.
G Volume/EQ
• Volume ...................This lets you change the volume of each part and adjust the rela-
• Panpot....................Positions the sound of the specified voice or track from left to right
• Equalizer ................The EQ High and EQ Low controls function in the same way as the
G Filter
• Brightness..............This increases or decreases the brightness of the sound.
• Harmonic Content..This increases or decreases the harmonic content, giving the
G Effect Depth
This parameter sets the effect depth for the corresponding part. See the next page for
details about Effects.
G Tune
• Transpose...............Allows the pitch to be transposed up or down in semitone incre-
• Tuning.....................Sets the pitch for the corresponding part.
• Octave....................Shifts the pitch of the specified part up or down by one or two
• Pitch Bend Range ..Sets the range of the PITCH BEND wheel for the corresponding
• Portamento Time....Sets the portamento time for the corresponding part only when the
G Voice
This lets you change the voice for each part.
Filter
EQ EQ BRIGHT- HARMONIC REVERB
LOW HIGH NESS CONTENT (1)
*** ***
– – – – –
– – – – –
O O O O O
O O O O O
O O O O O
O O O O O
O O – – O
O O O O O
O O O O O
O O O O O
O O O O O
O O O O O
O O O O O
O O O O O
O O O O O
O O – – O
O O – – O
O O O O O
O O O O O
• • • • •
• • • • •
O O O O O
– – – – O
tive balance among all the parts.
in the stereo sound field.
treble and bass controls on a sound system, boosting or cutting
the high or low frequency ranges by the specified amount.
sound more or less "punch."
ments (pages 61 and 162).
octaves. The value of this parameter is added to the value set via
the [UPPER OCTAVE] button (page 18).
part. The range is from "0" to "12" with each step corresponding to
one semitone.
part is set to "MONO" (page 60). The higher the value the longer
the portamento time. The portamento effect (a smooth slide
between notes) is produced when the notes are played legato: i.e.,
a note is held while the next note is played.
Effect Depth
CHORUS DSP DSP DSP DSP DSP
(2) (3) (4) (5) (6) (7)
– – – – – –
– – – – – –
O – O – – –
O – – O – –
O – – – O –
O – – – – O
O O – – – –
O O – – – –
O O – – – –
O O – – – –
O O – – – –
O O – – – –
O O – – – –
O O – – – –
O O – – – –
O – – – – –
O O – – – –
O O – – – –
O O – – – –
• • • • • •
• • • • • •
O O – – – –
O – – – – –
Mixing Console
Mixing Console
Tune
DSP TRANS- TUNING OCTAVE PITCH
(8) POSE BEND
RANGE
* **
– O – – –
– O – – –
– – O O O
– – O O O
– – O O O
– – O O O
– – – – –
– – – – –
– – – – –
– – – – –
– – – – –
– – – – –
– – – – –
– – – – –
– – – – –
– – – – –
– O – – –
– – – – –
– – – – –
• • • • •
• • • • •
– – – – –
O – – – –
• Make the desired Right 1 voice,
Effect Type and Depth, and EQ
settings from the Mixing Con-
sole, then call up the Custom
Voice display to store the set-
tings. The Mixing Console
parameters can be stored
together with the Custom Voice
parameters.
• Certain voices may produce
excessive noise, depending on
the Harmonic Content and/or
Brightness settings of the Mixing
Console Filter.
• As indicated in the chart above,
in addition to the Master Trans-
pose setting, there are two other
transpose controls: Keyboard
Transpose and Song Trans-
pose. These can be used to
match both the song and your
keyboard performance to a cer-
tain key. For example, let's say
you wish to both play and sing
along with a certain recorded
song. The song data is in F, but
you feel most comfortable sing-
ing in D, and you are accus-
tomed to playing the keyboard
part in C. To match up the keys,
set the Master Transpose to "0,"
the Keyboard Transpose to "2,"
and the Song Transpose to "-3."
This brings the keyboard part up
and the song data down to your
comfortable singing key.
Reference
Voice
PORTAMENTO VOICE
TIME
– –
– –
O –
O –
O –
O –
– –
– O
– O
– O
– O
– O
– O
– O
– O
– –
– –
– O
– O
• •
• •
– O
– –
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