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Allen Organ Company LLC L-123 Owner's Manual

Bravura series
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L-123
Bravura™ Series
Copyright © 2015 Allen Organ Company LLC
All Rights Reserved
AOC P/N 033-00203
Revised 6/2015

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Summary of Contents for Allen Organ Company LLC L-123

  • Page 1 L-123 Bravura™ Series Copyright © 2015 Allen Organ Company LLC All Rights Reserved AOC P/N 033-00203 Revised 6/2015...

  • Page 2: Table Of Contents

    ALLEN ORGAN COMPANY For more than sixty years--practically the entire history of electronic organs-- Allen Organ Company has built the finest organs that technology would allow. In 1939, Allen built and marketed the world’s first electronic oscillator organ. The tone generators for this instrument used two hundred forty-four vacuum tubes, contained about five thousand components, and weighed nearly three hundred pounds.

  • Page 3: Organ Stops

    I. ORGAN STOPS PITCH FOOTAGE The number appearing on each stop, along with its name, indicates the “pitch” or “register” of the particular stop. Organs can produce notes of different pitches from a single playing key. When this sound corresponds to the actual pitch of the played key, the stop is referred to as being of 8’...

  • Page 4: Specialized Stop Controls

    Voices that combine the tonal characteristic of two families Hybrid Voices of sound, e.g., flutes and principals, or strings and Erzähler, Spitzflöte principals. 2. Reeds In reed pipes, a metal tongue vibrates against an open flattened side of a metal tube called a shallot.

  • Page 5: Expression Shoes

    Your Allen organ’s capture system lets you set stop registration combinations in each of its available capture memories. The L-123 has a set of six (6) General pistons located under the left side of the Swell manual and four (4) Divisional pistons for both the Swell and Great divisions centrally located under both the Swell and Great manuals.
  • Page 6 SETTING DIVISIONAL PISTONS Divisional pistons are different in that they only affect the stops of a single division. For example, only the Swell stops can be programmed onto a Swell divisional piston. Any Great stops turned on while selecting or setting a Swell divisional piston will be unaffected or changed. To set a Divisional piston: First, only turn on stops within a single division you wish to save within a registration.

  • Page 7: Artistic Registration

    PISTON SEQUENCER PISTONS The L-123 is equipped with the Piston Sequencer feature which allows the organist to step through General piston registrations within individual or multiple capture memory levels. A custom sequence mode is also available which allows the organist to custom program his/her piston sequence.
  • Page 8 FLUTE SOLO COMBINATION Swell: Viola Pomposa 8’, Viola Celeste 8’ Great: Harmonic Flute 8’ Pedal: Lieblich Gedackt 16’, Swell to Pedal [Play solo on Great] TRUMPET SOLO COMBINATION Swell: Trompette 8’ Great: Diapason 8’, Octave 4’, Fifteenth 2’, Mixture IV Pedal: Bourdon 16’, Octave 8’, Choral Bass 4’...
  • Page 9 The Swell Reed Chorus is a special ensemble of Basson 16’ and Trompette 8’. It represents an entity important to French organ music and the full ensemble of the organ. These stops create a “blaze” of richly harmonic sounds that tops off both flue choruses.

  • Page 10: Transposer

    This short treatment barely scratches the surface of the fascinating subject of organ registration. For those interested in gaining further insight into this vital area of organ playing, we recommend the following texts: Audsley, George Ashdown. Organ Stops and their Artistic Registration. Hialeah, FL: C.P.P.

  • Page 11: Installation, Voicing, And Care Of The Organ

    Acoustic Portrait™ begins with a sampling process using impulse responses that measure an actual room’s acoustic properties. These measurements are then stored in the organ's computer memory. Through an advanced real-time mathematical process called “convolution”, the acoustics of the sampled room actually become an integral part of the organ’s sound, producing a noticeably smoother, more natural result than synthetic reverb.

  • Page 12: Safety Information

    To polish the clear music rack, a furniture wax polish may be sprayed on a soft dry cloth and rubbed on the front of the music rack. Keep the wax off of the wood finishes. This will help keep the music rack clear. You have purchased a remarkable organ that not only faithfully reproduces the organ traditions of the past but also anticipates the innovations of the future.
  • Page 13 Warning: This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instruction manual, may cause interference to radio communications. It has been type tested and found to comply with the limits for a Class B Computing Device in accordance with the specifications in Subpart J of Part 15 of FCC Rules, which are designed to provide reasonable protection against such interference in a residential installation.

  • Page 14: Genisys™ Controller Guide

    X. GENISYS™ CONTROLLER GUIDE BASIC OPERATION ....................13 Start-Up Sequence ....................................13 Advancing Through the Windows ................................14 Selecting the Capture Memories ................................14 Saving Registrations Using the Pistons/Toe Studs ..........................15 Locking Capture Memories ..................................15 Unlocking Memories Using Your Code ..............................16 Unlocking All Memories If You Forget Your Code ..........................

  • Page 15: Basic Operation

    INTRODUCTION The GeniSys™ Controller is an interface that controls many organ functions and a variety of MIDI functions. The GeniSys™ Controller includes a LCD (liquid crystal display) window that displays functions, one at a time, as well as an integrated Rotary Dial with push buttons used to make selections.

  • Page 16: Advancing Through The Windows

    2. Advancing Through the Windows The Allen Organ GeniSys™ operating software contains many settings that are user- programmable. Each programmable setting can be adjusted via the GeniSys™ Controller. These programmable settings are divided up into many window functions. To advance the GeniSys™ Controller's display to the next window function, locate and press the CURSOR button until the positioned...

  • Page 17: Saving Registrations Using The Pistons/Toe Studs

    General Pistons, while those to the right of the expression shoes are for the Pedal Division. The L-123 is equipped with six (6) General pistons, (4) Divisional pistons for both the Swell and Great Divisions and four (4) Divisional toe studs for the Pedal Division. In addition, there are also six (6) General toe studs which are duplicates of the six General pistons.

  • Page 18: Unlocking Memories Using Your Code

    On the GeniSys™ Controller, locate the MEMORY button. Press and hold the MEMORY button. Then, while holding MEMORY, press the General Pistons that will correspond to your three-digit code. Release the MEMORY button and an "L" will appear next to the “M” number in the display, indicating this memory is now locked.

  • Page 19: Stop Action And Capture Self Check

    CANCEL pistons to return to the Main Window function (see Section A-2). 9. Stoplist Library™ The L-123 is equipped with four (4) complete voicing suites as standard and can be equipped to include nine (9) complete voicing suites (see model specific specification A new voicing documents as to the available standard/optional voicing suites).

  • Page 20: Acoustic Portrait™ Settings

    To change to a different voicing specification, press the CURSOR button on the GeniSys™ Controller and position the cursor on the voicing specification name. Turn the ROTARY DIAL to select a different voicing specification. SOUND LIBRARY SOUND LIBRARY CLASSIC ALLEN ENGLISH CATHEDRL When the desired voicing specification is displayed, press and hold the SET piston.
  • Page 21 To change the active Acoustic Portrait™ or adjust the Acoustic Portrait™ gain, advance to the ‘ACOUSTIC PORTRAIT™‘ window function (see Section A-2). The window will display the name of the currently selected Acoustic Portrait™ pallet on line 1 with the Gain setting on line 2.
  • Page 22 Acoustic Portrait Gain (Volume) Adjustment: To change the Acoustic Portrait Gain setting, press the CURSOR button on the GeniSys™ Controller until the cursor is positioned on the Acoustic Portrait gain setting. Turn the ROTARY DIAL on the GeniSys™ Controller to change the gain setting. Gain adjustment range is from minus 35dB to +6dB.

  • Page 23: Hymn Player

    11. Hymn Player GeniSys™ instruments contain an internal Hymn Player which plays a selected set of pre-recorded hymns within memory. Additional hymns cannot be added to the existing list of available hymn Note: selections. To access the Hymn Player function, advance to the Hymn Player function window (see Section A-2).

  • Page 24: Usb Operation

    B. USB OPERATION 1. USB Memory Port GeniSys™ consoles are equipped with a USB type memory port. Depending on the model instrument, the USB memory port can be located at various locations on the console. The USB memory port can accept USB flash devices up to 32GB in size. Important! USB flash devices larger than 32GB will not operate correctly within GeniSys™...

  • Page 25: Genisys™ Sequencer

    2. GeniSys™ Sequencer GeniSys™ instruments contain the added versatility of a built-in console sequencer. Similar to the operation of an external MIDI sequencer, the GeniSys™ Sequencer will record and playback an organist’s performance in exacting detail. Every key, pedal, piston, stop and expression movement is recorded and played back as it was originally recorded by the organist.
  • Page 26 The GeniSys™ Sequencer contains many display functions. Here is a quick breakdown of those functions and what they do: Sequencer Control Function: PLAY: Standard Sequencer File Playback; PLAY mode will play the selected MIDI song file number from within the selected MIDI Song File Source Folder. PLAY+: “Playlist”...
  • Page 27 a. Select a MIDI Song File Number: To select a MIDI song file number, press the CURSOR button on the GeniSys™ Controller to position the cursor on the MIDI Song File Number. Turn the SEQNCR PLAY ROTARY DIAL to select a Work 00000 STOP song number.
  • Page 28 c. Delete a MIDI Song File Number: To delete a MIDI song file number, press the CURSOR button on the GeniSys™ Controller SEQNCR PLAY to position the cursor on the Work 00000 STOP Sequencer Control Function. Turn the ROTARY DIAL to select “DEL”...
  • Page 29 d. Play a MIDI Song File To load and play a MIDI song file, select a MIDI Song Source Folder and MIDI Song File Number (see sections 2a and 2b above). Press the CURSOR button to position the cursor on SEQNCR PLAY the Transport Control Function.
  • Page 30 To resume playback, press the MEMORY button. SEQNCR PLAY The counter will begin counting Work 00XXX PAUS from the current counter value and the instrument will begin playing indicating playback has resumed. Transport Control Function will change to “PAUS” in case the organist needs to pause playback again.
  • Page 31 Turn the ROTARY DIAL to select the “SRCH” SEQNCR PLAY control function. Work 00140 SRCH The “SRCH” function scans the MIDI song from the beginning of the MIDI song file up to the current counter position for any messages pertaining to the organ's stop registrations and expression data.
  • Page 32 f. To Record A MIDI Song: To record a MIDI song file, select a MIDI Song Source Folder and MIDI Song File Number (see sections 2a and 2b above). Press the CURSOR button on the GeniSys™ Controller until the cursor is positioned on the SEQNCR PLAY Sequence Control Function.
  • Page 33 Hint! To ensure the initial console setup information is recorded within a MIDI song, perform these steps after the recording has started: 1. Press the CANCEL piston. This will turn off any stops which are turned on and also record the currently selected capture memory level within the MIDI song. Doing this will set the organ to the correct capture memory level when the MIDI song is played back preventing the potential for incorrect piston registrations to be selected and recorded into the MIDI song.
  • Page 34 To resume the recording at the current counter value, press the MEMORY button. SEQNCR REC counter will begin counting Work 00XXX PAUS from the current counter value indicating recording resumed. Transport Control Function will change to “PAUS” in case the organist needs to pause the recording again. Upon completion of the recording, press the CANCEL piston to turn off all of the stops and also move the expression shoes to their lowest position.
  • Page 35 Press the CURSOR button to position the SEQNCR REC cursor on the Transport Work 00140 STOP Control Function. Turn the ROTARY DIAL to select the SEQNCR REC “SRCH” control function. Work 00140 SRCH The “SRCH” function scans the MIDI song from the beginning of the MIDI song file up to the current counter position for any messages pertaining to the organ's stop registrations and expression data.
  • Page 36 h. PLAY+ (Playlist Playback) The PLAY+ feature will playback a sequential list of MIDI songs within a selected MIDI File Source Folder. The Sequencer will begin playing all MIDI songs, in numerical order, starting with the MIDI file song number shown within the display. For example, if the MIDI file song number is set to “#10”...

  • Page 37: Capture Memory Registration Save/Load

    Press the MEMORY button to begin SEQNCR PLAY+ #01 playback. The counter Work 00XXX STOP will start counting to indicate that playback has started. Important! If the selected MIDI song file SEQNCR PLAY+ #01 number is not located when playback is FILE NOT FOUND! started, the display will indicate “FILE NOT FOUND!”...
  • Page 38 a. Delete a Capture File To delete an existing capture file number, press CAPTURE MEMORY the CURSOR button and position the cursor on SAVE ALL 01 the Mode Select value. Turn the ROTARY DIAL to select “DEL” CAPTURE MEMORY mode. Select a Capture File Number.
  • Page 39 Important! If the selected capture file number CAPTURE MEMORY does not exist, the display will indicate “ERR ERR NO SUCH FILE! NO SUCH FILE!” To continue, select a different capture file number. b. Load a Capture File To load an existing capture file number, press CAPTURE MEMORY the CURSOR button and position the cursor on SAVE ALL 01...
  • Page 40 CAPTURE MEMORY Press LOAD MEMORY button. The display will indicate when the file has been loaded. The capture system will also turn off or cancel CAPTURE MEMORY all stops when loading is complete. LOADING... CAPTURE MEMORY SUCCESS! Important! If the selected capture file number CAPTURE MEMORY does not exist, the display will indicate “ERR ERR NO SUCH FILE!
  • Page 41 Turn the ROTARY DIAL to select one of the CAPTURE MEMORY (3) available Capture Save SAVE ALL 01 types: ALL, PCF or CRB (see section above description of the different Capture Save types). Select a Capture File Number. Press the CAPTURE MEMORY CURSOR button to position the cursor on the SAVE ALL 01...

  • Page 42: Advanced Operation

    Important! If a selected capture file number CAPTURE MEMORY already exists when starting the save process, ERR FILE EXISTS! display will indicate “ERR FILE EXISTS!” and the capture data save will not be saved. To continue, delete the current selected capture file number or select a different capture file number.

  • Page 43: Configuring General Pistons

    2. Configuring General Pistons This procedure enables pistons to control stops that are normally not controlled by those pistons. Important! The Piston Configuration is common to all capture memories. For example: (1) Pistons can be configured to control only certain specific stops. (2) A piston can be configured so that it will only affect the Tremulant stops.

  • Page 44: Restoring Original Factory Settings

    To return to the Main Window to store registrations to the pistons you just configured, press and hold the SET piston. Then, while holding SET, press CANCEL. Release both. (See Section A-4). The use of the CONFIGURE PISTONS function is only limited by one’s creative imagination.

  • Page 45: Global Tuning

    The display will briefly flash the word "WORKING" on the first line of the display to indicate that the current command function is being re-initialized. 4. Global Tuning Global Tuning allows the organist to adjust the pitch of the entire organ. This tuning adjustment allows the organ to be tuned to another instrument more easily.

  • Page 46: Sostenuto (Optional)

    6. Sostenuto (optional) Sostenuto is an Italian word meaning “sustained.” Unlike the sustain switch, which sustains any notes played as long as the sustain switch is held on, the Sostenuto switch sustains only the notes being held at the very moment it is pressed. Sostenuto is actuated by the organ’s MIDI Sustain switch (which is optional on some organs) located to the left of the Great/Pedal expression shoe.

  • Page 47: Piston Sequencer

    7. Piston Sequencer The Piston Sequencer allows the organist to step through a sequence of registrations using piston/toe studs labeled "+" and "-". Four modes of operation are available. OFF: The Piston Sequencer is disabled. The "+" and "-" pistons/toe studs will not function.
  • Page 48 SIMPLE STEPPER MODE To select the SIMPLE STEPPER mode, advance to the 'PISTON SEQUENCER' window function (see Section A-2). Press the CURSOR button to position the PISTON SEQUENCER cursor on the mode value line. Turn the ROTARY DIAL to select SIMPLE PISTON SEQUENCER STEPPER mode.
  • Page 49 The SIMPLE STEPPER's step position may be changed at any time, on-the-fly, by pressing a different General piston than the one displayed. SIMPLE STEPPER will then step up or down from the newly selected General piston number when either the "+" or "―"...
  • Page 50 ADVANCED STEPPER MODE To select the ADVANCED STEPPER mode, advance to the 'PISTON SEQUENCER' window function (see Section A-2). Press the CURSOR button to position the PISTON SEQUENCER cursor on the mode value line. Turn select ROTARY DIAL PISTON SEQUENCER ADVANCED STEPPER mode.
  • Page 51 Pressing the “+” piston/toe stud will select the next General piston number, in this case General Piston #2. Remember! If capture memory level #1 is selected and General #1 is displayed, the “―“ piston will do nothing since General #1 is the lowest possible General piston number available.
  • Page 52 CUSTOM SEQUENCE MODE To select the CUSTOM SEQUENCE mode, advance to the 'PISTON SEQUENCER' window function (see Section A-2). Press the CURSOR button to position the PISTON SEQUENCER cursor on the mode value line. Turn the ROTARY DIAL to select the PISTON SEQUENCER CUSTOM SEQUENCES mode.
  • Page 53 INSERT--CREATING A NEW CUSTOM SEQUENCE OR STEP Advance to the 'PISTON SEQUENCER' window function (see Section A-2). Make sure CUSTOM SEQUENCE mode is selected and the cursor is positioned on the “Menu Function” and then advance to the next window function (see Section A-2) to access the piston sequencer editing functions.
  • Page 54 Use the CURSOR button to position the INSERT:SEQ01 S01 cursor on a data field and the ROTARY 1 Gen DIAL to select a desired value. Blank positions indicate the specified Sequence and Step have no programmed contents. Enter values for the Seq#, Step#, capture memory level, division and piston number.
  • Page 55 Using the CURSOR button/ROTARY DIAL, select a piston sequence number and step position number to be changed. Then, select and edit the desired capture memory level, division and piston number. Use the SET and MEMORY buttons to save the edited data.
  • Page 56 SHOWING/PREVIEWING A PISTON SEQUENCE To enter the SHOW mode, press the EDIT:SEQ01 S01 CURSOR button to position the cursor on 1 Gen the editing function. Turn the ROTARY DIAL to select "SHOW" SHOW:SEQ01 S01 mode. 1 Gen Using the CURSOR button/ROTARY DIAL, first select a piston sequence number and then a step position to be viewed.
  • Page 57 Then, turn the ROTARY DIAL to select a piston sequence number. To select a step position, press the CURSOR button to position the cursor on the step CS 001 ST 01 position number. Then, turn the ROTARY DIAL to select a starting step position. To begin the piston sequence at the selected step position, press the “+”...

  • Page 58: Midi Functions

    Note: You must also consult the owner’s manual that covers the external MIDI device(s) you are using for more details of their operation. 1. Standard MIDI Channel Assignments These are the Allen Organs’ standard MIDI channels settings: L-123 Channel Organ Division Swell...

  • Page 59: General Midi Sound Names Or Program Numbers

    Turn the ROTARY DIAL to select either "Preset", "User" or "No" modes. Important! You must understand how to operate and when to use each of these modes before you change them! PRESET Mode: This mode causes the organ to send a program change number equal to the piston number that is pressed.
  • Page 60 General MIDI Sound Names With General MIDI mode selected, the 'PROG CHG' window will display: PROG CHG: USER DISPLAY:GEN MIDI Advance to the next window function then press a piston to view the sound names for any General MIDI device. The next window will display: MIDI PROG CHG When you press a General piston, the GeniSys™...
  • Page 61 Program Numbers: With NUMBERS selected as the display mode, the 'MIDI PROG CHANGE' window function will display: GEN 1 BANK P:XXX With PRESET selected as the program change mode, press a General piston. The GeniSys™ Controller will display the same MIDI program change number as the associated piston pressed.

  • Page 62: Assigning Midi Program Changes To Organ Pistons

    Note: The Allen Organ uses MIDI Program Change Zero as a message for "MIDI OFF." Important! MIDI Program Change 1 corresponds to the General MIDI sound "Acoustic Grand Piano." Some MIDI devices do not use MIDI Program Change Zero as MIDI OFF.

  • Page 63: Midi Bank Selecting

    5. MIDI Bank Selecting Many MIDI devices permit access to a variety of sounds in addition to the General MIDI sounds. Normally these additional sounds are stored in groups called BANKS. A BANK in MIDI terminology means a group of voices or sounds. There are two levels of banks. One level offers two choices, High Bank and Low Bank.
  • Page 64 Selecting MIDI Bank Numbers: Bank Numbers are assignable in the same way that MIDI Program Numbers are (See Section C-3). You MUST have USER mode selected before assigning Bank numbers! Advance to the 'MIDI PROG CHANGE' window function (see Section A-2). MIDI PROG CHG For this example press the General piston #1.

  • Page 65: Changing The Midi Base Channel

    6. Changing the MIDI Base Channel This function allows you to change the setting of the MIDI Base Channel. The Base Channel is a reference point to establish the positioning of the other 15 MIDI channels on the organ. On Allen Organs, the Base Channel equals the Swell Division's channel of transmission (i.e., if the Base Channel = 1, then the Swell Channel = 1, if the Base Channel = 2, then the Swell Channel = 2, etc.).

  • Page 66: Midi Sustain Kick Switch (Optional)

    POLY-VOLUME — This is the normal expression mode setting where the expression data is distributed among the appropriate MIDI channels. POLY-VELOCITY — This setting should be selected if you are using a percussion-type voice from a sound module or an external MIDI keyboard. For example, if a digital piano sound were played from the organ keyboard through MIDI Channel 1, the piano could be made to sound more realistic.

  • Page 67: Organ Local Off

    OFF will not allow MIDI Sustain messages to be transmitted, ON will allow MIDI sustain messages to be transmitted on a given keyboard (manual) or MIDI channel. For example, when a PIANO voice in an external MIDI device (voice module) is selected and the MIDI sustain for that given MIDI channel (division) is turned ON, and the foot controlled sustain lever is actuated, the piano sound will slowly decay.

  • Page 68: Transmission/Reception Of Individual Stop Data

    10. Transmission/Reception of Individual Stop Data This function allows the organist to turn on/off the transmission and reception of individual stop data, known in MIDI terminology as "Non-Registered Parameters". In some cases individual stop data (on/off) from the organ may conflict with data from an external MIDI device.

  • Page 69: Midi Guide

    MIDI GUIDE 1. MIDI for Organists The term MIDI is an acronym for Musical Instrument Digital Interface. Since 1983, MIDI has been adopted by the music industry as a standard means of communication between digital musical devices enabling devices of different types and manufacturers to communicate.

  • Page 70: Allen's Exclusive Midi System

    If the sequencer allows multi-tracking, each vocal section’s part may be recorded on a different track, and then played back individually, or in any combination, for more flexibility. Multi-tracking can also be used in teaching and learning new organ works. The teacher may record each hand or pedal part on a different track, allowing the student to "mute"...

  • Page 71: Midi Transmission Channels

    Under normal circumstances, MIDI sound modules should be connected to the switched MIDI port, labeled MIDI OUT 2. Doing so allows the organist to disable the sending of MIDI keying data from the organ to the sound module. Devices such as MIDI sequencers should be connected to the unswitched MIDI port, labeled MIDI OUT 1, eliminating the necessity of having to draw the MIDI stop controls before recording a digital sequence.

  • Page 72: General Midi Sound Set

    4. GENERAL MIDI SOUND SET 1. Acoustic Grand Piano 44. Contrabass 86. Lead 6 (voice) 2. Bright Acoustic Piano 44. Contrabass 86. Lead 6 (voice) 3. Electric Grand Piano 45. Tremolo Strings 87. Lead 7 (fifths) 4. Honky-tonk Piano 46. Pizzicato Strings 88.

  • Page 73: Appendix A: Midi Implementation Chart

    APPENDIX A: MIDI IMPLEMENTATION CHART FUNCTION TRANSMITTED RECEIVED Basic Default 1 – 16 1 – 16 Channel Changed 1 – 16 1 – 16 Default Mode Messages Altered Note Number O (1 – 127) O (1 – 127) Velocity Note ON 9nH, v = 1 –...

  • Page 74: Appendix B: Hymn Player Song List

    APPENDIX B: HYMN PLAYER Song List A Mighty Fortress Doxology (w/Amen ending - 1 verse only) Joyful, Joyful We Adore Thee Savior, Like a Shepherd Lead Us Abide with Me Eternal Father, Strong to Save Just As I Am, without One Plea See Amid the Winter's Snow Ah! Holy Jesus Fairest Lord Jesus...

  • Page 75: Appendix C: Gnu Public License Information

    150 LOCUST ST. MACUNGIE, PA 18062 Please include your name, address, and phone number. All portions not covered by the GNU GPL are to be considered Copyright (C) 2008, Allen Organ Company LLC, all rights reserved. GNU GENERAL PUBLIC LICENSE Version 2, June 1991 Copyright (C) 1989, 1991 Free Software Foundation, Inc.
  • Page 76 GNU GENERAL PUBLIC LICENSE TERMS AND CONDITIONS FOR COPYING, DISTRIBUTION AND MODIFICATION 1. This License applies to any program or other work which contains a notice placed by the copyright holder saying it may be distributed under the terms of this General Public License. The "Program", below, refers to any such program or work, and a "work based on the Program"...
  • Page 77 Accompany it with the information you received as to the offer to distribute corresponding source code. (This alternative is allowed only for noncommercial distribution and only if you received the program in object code or executable form with such an offer, in accord with Subsection b above.) The source code for a work means the preferred form of the work for making modifications to it.
  • Page 78 11. If you wish to incorporate parts of the Program into other free programs whose distribution conditions are different, write to the author to ask for permission. For software which is copyrighted by the Free Software Foundation, write to the Free Software Foundation; we sometimes make exceptions for this. Our decision will be guided by the two goals of preserving the free status of all derivatives of our free software and of promoting the sharing and reuse of software generally.

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