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Congratulations on your purchase of the Grimm Audio LS1 playback system. In this manual we like to assist you in setting up the LS1 playback system. You will learn how to connect various sources and how to control the electronics, the hardware remote and the LS1 remote software for Mac and PC.
Of course progress since the 40‘s has learned that edge diffraction of the cabinet deteri- orates the stereo image, hence the sides of the LS1 cabinet are strongly rounded by the legs. As a bonus, the shallow cabinet moves the lateral resonance inside the box signifi- cantly above the cross-over frequency of the low frequency driver.
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We started with smart concepts and measurements but we did not stop there. We listened. And doing so we developed a loudspeaker system that is equally at home in a studio as well as in a living room. The LS1 is a true step forward into the 21st century.
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In those cases, absorbing the reflection at either the obstacle or the wall cures the problem. Due to the wide baffle of the LS1, reflections on the wall behind the listener tend to have more impact than with other loudspeakers. Please consider to add absorption or sound scattering objects like bookcases against this wall.
In this respect the LS1 is not different from any other loudspeaker. A special feature of the LS1 however is that the LS1s subwoofer can be taken off the foot plate of the main system so both can be positioned independently. If your room acoustics are particular- ly difficult, feel free to experiment with placing the sub closer to the wall than the main speaker.
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The LS1 cabinet is wider than usual, so the effect of turning the loudspeaker around its vertical axis is larger than you would expect. We can use this to our advantage since the off-axis response of the LS1 is extremely even.
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Mark that by turning the left LS1 like this, its reflection to the right wall will become louder. Usually this is not a problem because this reflection comes later. Psycho acoustics says it can even help to extract the ‚ambience‘...
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The software control settings in the „LS1“ tab of the preferences allows the user to set a „Low-cut frequency“. If that is set to 40-45Hz the LS1 can produce impressive levels, even as a 2-way system. If you set the low-cut frequency down to 35Hz or even 28Hz the LS1 will still stay completely linear, only the maximum achievable level becomes lower.
70Hz. The result is that the LS1 sounds nearly identical, both as a 2-way or a 3-way system. The only difference is the higher possible sound pressure level and a low frequency extension down to 20 Hz.
Unpacking And Assembly Unpacking And Assembly If you are ready to assemble your pair of LS1‘s, please first make yourself familiar with all components in the box. The open transport-package should look somewhat like in this pictures on the left, please take out the „accessory box“, the CAT5 cables, both speaker cabinets and the extruded aluminium profiles, which for simplicity from here on shall be called „legs“.
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Unpacking And Assembly Unpacking And Assembly Take a speaker cabinet and lay it down on the empty and closed shipping crate or a big, clean table (with the drivers facing up, of course) and lay two of the legs next to it, one with and one without electronics. Normaly, when setting up in a living room, you´ll prefer the electronics panel facing to the back side of the speaker in order to look uncluttered.
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Screw them in, but don´t tighten them completely yet, so we can still allign all the edges exactly by hand later on, once the LS1 are in place, because we also want them to look good, of course! page 19...
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Unpacking And Assembly Unpacking And Assembly From now on it is really helpful and recommended to have a second person to help you setting up the speakers, it does make it much easier! The footplate is now mounted with the four hexagon socket screws found in the „accessory box“...
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Best is to directly place the LS1 close to the right spot in the room. If you are on your own, the easiest way to carry the speaker is to stand behind it and grab it underneath the bottom profile of the cabinet with both hands.
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If the sources you want to select shows up in the display, simply release the knob and the input source is now selected. -> The Grimm Audio Hardware Remote has an infrared sensor. So any universal IR-remote can be used to remotely control these three functions!
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The next menu item is selected by pressing the dial once more. You will then see “ CAL ”. This calibrates the “0.0” volume point of the LS1 remote. If you turn the dial clockwise it shows “ SET ”, meaning it has set the 0.0 point to the current playback volume level.
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Pressing the dial now moves you to the next and last setting, which is a display of the software version of the LS1 remote. “ su6 “ for instance means ‘Software Version 6’. If you turn the dial in this menu you give a ‘Factory Reset’ and the display shows “ fre “. If you in stead press the dial once more, you will be back at the first ‘brightness’...
6. This is the volume dial. Use this to dial in your preferred listening levels. Don´t be afraid of a dsp-based digital volume control, in the LS1 it is well thought out and part of the complete playback system, there is no loss of resolution or audiophile quality in the signal whatsoever! 7.
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You will now hear both sides of the stereosignal mixed and played back by one speaker. (-> This function offers a great tool while setting up your LS1‘s. Listen to the mono sum of your music in turn on the left and right speaker and move your loudspeakers until both sound identical.) 13.
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If you have the LS1 remote software running on your computer and you open up your prefe- rences via the menu, you have easy access to the settings of all parameters to control your LS1. These settings are spread over five pages, which each combine different parts of the system,...
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This means as long as the excursion limiter does not come into action (which will be indicated by the LED inside the LS1 blinking) there is no audible effect of this protection circuit happening to the signal whatsoever.
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Toe-in angle - because of its acoustic construction and the wide baffle the LS1 is quite forgiving and allows a broad range of toe-in angles. The preferred toe-in angle for the LS1 is indeed 45°, so the right-angle projection of the tweeters meet 0,5m-1m in front of the listening position. The result is an even wider sweetspot, while the driver correction can still completely be optimized for the listening position itself.
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2. Do not touch the hardware remote during the firmware update process. 3. To be safe, it is best to connect just one LS1 at a time to the USB interface and remove the hardware remote when using the Firmware update function. Please make sure the ‚loopback connector‘...
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Software Control Settings Software Control Settings Subwoofer Tab: Here you have the choice of 3 basic settings to configure the LS1: 1. No sub - the basic setting for the two-way playback. 2. Grimm sub - the setting for the three-way playback with the optional Grimm Audio subwoofers.
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to Hardware Remote to Mac/PC CAT 5 power female female male page 46...
2. Now let´s hook up the LS1-USB-interface to the speakers. In our example we will start with the left speaker, so we connect the „To LS1 control in“ with the „digital in 2 / control in“ of the left speaker via the CAT5 cable.
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male CAT 5 CAT 5 CAT 5 CAT 5 power female female male page 48...
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CAT 5: This enables data transmission via an ethernet style cable. The loopback-connector inserted in the „end of the chain“ enables the data-transmission to be bi-directional between the computer and the internal dsp´s in the LS1. page 49...
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The hardware remote has two additional digital inputs on the backs. This keeps cable connections short and tidy, as the remote can be put right next to the source. The music and control signals can then be transmitted to the LS1 via the single CAT5 cable. 3. The usb input ->...
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Please use the short male to female power cable that we supply with the LS1s to connect power from the LS1s power outlet to the LS1. The power switch on the LS1 electronics can now always be left on and the complete system is powered on/off via the power switches on the subs.
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The audio signal plus the control signals are then transmitted to the LS1 via the CAT5 cable, you now have convenient control of the playback volume via the hardware remote.
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The Mac Mini and your playback software of choice can be controlled via the Apple „Remote“ app via an iPhone, iPod Touch or an iPad. (->Don´t forget to select the „Grimm Audio LS1 USB Interface“ in the audio tab of the system preferences of Mac OS X.) The Mac Mini (e.g.) is connected to the...
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The volume can be controlled via the media-server itself or better yet in the LS1 remote software. The remote software controls the actual dsp inside the speaker and thus allows for a completely transparent volume control.
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LS1 with the help of RCA to XLR adapter cables. Please refer to the chapter „Hardware Control Settings“ for correct level matching of the analog inputs of both speakers.
„low-latency“ mode. Level: The default „0“ setting of the LS1 remotes volume setting gives 85 dBC at the listening position with a -20 dBFS reference noise, which is the movie theatre calibration or ‚K20‘.
During the warranty period Grimm Audio shall, at its sole and absolute option, either repair or replace free of charge any product that proves to be defective on inspection by Grimm Audio or its authorized service representative. In all cases disputes concerning this warranty shall be resolved as prescribed by law.
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Grimm Audio Strijpsestraat 94 5616 GS Eindhoven The Netherlands info@grimmaudio.com www.grimmaudio.com Grimm Audio LS1 Manual, English, Version 2.2...
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