Fractal Audio FX8 Owner's Manual

Fractal Audio FX8 Owner's Manual

Multi-effects pedalboard
Table of Contents

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MULTI-EFFECTS PEDALBOARD
OWNER'S
MANUAL
VERSION 1.02

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Summary of Contents for Fractal Audio FX8

  • Page 1 MULTI-EFFECTS PEDALBOARD OWNER’S MANUAL VERSION 1.02...
  • Page 2 Inside Front Cover...
  • Page 3 Certificate of Conformity Fractal Audio Systems, USA, hereby declares on its own responsibility that the following product: FX8 Digital Multi-effects Pedalboard Processor covered by this certificate and marked with CE label, conforms to following standards: EN60065 Safety requirement for mains operated electronic and related apparatus for (IEC 60065) household and similar use.
  • Page 4: Important Safety Instructions

    4. Keep the power cord in good condition. Do not kink, bend, or pinch. 5. If the cord becomes damaged, discard and replace it. 6. If not using your FX8 for extended periods of time, disconnect from AC power. 7. Protect the unit from rain and excessive moisture.
  • Page 5: Table Of Contents

    15 : ADDITIONAL TOPICS . . . . . . . . . . 72 FX8-Edit ......30 Global Volume Pedal Setup .
  • Page 6 Thank You! Thank you for purchasing the FX8. Like every Fractal Audio product, it was created to be what we would want and expect as guitar players ourselves. While even extremely critical musicians agree that our amp modeling technology stands shoulder-to- shoulder with the almighty tube amp, we still love that tube amps are ubiquitous.
  • Page 7: Introduction

    We hope you find the FX8 easy to use and this manual easy to read. The most important sections are those which introduce the concepts behind how the unit works. If nothing else, be sure to review this section, plus...
  • Page 8: Pre/Post: The Old Way

    SPEAKER CAB PRE EFFECTS Sec on Sec on AMPLIFIER PRE/POST: THE FX8 WAY... Here’s the same type of setup on the FX8, PRE EFFECTS POST EFFECTS which plays the role of both PRE and POST effects. Notice that (aside from the...
  • Page 9: Quick Connect Guide

    1 : IntroductIon QUICK CONNECT GUIDE Here is a simple overview of what cables you’ll need to connect your FX8 in three different scenarios. Section 3 : Setup Guide . You can find fully detailed diagrams and descriptions for this subject in Humbuster™...
  • Page 10: Stompbox Mode

    A NOTE ON MONO & STEREO If you are NOT planning on connecting the FX8 in stereo, there are a few things you should know. The FX8 comes pre-configured for stereo rigs but you can connect it to any mono rig with no issues.
  • Page 11: Hardware Overview

    2 : Hardware overvIew 2 : HARDWARE OVERVIEW Understanding the FX8 hardware will help you use it to full effect (pun intended). Here’s a guide. THE TOP PANEL The FX8 is housed in a powder-coated steel chassis with an aircraft aluminum bezel and end-caps.
  • Page 12 ƒ C - In “knob” screens, it changes the value of the fifth on-screen knob (if any). In “menu” screens, it changes the parameter labeled ‘C’ .  The HANDLE also serves as a GUARD to protect the knobs of the FX8 from being kicked and broken.
  • Page 13 Section more on True Bypass, see ƒ BANK UP – When the FX8 is in Preset/Bank Select mode (see #8 above) this footswitch steps UP through the lettered banks. You can reverse these functions so True Bypass activates immediately on a tap and the Looper requires Press &...
  • Page 14 TO USE STICKY PRESET/BANK SELECT MODE… The FX8 returns to Stompbox Mode immediately after you select a Preset. If you want the unit to remain indefinitely in Preset/Bank Select Mode so you can change from Preset to Preset with single foot taps, please enable “STICKY PRESET/BANK SELECT MODE”...
  • Page 15: The Rear Panel

    IN [PRE] (INSTRUMENT IN) A NOTE ABOUT [PRE] AND [POST] I/O (Unbalanced 1/4” Jack) The various input and output jacks of the FX8 Connect your guitar (or any instrument level source) using a regular guitar cable here. You are labeled [PRE] and [POST] because the FX8 can also connect the output of other guitar has two fully independent effect chains.
  • Page 16 USB – This provides the FX8 with two-way “MIDI-over-USB” capabilities.  The MIDI IN port of the FX8 allows you to control various MIDI functions of the FX8 including preset and scene selection, effect bypass, X/Y changes, parameter changes, and more.
  • Page 17: Setup Guide

    WARNING! Take extreme care NEVER to connect the SPEAKER outputs of any amplifier to the FX8 as this will seriously damage one or both units. WARNING! Do NOT connect anything to the RELAY jacks until...
  • Page 18: Setup For Both Pre And Post Effects

    OUT [PRE] LEFT, which is connected to the guitar INPUT of your amplifier. Your amp outputs signal to its rear-panel FX SEND jack. This is connected to IN [POST] LEFT on the FX8. The signal is now processed by effects designated as “POST” and routed to OUT [POST] LEFT, which is connected to your amplifier’s FX RETURN jack.
  • Page 19: Setup For Pre Effects Only

    The FX8 is connected to a grounded AC outlet . This is also a great way to connect the FX8 to an Axe-Fx. Use the FX8 for PRE effects and the Axe-Fx for amp and cab sims, and POST effects. Add MIDI cable and the FX8 can even select Axe-Fx presets.
  • Page 20: Setup For Post Effects Only

    Here, signal flows out from the GUITAR to the Guitar INPUT of your amplifier. Your amp’s preamp outputs to its rear-panel FX SEND jack. This is connected to IN [POST] on the FX8. The signal is processed by the POST effects of the FX8 and routed to OUT [POST] LEFT which is connected to your amplifier’s FX RETURN.
  • Page 21: Checking Levels

     Be aware that as you increase this PAD setting you also increase the noise floor, so set it as low as possible.  If IN1 still clips, you’ll need to adjust levels at your guitar or somewhere else before the FX8. IF INPUT 2 OR EITHER OUTPUT CLIPS...
  • Page 22: Connecting Pedals & Switches

    CONNECTING PEDALS & SWITCHES Each of the two onboard PEDAL jacks of the FX8 allows you to connect one expression pedal or one external footswitch. You can use a connected pedal or switch to change effect parameters or to operate any of a long list of global functions and many factory presets are ready for one or even two pedals.
  • Page 23 ƒ When a latching (aka toggle) switch is connected, set TYPE to “LATCHING”. ƒ When a momentary switch (such as a sustain pedal) is connected, you have two options: Š Set TYPE to “MOMENTARY” and the FX8 will recognize alternate stomps as ON and OFF, creating a “virtual” latching footswitch.
  • Page 24: Connecting A Computer

    CONNECTING A COMPUTER Connecting the FX8 to a computer via USB is completely optional, but it does provide some great benefits. Our free utilities provide a great platform for those who want to take their experience to the next level. USB is also the best way to install firmware updates and make or restore backups.
  • Page 25: The Relays

    The relays of the FX8 are designed for use ONLY with amplifiers that use “short-to-sleeve” type switching. Do NOT connect the FX8 relays to the switch jacks of an amp that uses voltage differential switching or any other type of switching aside from short-to-sleeve, or serious damage can occur to both units.
  • Page 26 4 : tHe reLayS This page intentionally left blank.
  • Page 27: Creating Presets

    Think of each preset as a fully independent pedalboard with its own effects, settings, configuration, controllers, and more. You create and store presets using the FX8 front panel or the optional FX8-Edit software. Every memory is a “USER” preset which can be edited or overwritten. Some players will use a lot of presets—...
  • Page 28: Preset Examples

    5 : creatInG preSetS PRESET EXAMPLES These examples show how blocks can be arranged in a preset to build a pedalboard. And remember that many blocks also offer X/Y switching for two different sound settings from a single footswitch. EXAMPLE 1: coMpreSSor 1 waH 1 drIve 1...
  • Page 29: Stompbox Mode

    5 : creatInG preSetS STOMPBOX MODE While playing, you will generally use the FX8 on the “FX” page of its main menu. We call this “Stompbox Mode” because the footswitches turn effects on and off like traditional stompboxes. (In other modes, footswitches select scenes, presets, and more.) The FX8 starts up in Stompbox Mode and returns to it when...
  • Page 30: Working With Blocks

    Please be aware that moving an effect leaves an empty slot behind. TO SWAP TWO BLOCKS… Swapping blocks requires you to use our optional FX8-Edit software. In FX8-Edit, simply drag and drop one block onto another to swap them. You can also copy/paste blocks within a preset or between presets, save favorite blocks to a library, and much more.
  • Page 31: Block Inventory

    A variety of vintage and cutting edge phaser effects, including ‘vibe. Pitch Shifter Includes detune, harmonizer (intelligent/custom), whammy, and more. Relay 1 Controls FX8 RELAY 1. Relay 2 Controls FX8 RELAY 2. Reverb World-class recreations of vintage springs, rooms, halls, and more.
  • Page 32: Editing Effect Blocks

    USING VIRTUAL KNOBS  Most edit menu pages show five virtual knobs. To make changes, use the five physical knobs of the FX8.  Above each on-screen knob is an indicator showing which of the five knobs to use: NAV, VAL, A, B, or C.
  • Page 33: Saving Changes

    TO CHANGE THE PRESET NAME OR LOCATION… The FX8 has 128 preset memory locations grouped in sixteen lettered banks (A–P). Each bank contains eight presets. You can save any preset to any location at any time. You can edit the name of any preset while storing.
  • Page 34: X/Y Switching

    X/Y SWITCHING In the same way that many amplifiers have two fully independent channels, so do many effects on the FX8. Each block with X/Y switching stores two sets of settings—an “X” set and a “Y” set. This makes it possible to switch between two different effect sounds while using only one block.
  • Page 35: Preset Cpu Limits

    ƒ Modifiers also affect CPU usage. AUTOMATIC BLOCK DISABLING As a second safeguard, the FX8 may disable one or more blocks if load gets too high due to changes after a block has been inserted. Changing Reverb to HIGH QUALITY, for example, pushes CPU Usage up considerably.
  • Page 36: Fx8-Edit

    Every function and parameter of the FX8 can be conveniently operated from the front panel of the unit. Another way to edit presets and parameters is to use FX8-Edit. If you are at all accustomed to working with audio software or plug-ins, you will probably enjoy FX8-Edit.
  • Page 37: Preset Configuration

    If you’re using only PRE effects, set this to “8/0”. If you’re using only POST effects, set this to “0/8”. The FX8 has independent PRE and POST effect chains. This makes PRE/POST OPTIONS it possible for the unit to work simultaneously between your 8 Pre 0 Post guitar and your amp, and in your amp’s effects loop.
  • Page 38: Configure Series & Parallel

    WHY RUN FX IN PARALLEL? If you, like most guitarists, have always strung pedals together in a straight line, you’ll find the FX8 replicates this setup easily. But the freedom to route in parallel opens new options, both traditional and creative.
  • Page 39: Intelligent Parallel Fx

    DRY, plus a second path through the send/ return jacks for WET. If any dry passes through the FX8, you will have phase problems. Therefore, you will need to manually set MIX, LEVEL and BYPASS mode parameters so no dry signal passes through when the effect is engaged or bypassed.
  • Page 40: Configure True Bypass

    Every scene of every preset can trigger the transmission of a different MIDI PROGRAM CHANGE MESSAGE on its own MIDI CHANNEL. MIDI Program changes are transmitted at the MIDI OUT port of the FX8. Use this feature to have the FX8 operate the functions of a MIDI-switched amplifier, another processor, or a connected Fractal Audio Systems Axe-FX.
  • Page 41: Scenes

    OVERVIEW Each of the 128 presets of the FX8 preset contains eight scenes. You don’t need to create them—they’re already there, ready and waiting to be used. We like to think of a scene as something like a “preset within a preset.
  • Page 42: Selecting Scenes

    7 : SceneS SELECTING SCENES There are three ways to select a scene on the FX8: 1. USE THE FOOTSWITCHES – Tap SCENE once to enter Scene Select Mode. (The red LED will remain lit.) The next press of any footswitch 1–8 will select a scene within the current preset.
  • Page 43 TO SET THE MIDI PROGRAM CHANGE MESSAGE FOR A SCENE... The FX8 can send one MIDI Program Change Message (“PC”) per scene. TYou can set a different message on a different channel for each scene. Use this feature to change the channel of a MIDI-controlled amp, select presets on a connected Axe-FX, or switch any other MIDI device.
  • Page 44: Sticky Scene Select

    STICKY SCENE SELECT The FX8 normally goes back to Stompbox Mode once you select a scene with the footswitches. Sticky Scene Select Mode keeps the FX8 in Scene Select mode so you can change from scene to scene using single footswitch taps.
  • Page 45: True Bypass

    To disengage True Bypass, tap the TRUE BYPASS switch. You don’t need to press and hold! PRESET BYPASS CONFIGURATION The FX8 has independent signal paths for PRE and POST effects, so there are independent PRE and POST “Configure True Bypass” on page 34, you can set options for the True Bypass function.
  • Page 46: Automatic True Bypass

    8 : true BypaSS AUTOMATIC TRUE BYPASS Automatic True Bypass provides the option to engage True Bypass automatically when all effects in the PRE or POST chain have been bypassed or removed*. It works individually on each chain, so an Automatic True Bypass of the PRE chain does not also affect the POST chain (and vice versa).
  • Page 47: Blocks Guide

    FX8. Find it at www .fractalaudio .com/support. The pages which follow cover several blocks which are unique to the FX8: the MIDI block and the RELAY block, plus a short section on Common Parameters found on the page of every effect, the Noise Gate, and the Output Section of every preset.
  • Page 48: The Midi Block

    The MIDI block enables you to use the onboard footswitches to send MIDI data to the MIDI Out Port of the FX8. It sends your choice of any Program Change (PC) message and/or any Control Change (CC) message when turned ON, and your choice of messages when turned OFF.
  • Page 49: The Relay Block

    BOTH Tip AND Ring to Sleeve. NOTE: When a Relay block is added to your preset, the FX8 ignores CONFIG page programming for that relay in that preset. You can still program the relay per-scene, however, in exactly the same way you would program any other effect per-scene.
  • Page 50: Mix Page Common Parameters

    MIX PAGE COMMON PARAMETERS Almost every block in the FX8 has a MIX page with parameters that determine how that block contributes to the preset. All mix pages use one or more of the following standard parameters. Different blocks have different mix page parameters because they require different approaches.
  • Page 51: The Noise Gate

    INPUT IMP the analog circuitry of the IN [PRE] INSTR input jack to alter the way the FX8 interacts with your guitar. This recreates the way that some classic effects (e.g. Vibe) “load down” the pickups, causing a change in frequency response.
  • Page 52 9 : BLocKS GuIde...
  • Page 53: Modifiers

    10 : ModIFIerS 10 : MODIFIERS OVERVIEW Modifiers allow sound parameters to be remote-controlled or automated in real time. For example, you might use an expression pedal to operate a wah, whammy or volume, or use an LFO controller (Low Frequency Oscillator) to sweep a filter.
  • Page 54: Modifier Example: Wah Pedal

    10 : ModIFIerS MODIFIER EXAMPLE: WAH PEDAL Below you will find a basic step-by-step tutorial on setting up the modifier for a wah pedal. For this example, we assume: page 24 ƒ A Wahwah block is in your preset (see for details on how to insert blocks).
  • Page 55: Modifier Sources Overview

    We refer to these as CONTROLLERS because they are used to control a parameter. Some, like the built-in LFOs and Envelope Follower, are internal to the FX8, while others, like a connected expression pedal or MIDI message from some other device, are referred to as external controllers.
  • Page 56: Advanced Modifier Parameters

    10 : ModIFIerS ADVANCED MODIFIER PARAMETERS The default modifier is perfectly linear and direct. You change the source, and the parameter follows precisely. But you can also tweak the relationship between source and target. Maybe you want to tune the taper of a wah.
  • Page 57 10 : ModIFIerS UNDERSTANDING MODIFIER MIN AND MAX set the range of a modifier. This lets fine-tune modifiers in musical way. In the example below, we’re imagining a volume pedal whose range goes from zero to ten. Here is your basic default vanilla volume pedal. Our pedal’s start (heel down position) has the volume at 0.00 or silent, and the pedal stop (toe down position) has the volume at 10.0 or all the...
  • Page 58 10 : ModIFIerS ADVANCED MODIFIER CURVES AND SHAPES You can also adjust , and (which introduces an “S” or “backwards S” shape). The numbers START SLOPE below each example show the settings for START, MID, END and SLOPE. With a bit of practice, you will learn to achieve desired modifier effects quickly.
  • Page 59: Internal Controllers

    “stepped” effect. SEQUENCER PITCH DETECTOR The FX8 step-sequencer generates The pitch detector analyze the pitch of control patterns by looping through your playing and outputs a low value for 2–32 “stages. ” You set the...
  • Page 60: External Controllers

    “Help! My volume pedal is missing and my presets are all silent!!” When the FX8 is powered on, it checks all connected pedals to set the value for any assigned external controllers. But what if a pedal is missing? The default for each controller is zero (equivalent to heel down).
  • Page 61: Tempo

    TO SYNCHRONIZE A DELAY TO THE TEMPO... The time of every delay in the FX8 can synchronize to the tempo. The most typical setting is that where the echo matches the tempo 1:1. Use the musical value of “1/4” (one quarter-note) for this.
  • Page 62: Preset Tempo

    This allows you to set the tempo and engage your delay block(s) from a single footswitch. THE METRONOME The FX8 features a built-in metronome whose signal is mixed in at Output 1. – Turns the metronome on or off. METRONOME –...
  • Page 63: The Looper

    12 : THE LOOPER The FX8 has a global LOOPER with a maximum loop time of eight minutes in mono and four minutes in stereo (half that if optional UNDO is enabled). Press the LOOPER footswitch to enter Looper Mode.
  • Page 64: Looper Parameters

    – Turning this OFF disables automatic playback upon completion of recording. PLAY IMMEDIATELY – The FX8 Looper can start recording automatically when the input exceeds a given level. THRESHOLD – Sets the level that must be exceeded (at the input of the LOOPER) for recording to begin.
  • Page 65: Global Looper Location

    12 : tHe Looper GLOBAL LOOPER LOCATION In terms of signal flow, the Looper can be positioned in several different locations. It defaults to IN PRE — before any PRE effects. You can move the looper per preset, or globally. TO CHANGE THE GLOBAL LOOPER LOCATION...
  • Page 66: Looper Midi Control

    12 : tHe Looper LOOPER MIDI CONTROL Every function of the FX8 Looper (plus a hidden “BYPASS” feature) can be remote controlled by MIDI CC messages or an external footswitch. Here is the full list of functions and default controllers. These settings can be changed on the CTRL page of the I/O menu under SETTINGS.
  • Page 67: The Tuner

    13 : tHe tuner 13 : THE TUNER The FX8 has a built-in TUNER—an essential tool for the performing or recording musician. The tuner is easy to use and has high-resolution automatic pitch detection, a calibration control, offsets for modified tuning schemes, and the option to mute audio while tuning.
  • Page 68: Setup Menus

    STORED. The settings for all Setup parameters are included in a “Utility: Preset Page” on page 69). backup of the FX8 “SYSTEM” (see THE GLOBAL MENU The GLOBAL menu is accessed by tapping the SETUP button and then pressing footswitch 1.
  • Page 69 14 : Setup MenuS PARAMETER Description TEMPO EXIT COUNT Determines how long it takes to return to Stompbox Mode after you tap the tempo footswitch. 1 is the shortest, 6 the longest. (1-6) LOOPER MODE/TRUE Selects between one of the two following options: BYPASS TAP/HOLD - Tap the footswitch to activate Looper Mode.
  • Page 70: The I/O Menu

    14 : Setup MenuS THE I/O MENU The I/O menu is accessed by tapping the SETUP button and then pressing footswitch 2. I/O: LEVELS PAGE The LEVELS page of the I/O menu contains parameters that affect levels.  Reminder: You do not need to STORE settings in the SETUP menu. EXIT returns to Stompbox Mode. PARAMETER Description INPUT 1 (PRE) PAD...
  • Page 71 L+R SUM – Here the signals at both IN PRE L+R jacks are summed ƒ to mono and then passed on to any POST effects in the FX8. STEREO - This is the setting to use when inputting different left ƒ...
  • Page 72 For more on Scene Revert, see page Specifies a value for each of the 12 External controllers when the FX8 is EXT CTRL # INIT VAL powered on. The Initial value is applied until anything is received from the 0% OR 100% external controller (an expression pedal, switch, or MIDI message).
  • Page 73 The CTRL page of the I/O menu allows you to map PEDALS or MIDI CC messages to various FX8 functions. CC messages can be sent by a MIDI controller or computer connected to the FX8 MIDI In jack, or via the USB connection of the FX8.
  • Page 74 CC# value of 127 for “ON” and 0 for “OFF”. Do not use an expression pedal or you may change levels +/-20 dB with a single sweep! CHORUS 1 BYP The BYPASS switch for every block in the FX8 can be remote controlled. The page 80. Some blocks may not...
  • Page 75: The Utility Menu

    In the event Fractal-Bot is unavailable, you can dump into the unit using a 3rd party MIDI utility or another FX8. It is not necessary to ready the FX8 in any way before transmitting a file to it. When the FX8 receives an individual preset, you must manually store it.
  • Page 76 The FIRMWARE page indicates what firmware version the FX8 is running. Over time, you’ll likely upgrade the firmware of your FX8 to add new features and maybe even bug fixes. This is done using our free companion software, Fractal-Bot, which provides step-by-step instructions.
  • Page 77: The Controllers Menu

    14 : Setup MenuS THE CONTROLLERS MENU menu is accessed by tapping the SETUP button and then pressing footswitch 4. CONTROLLERS This menu contains pages of parameters for each of the Internal Controllers, each of which can be used as of a Modifier to create real-time sound change or automation .
  • Page 78: Additional Topics

    15 : ADDITIONAL TOPICS GLOBAL VOLUME PEDAL SETUP The FX8 makes it easy to set up a global volume pedal WITHOUT inserting a VOLUME block in your presets.  Connect and calibrate an expression pedal (such as the Fractal EV-1) .
  • Page 79: Advanced Level Parameters

    ADVANCED LEVEL PARAMETERS Setting levels on the FX8 is easy, but to get the most from your unit you need to know what the various settings do and how they work. If you encounter clipping or want to ensure that you’re getting the best signal-to-noise ratio, you should understand the various ways to set levels, pads, and headroom: IF YOU ARE CLIPPING THE PRE CHAIN...
  • Page 80: Spillover

    15 : addItIonaL topIcS SPILLOVER Spillover allows delay and reverb tails to ring out when an effect is bypassed or when you change scxenes or presets. This section covers how to set up spillover in different scenarios. WHEN MANUALLY BYPASSING OR CHANGING SCENES This is easy and requires only one setting change.
  • Page 81: Frequently Asked Questions

    : Q My FX8 won’t start up correctly. : A One problem that may cause this is a bad preset. To get around this issue, reboot the FX8, but as soon as the “Splash Screen” is displayed, press and hold ENTER to load an empty, initialized preset.
  • Page 82 : Q My FX8 stopped working during or after a firmware update. How can I recover it? : A The FX8 has a built in recovery routine. Power the unit off. Hold down the SETUP button, and then power the unit on. Hold the button for about 1 second beyond the power up, and then release.
  • Page 83: Unity Gain Faq

    : Q Why do I care that the FX8 is designed for unity gain? : A The FX8 makes it EASY to achieve unity gain. This can be important because amplifier tone, distortion amount, dynamics and noise are level dependent. With unity gain: ƒ...
  • Page 84: Specifications & Defaults

    16 : SpecIFIcatIonS & deFauLtS 16 : SPECIFICATIONS & DEFAULTS INPUT PRE: Connector: 1/4” phone jack, unbalanced. Impedance: 1 Megohm (less if Input Impedance is active) Max. Input Level: +16 dBu (conditioned for guitar use) INPUT POST: Connector: 1/4” phone jack, balanced. Impedance: 1 Megohm Max.
  • Page 85: Midi Implementation

    16 : SpecIFIcatIonS & deFauLtS MIDI IMPLEMENTATION Every function of the FX8 Looper (plus a hidden “BYPASS” feature) can be controlled by MIDI CC messages or an external footswitch. Find the complete list of controllable functions in a table on the next page.
  • Page 86: Factory Default Midi Cc Settings

    FACTORY DEFAULT MIDI CC SETTINGS The following text table lists the default MIDI CC# assignments for each of the available functions in the FX8. In addition to a MIDI CC, any item can be set to NONE, PEDAL 1 or PEDAL2. All such assignments are global.
  • Page 87: Midi Program Change Numbers

    N8 ---- 111 P8 ---- 127 PC TO PRESET When the FX8 receives a Program Change message on its own MIDI Channel as set in the MIDI page of the I/O menu under SETUP it loads the corresponding preset. 0 --------A1...
  • Page 88 16 : SpecIFIcatIonS & deFauLtS CC#34 TO SCENE By default, MIDI continuous controller #34 selects SCENES. The value sent determines the scene. 0 ----------1 16 --------1 32 --------1 48 --------1 64 --------1 80 --------1 96 --------1 112-------1 1 ----------2 17 --------2 33 --------2 49 --------2 65 --------2...
  • Page 89: Warranty

    This warranty only applies to products sold and used in the USA and Canada. Fractal Audio Systems shall not be liable for damages or loss resulting from the negligent or intentional acts of the shipper or its contracted affiliates.
  • Page 90: Eula

    1) GRANT OF LICENSE FOR PRE INSTALLED OR USER UPGRADED FIRMWARE (“THE SOFTWARE”) Subject to the terms and conditions set forth herein, Fractal Audio Systems, (“FAS”) grants you an individual, personal, non-sub licensable, nonexclusive license to use this product in accordance with the applicable end user documentation, if any (the “License”).

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