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ARRI ARRIFLEX ARRIFLEX 416 Brochure & Specs
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ARRI ARRIFLEX ARRIFLEX 416 Brochure & Specs

Arri film camera brochure
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ARRIFLEX 416
Quiet, Bright and Light

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Summary of Contents for ARRI ARRIFLEX ARRIFLEX 416

  • Page 1 ARRIFLEX 416 Quiet, Bright and Light...
  • Page 2 Super 16 equipment has the extra benefit of easy portability for fast-paced production environments. In response to market demand, ARRI is offering three new Super 16 cameras: the ARRIFLEX 416, 416 Plus and 416 Plus HS. Based on...

  • Page 3: Main Features

    · viewfinder removes quickly for Steadicam and remote applications · optional integrated radio & lens motor drivers · split bridgeplate for fast switch from tripod to shoulder ARRI | ARRIFLEX 416 n 35-style Viewfinder · brighter, higher contrast, higher resolution ·...
  • Page 4 I Can See Clearly Now To capture the images you want, you have first to see them clearly. So viewfinder quality is crucial if an operator is to accurately app- raise images, especially with 16 mm. The optical viewfinder on the 416 cameras makes it easy to judge focus, create a precise image composition, and work comfortably and efficiently.
  • Page 5 ARRI | ARRIFLEX 416 The ARRIFLEX 416 cameras' optical view- finder uses a completely new optical design, resulting in significantly higher contrast, higher resolution and a brighter image.
  • Page 6 light path inside camera body light path inside viewfinder Mirror Shutter Video Assist Beam Splitter A half-moon shaped mirror rotates 80% of the light passes straight up, in front of the film gate at the while 20% is reflected to the side camera speed.
  • Page 7 Advantages of Optical Viewfinders Optical viewfinders, as used in all ARRI cameras, provide by far the most comfortable, accurate and efficient way to work when capturing images. Operators see a bright and sharp, full color image and are able to accurately judge focus.
  • Page 8 RGB ARRIGLOW With the new RGB ARRIGLOW, you can choose any color you like. Set evenly illuminated framelines in magenta when shooting green screen, red for jungle or yellow for blue skies. You can, of course, also mix your own ARRIGLOW grey.
  • Page 9 Excellent optical quality with eyepiece extension H D T V 1 . 7 8 H D T V 1 . 7 8 ARRI | ARRIFLEX 416 H D T V 1 . 7 8 H D T V 1 . 7 8...
  • Page 10 The Sound of Silence The 416 cameras use a completely new sound insulation design that makes the 416 and 416 Plus as quiet as an ARRICAM and allows the 416 Plus HS to record a very stable image even at higher frame rates. An inner skeleton is suspended by symme- trically positioned rubber insulators in an outer shell.
  • Page 11 ARRI | ARRIFLEX 416 The magazine is driven by an internal silent motor and uses the same insulating technique as the camera body, ensuring completely quiet operation.
  • Page 12 QUIET BRIGHT & LIGHT...
  • Page 14 ARRIFLEX 416 Models ARRIFLEX 416 Super silent and equipped with basic electronics Speed Range (fps) 1 - 75 Sound (dbA) < 20 Weight (Kg/Lbs) 5.5/12.1 Integrated Accessory Electronics Body, viewfinder, loaded magazine, video assist ARRIFLEX 416 Plus Super silent & flexible with built-in accessory electronics and radio for wireless remote control 1 - 75 <...
  • Page 15 The second assistant can then dismantle the zoom lens while the operator is already shooting handheld. 416 Split Bridgeplate Elevates 416 to proper height for accessories Fast switch from tripod to shoulder ARRI | ARRIFLEX 416...
  • Page 16 The 416 cameras use the industry standard 54 mm stainless steel PL mount. The stable backfocus afforded by the PL mount and by the robust camera construction is a hallmark of all ARRI film cameras. The PL mount makes the vast selection of high quality lenses for the Super 16 and 35 mm formats available to the ARRIFLEX 416 cameras.
  • Page 17 ARRI | ARRIFLEX 416 The Ultra 16 lenses: 6, 8, 9.5, 12, 14, 18, 25, 35 and 50 mm, all T1.3 The Ultra Primes: T2.8/8, T2.1/10, T2/12, T1.9/14, T1.9/16, T1.9/20, T1.9/24, T1.9/28, T1.9/32, T1.9/40, T1.9/50, T1.9/65, T1.9/85, T1.9/100, T1.9/135 and T1.9/180 mm...

  • Page 18: Control And Power

    Control and Power The simple to use control panel on the 416 range should be familiar to anyone who has ever worked with a modern ARRI camera, since the 416 cameras have inherited the 235's control panel design and illuminated buttons.
  • Page 19 ARRI | ARRIFLEX 416 The OBB-2 connects to the 416 cameras through a new, but backwards-compatible power connector.
  • Page 21 The 416 cameras are compatible with most of the accessories used by their 35 mm siblings, including the ARRI Remote Control Unit RCU-1, External Display EXD-1, Wireless Remote System, Wireless Remote Control WRC-1 & WRC-2, Universal Motor Controller UMC-3, Iris Control Unit ICU, Electronic Synchronization Unit ESU, most follow focus units and matte boxes.

  • Page 22: Technical Data

    Technical Data ARRIFLEX 416 1-75 Speed can be varied while camera runs Ramps possible with Remote Control Unit RCU-1, Wireless Remote Control WRC-1, WRC-2 and Iris Control Unit ICU-1 Shutter Manually adjustable to: 45, 90, 135, 144, 150, 172.8, 180 degrees Film Format Super 16 mm, conforming to DIN 15602 and ISO-5768-1998 Film Gate...
  • Page 23 ARRI | ARRIFLEX 416...
  • Page 24 This ARRIFLEX 416 product brochure (K5.40459.0) is published by Arnold & Richter Cine Technik, April 01, 2008 © ARRI/2008 Technical data and offerings are subject to change without notice. All rights reserved. Without any warranty. Not binding 04/2008. ARRI is a registered trademark of Arnold & Richter Cine Technik GmbH & Co. Betriebs KG.

This manual is also suitable for:

Arriflex 416 plus hs