ENSONIQ DP/2 User Manual
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ENSONIQ DP/2 User Manual

Parallel effects processor
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DP/2
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Summary of Contents for ENSONIQ DP/2

  • Page 1 2 # 4 # . . ' . ' ( ( ' % 6 5 2 4 1 % ' 5 5 1 4 DP/2  5 ' 4  5 7 + & '  ' 4 5 + 1 0 E T N...
  • Page 2 PM we experience our heaviest call load. During these times, there may be delays in answering your call. This manual is copyrighted and all rights are reserved by ENSONIQ Corp. This document may not, in whole or in part, be copied, photocopied, reproduced, translated, or reduced to any electronic medium or machine readable form without prior written consent from ENSONIQ Corp.
  • Page 3 Discard used batteries according to manufacturer’s instructions. In order to fulfill warranty requirements, the DP/2 should be serviced only by an Authorized ENSONIQ Repair Station. The ENSONIQ serial number label must appear on the outside of the unit, or the ENSONIQ warranty is void.
  • Page 4 Section 1 Using the DP/2...
  • Page 5 The Basics 7KH '3 LV D VXSHU HIIHFWV SURFHVVRU ZKLFK FRQWDLQV WZR VHSDUDWH IXOOSRZHUHG VWHUHR HIIHFWV ER[HV LQVLGH :H FDQ WKLQN RI WKHVH LQWHUQDO ER[HV DV (IIHFWV QDPHG $ DQG % 7KH '3 FDQ SURFHVV HLWKHU D VLQJOH VRXQG VRXUFH RU WZR RI WKHP 7KH '3 UHIHUV WR HDFK RI WKHVH LQGLYLGXDO VRXQG VRXUFHV DV D 6RXUFH :KHQ \RX WHOO LW KRZ PDQ\ 6RXUFHV \RX ZDQW LW WR KDQGOH WKH '3 DVVLJQV WKH WZR (IIHFWV DFFRUGLQJO\ ‡...
  • Page 6 DQG \RXU ZRUN ZLOO EH ORVW 6HH 6HFWLRQ ³6WRUDJH LQ WKH '3 5HIHUHQFH 0DQXDO IRU LQVWUXFWLRQV 2QFH \RX·YH VDIHO\ VWRUHG \RXU GDWD \RX·OO EH UHDG\ WR UHLQLWLDOL]H WKH '3 How to Reinitialize the DP/2 ‡ 2Q WKH '3·V IURQW SDQHO ORFDWH WKH {SYSTEM/MIDI} EXWWRQ 3UHVV LW DQG KROG LW...
  • Page 7 This is the version number of your DP/2’s software Using the DP/2 with 1 Sound Source /HW·V VWDUW E\ LPDJLQLQJ WKDW ZH ZDQW WR UXQ D VLQJOH VRXQG VRXUFH DQ HOHFWULF JXLWDU WKURXJK WKH '3 -XVW DV D JXLWDU SOD\HU ZRXOG EHJLQ E\ OD\LQJ RXW WZR HIIHFW SHGDOV RQ...
  • Page 8 Effect A ‡ 3UHVV WKH '3·V {EDIT} EXWWRQ #9F97T É8CT #YST9G ÇIGP5R9 È 7KH {EDIT} EXWWRQ·V \HOORZ /(' OLJKWV XS ‡ 3UHVV WKH {A} EXWWRQ 10(+) 7KH {A} EXWWRQ·V \HOORZ /(' OLJKWV XS 7KH ODUJH NQRE RQ WKH '3·V IURQW SDQHO LV WKH GDWD HQWU\ NQRE :H XVH LW WR FKDQJH³RU ´HGLWµ³WKH '3·V VHWWLQJV ZKLFK ZH FDOO SDUDPHWHUV ‡...

  • Page 9: Hall Reverb

    8 Voice Chorus %HDU LQ PLQG RI FRXUVH WKDW WKH '3·V HIIHFWV DUH RI D PXFK KLJKHU TXDOLW\ WKDQ DQ\ DFWXDO IRRW SHGDO FDQ RIIHU /HW·V VHW XS WKH VHFRQG SHGDO Effect B ‡ 3UHVV WKH {B} EXWWRQ ,WV \HOORZ /(' OLJKWV Å...
  • Page 10 10(+) 7KH &RQILJ /(' OLJKWV DQG WKH IROORZLQJ GLVSOD\ DSSHDUV flashing 1 Source Config 1,2 > AB :KHQ DQ DUHD RQ WKH GLVSOD\ LV IODVKLQJ WKDW PHDQV WKDW LW FDQ EH FKDQJHG E\ WXUQLQJ WKH GDWD HQWU\ NQRE $ 6RXUFH &RQILJ LV H[DFWO\ ZKDW ZH·UH VHWWLQJ XS VR ZH GRQ·W QHHG WR DOWHU WKLV SDUDPHWHU Note: ,Q WKH XSSHUULJKWKDQG FRUQHU RI WKH '3·V IURQW SDQHO DUH WZR GLDJUDPV GHSLFWLQJ KRZ WKH '3 DOORFDWHV LWV (IIHFWV WR WKH 6RXUFHV DW KDQG...
  • Page 11 ,Q WKH '3 ZH PRYH EHWZHHQ SDUDPHWHUV E\ XVLQJ WKH {<} DQG {>} EXWWRQV ‡ 3UHVV WKH {>} EXWWRQ RQFH 7KH GLVSOD\ VKRZV AB Input Select= (1) Mono :LWK WKLV SDUDPHWHU ZH WHOO WKH '3 ZKDW NLQG RI 6RXUFH ZH·UH XVLQJ $Q HOHFWULF JXLWDU KDV D VLQJOH JXLWDU FRUG FRPLQJ RXW RI LW VR LW·V D 0RQR 6RXUFH 7KLV LV DOUHDG\ VHW WKH ZD\ ZH ZDQW LW³ZH QHHGQ·W FKDQJH DQ\WKLQJ KHUH 7KH ´  µ...
  • Page 12 UTPUTÃp UTPUTÃi /101 " 7KLV LV WUXH HYHQ ZKHQ ZH KDYH D PRQR 6RXUFH VLQFH DOO RI WKH '3·V (IIHFWV DUH WKHPVHOYHV LQ VWHUHR 7KH '3 KDV D IHDWXUH FDOOHG LQWHOOLJHQW MDFN VZLWFKLQJ³LW NQRZV KRZ PDQ\ FDEOHV DUH SOXJJHG LQWR WKH 2XWSXW MDFNV ,I LW VHQVHV WKDW WKHUH·V QR DXGLR FDEOH SOXJJHG LQWR 2XWSXW MDFN  WKH '3 VHQGV HYHU\WKLQJ RXW WKURXJK 2XWSXW  LQ PRQR UTPUTÃp UTPUTÃi...
  • Page 13 /HW·V VDYH RXU &RQILJ 3UHVHW WR ORFDWLRQ  WKH ILUVW PHPRU\ ORFDWLRQ LQ %DQN  ‡ 7XUQ WKH GDWD HQWU\ NQRE XQWLO WKH GLVSOD\ ORRNV OLNH WKLV Write to Config Mono Vocal Setup ´0RQR 9RFDO 6HWXSµ LV WKH &RQILJ 3UHVHW ZH·OO EH UHSODFLQJ ‡...
  • Page 14 ORFDWLRQ  &RQJUDWXODWLRQV <RX·YH MXVW FUHDWHG DQG VDYHG \RXU ILUVW '3 &RQILJ 3UHVHW Using the DP/2 with a Single Stereo Sound Source 6XSSRVH \RX ZDQW WR XVH WKH '3 ZLWK D NH\ERDUG LQVWHDG RI D JXLWDU 7KH PDLQ GLIIHUHQFH KHUH ZRXOG EH WKDW PRVW HOHFWURQLF NH\ERDUGV DUH VWHUHR LQVWUXPHQWV ZLWK WZR RXWSXWV³RXU JXLWDU RQO\ KDG RQH...
  • Page 15 Effect B ‡ 3UHVV {B} ‡ 'LDO LQ  +DOO 5HYHUE Flanger Hall Reverb <RX·OO QRWLFH WKDW WKLV LV WKH VDPH UHYHUE ZH XVHG ZLWK RXU JXLWDU VHWXS 7KDW·V ILQH \RX FDQ XVH WKH VDPH (IIHFW LQ DV PDQ\ 3UHVHWV DV \RX OLNH <RX FDQ DOVR XVH WZR RI WKH VDPH W\SH RI HIIHFW WRJHWKHU LI \RX·G OLNH³WZR GLIIHUHQW UHYHUEV IRU H[DPSOH 1RZ ZH QHHG WR WHOO WKH '3 WKDW ZH·OO KDYH WZR FDEOHV FRPLQJ LQ IURP RXU VWHUHR NH\ERDUG...
  • Page 16 ‡ 7XUQ WKH GDWD HQWU\ NQRE FRXQWHUFORFNZLVH VR WKDW WKH GLVSOD\ UHDGV AB Input Select= (1,2) Stereo 7KH '3 ZLOO QRZ ´OLVWHQµ WR ,QSXWV  DQG  IRU RXU VWHUHR VRXQG VRXUFH :H·UH QRZ UHDG\ WR VDYH RXU NH\ERDUG &RQILJ 3UHVHW ‡...
  • Page 17 ‡ 3UHVV WKH {SELECT} EXWWRQ ,WV /(' OLJKWV XS DQG WKH {EDIT} OLJKW JRHV RXW ‡ 6LQFH WKH {CONFIG} OLJKW LV DOUHDG\ RQ \RX GRQ·W QHHG WR SUHVV WKH {CONFIG} EXWWRQ ‡ 7XUQ WKH GDWD HQWU\ NQRE FORFNZLVH $V \RX VFUROO XSZDUGV WKURXJK WKH &RQILJ 3UHVHWV \RX·OO VHH WKH QXPEHUV LQFUHPHQW IURP  WR  DQG WKHQ VWDUW DOO RYHU DJDLQ IURP  7KH ILUVW  DUH WKH &RQILJ 3UHVHWV LQ %DQN  DQG WKH QH[W  DUH WKRVH LQ %DQN  7KH SUHVHQFH³RU DEVHQFH³RI D GRW LQ WKH ORZHU ULJKWKDQG FRUQHU RI WKH QXPEHU GLVSOD\ WHOOV \RX ZKLFK EDQN \RX·UH LQ...
  • Page 18 {SELECT} DQG {CONFIG} OLJKWV KDYH WR EH RQ EHIRUH \RX FDQ VHOHFW VHWXSV <RX PD\ QHHG WR SUHVV RQH RU ERWK RI WKH EXWWRQV WR JHW WKHP WR OLJKW The Flexible DP/2 7KH '3 FDQ SURGXFH PDQ\ GLIIHUHQW W\SHV RI VRXQGV E\ FKDQJLQJ WKH UHODWLRQVKLSV EHWZHHQ LWV (IIHFWV /HW·V H[DPLQH D FRXSOH RI WKH SRVVLELOLWLHV LQ RUGHU WR VHH KRZ ZH FDQ...
  • Page 19 1 Source Config 1,2 > AB 7KLV LV DSURSRV³ ZH·YH JRW RQH 6RXUFH D JXLWDU ‡ 3UHVV {>} RQFH³ZH·YH JRW WR WHOO WKH '3 ZKDW NLQG RI LQSXW ZH QHHG AB Input Select= (1) Mono 7KLV LV DOVR VHW FRUUHFWO\ IRU RXU JXLWDU ZLWK LWV VLQJOH FDEOH ‡...
  • Page 20 2Q WKH '3 GLVSOD\V ZH XVH D ULJKWSRLQWLQJ DUURZ³´ ~ µ³DV VKRUWKDQG IRU WKH ZRUG ´VHULDOµ ZKHQ VKRZLQJ WKH UHODWLRQVKLS EHWZHHQ (IIHFWV :H FDQ VHH WKLV V\PERO RQ WKH FXUUHQW GLVSOD\ DP/2 the sound travels in stereo out of A and into B A and B’s serial...
  • Page 21 *** WRITE *** *** OK **** Parallel Effects ‡ 3UHVV {>} WZLFH VR WKDW WKH GLVSOD\ RQFH DJDLQ VKRZV AB Unit Routing= [A~B] serial...
  • Page 22 ‡ 7XUQ WKH GDWD HQWU\ NQRE FORFNZLVH VR WKDW WKH GLVSOD\ ORRNV OLNH WKLV AB Unit Routing= [A+B] parallel 7KH ZRUG ´SDUDOOHOµ QRZ DSSHDUV RQ WKH ERWWRP OLQH RI WKH GLVSOD\ :H FDQ DOVR VHH WKDW WKH DUURZ LQ WKH SDUHQWKHVHV EHWZHHQ ´$µ DQG ´%µ KDV FKDQJHG WR D SOXV VLJQ ´ + µ  7KLV LV WKH V\PERO ZH XVH WR VKRZ D SDUDOOHO FRQQHFWLRQ EHWZHHQ (IIHFWV ,Q D SDUDOOHO FRQQHFWLRQ EHWZHHQ (IIHFWV ERWK (IIHFWV SURFHVV WKH VRXQG VHSDUDWHO\ DQG DW WKH VDPH WLPH...
  • Page 23 6LQFH WKH FRSLHV DUH GLJLWDO WKH\ ERWK VRXQG HYHU\ ELW DV JRRG DV WKH RULJLQDO 7KLV LV KRZ VRXQG ZLOO QRZ WUDYHO WKURXJK WKH '3 DP/2 Both DP/2 Effects remain in stereo as they share Output jacks 1 and 2.
  • Page 24 Edit Config Name EffectA+EffectB ‡ 3UHVV {WRITE} DJDLQ *** WRITE *** *** OK **** LV GLVSOD\HG (B)ypass and (K)ill ,Q WKH '3 LW·V HDV\ WR LQVWDQWO\ WXUQ (IIHFWV RII ‡ 3UHVV WKH {>} EXWWRQ IRXU WLPHV WR JHW WR (GLW &RQILJ 3DUDPHWHU  (b)ypass (k)ill A=b B=b ‡...
  • Page 25 WKHLU UHG /('V OLJKW DW RQFH 3UHVVLQJ {CONFIG} DJDLQ ZLOO VZLWFK WKHP EDFN RII Using the DP/2 With more Than One Sound Source 6R IDU ZH·YH EHHQ WDONLQJ DERXW KRZ WR XVH WKH '3 ZLWK D VLQJOH VRXQG VRXUFH %XW WKH...
  • Page 26 1RZ WKDW ZH·YH GHFLGHG ZKDW ZH ZDQW WR GR OHW·V VHW XS RXU (IIHFWV 7KH {EDIT} /(' LV DOUHDG\ OLW VR ZH GRQ·W KDYH WR SUHVV {EDIT}  )RU WKH JXLWDU ‡ 3UHVV {A} DQG XVH WKH GDWD HQWU\ NQRE WR GLDO LQ  LQ %DQN  *XLWDU $PS  A:Guitar Amp 1 Guitar Amp 1 The dot tells you you’re in Bank 2...
  • Page 27 B the right side of Effect A the right side of effect B 2XU JXLWDUEDVV VHWXS LV QRZ FRPSOHWH DP/2 Guitar Amp 1 Both DP/2 Effects remain in stereo as they share Output jacks 1 and 2. Flanger...
  • Page 28 Moving On... ,Q RXU QH[W VHFWLRQ 7KH '3 (IIHFWV \RX·OO OHDUQ KRZ WR FXVWRPL]H WKH '3 (IIHFWV WR VXLW \RXU RZQ QHHGV Section 2 The DP/2 Effects Inside this Section Overview............................1 Setting Up ............................ 2 1-Unit Presets ..........................4...
  • Page 29 Overview ,QVLGH WKH '3 DUH WZR KLJKTXDOLW\ HIIHFWV SURFHVVRUV (DFK RQH RI WKHVH LV FDOOHG D 8QLW  ,Q 6HFWLRQ  RI WKH 8VHU·V *XLGH ZH UHIHUUHG WR WKHP DV ´(IIHFWVµ Each effects processor is called a "Unit." Each Unit has a button on the DP/4+’s front panel. bypassed bypass 7KH '3 FDQ SURFHVV RQH RU WZR VRXQG VRXUFHV DW D WLPH...
  • Page 30 Setting Up :H·UH JRLQJ WR H[SORUH WKH '3·V HIIHFW 3UHVHWV XVLQJ VWHUHR KHDGSKRQHV VR \RX·OO QHHG D SDLU RI WKRVH ,I \RX SUHIHU WR FRQQHFW WKH '3 WR \RXU PL[HU RU KRPH VWHUHR V\VWHP IRU OLVWHQLQJ VHH WKH '3 5HIHUHQFH 0DQXDO·V 3UHIDFH IRU GHWDLOV RQ PDNLQJ WKRVH FRQQHFWLRQV ‡...
  • Page 31 ‡ $V \RX SOD\ \RXU LQVWUXPHQW HWF WXUQ WKH LQSXW  NQRE FORFNZLVH XQWLO WKH UHG SHDN /(' MXVW DERYH LW LV IOLFNHULQJ RFFDVLRQDOO\ 7KLV /(' ZDUQV \RX WKDW \RXU LQSXW VLJQDO LV DSSURDFKLQJ WKH SRLQW ZKHUH LW ZLOO EH WRR ORXG The green LED The red LED SCAH5F...
  • Page 32 1-Unit Presets Selecting 1-Unit Presets ‡ 3UHVV WKH {SELECT} EXWWRQ LI LWV /(' LVQ·W DOUHDG\ OLW #9F97T É8CT #YST9G ÇIGP5R9 È ‡ 3UHVV WKH {CONFIG} EXWWRQ LI LWV OLJKW LVQ·W DOUHDG\ RQ #%6+8' $;2#55'& $;2#55 10(+) 7KH {SELECT} DQG {CONFIG} /('V PXVW EH RQ LQ RUGHU WR VHOHFW 8QLW 3UHVHWV ‡...

  • Page 33: Vocal Plate

    Select 1U Preset A:No Effect ‡ 7XUQ WKH GDWD HQWU\ NQRE FRXQWHUFORFNZLVH XQWLO WKH GLVSOD\ UHDGV Vocal Plate 1 A:Large Plate 7KLV LV ´9RFDO 3ODWH µ WKH ILUVW RI WKH  8QLW 3UHVHWV VWRUHG LQ WKH '3·V PHPRU\ 1RWH WKDW WKH {SELECT} EXWWRQ LV DJDLQ IODVKLQJ³WKH '3 LV DZDLWLQJ FRQILUPDWLRQ RI \RXU 8QLW 3UHVHW VHOHFWLRQ ‡...
  • Page 34 Note: 6RPHWLPHV \RX PD\ VHH DQRWKHU VPDOO GRW EHWZHHQ WKH WZR QXPHUDOV 7KLV WHOOV \RX WKDW WKH '3 LV UHFHLYLQJ 0,', LQIRUPDWLRQ 6HFWLRQ ³ 6\VWHP0,', LQ WKH '3 5HIHUHQFH 0DQXDO GLVFXVVHV XVLQJ 0,', ZLWK WKH '3 ‡ 'LDO LQ DQ\ RI WKH 8QLW 3UHVHWV ‡...
  • Page 35 SLFNHG :KHQ WKLV RFFXUV 7KH ERWWRP OLQH VKRZV WKH QHZ 3UHVHW·V 0L[ DQG 9ROXPH VHWWLQJV <RX FDQ HDVLO\ XQGR DQ\ FKDQJHV \RX·YH PDGH E\ SUHVVLQJ WKH {UNDO} EXWWRQ ‡ 3UHVV WKH {UNDO} EXWWRQ 'RCT9 Ç5H79F ÇIPY %H8I /HW·V HGLW VRPH RWKHU SDUDPHWHUV ‡...

  • Page 36: Large Plate

    ‡ 3UHVV WKH {>} EXWWRQ WZLFH 7KLV WDNHV XV WR WKH WKLUG SDUDPHWHU IRU WKLV HIIHFW Large Plate Decay=1.75 sec flashing 7KLV LV WKH 'HFD\ WLPH VHWWLQJ IRU RXU UHYHUE 7KH WLPH ILHOG LV IODVKLQJ³DQG WKHUHIRUH VHOHFWHG 8VH WKH GDWD HQWU\ NQRE WR FKDQJH WKLV YDOXH LI \RX·G OLNH 7R ILQG WKLV HIIHFW·V RWKHU SDUDPHWHUV FRQWLQXH WR SUHVV WKH {>} EXWWRQ :KHQ D SDUDPHWHU LV IODVKLQJ \RX FDQ DOWHU LWV VHWWLQJ ZLWK WKH GDWD HQWU\ NQRE <RX FDQ DOVR RI FRXUVH JR EDFN WR SUHYLRXVO\ YLHZHG RU HGLWHG SDUDPHWHUV E\ SUHVVLQJ...
  • Page 37 Edit 1U PsetName Large Plate $W WKLV SRLQW \RX FDQ QDPH WKH QHZ 8QLW 3UHVHW DQ\WKLQJ WKDW \RX ZDQW XS WR  FKDUDFWHUV  )RU RXU H[HUFLVH ZH·OO QDPH LW ´0\ )LUVW 8 3VHWµ 1RWLFH WKDW WKH ´/µ RQ WKH ERWWRP RI WKH GLVSOD\ LV XQGHUOLQHG :KHQ QDPLQJ 3UHVHWV LQ WKH '3 FKDUDFWHUV ZKLFK DUH XQGHUOLQHG PD\ EH FKDQJHG ZLWK WKH GDWD HQWU\ NQRE ‡...
  • Page 38 ‡ :KHQ \RX·YH ILQLVKHG SUHVV {WRITE} RQFH DJDLQ 7KH GLVSOD\ PRPHQWDULO\ IODVKHV *** WRITE *** *** OK **** DQG \RXU 8QLW 3UHVHW LV VDIHO\ VWRUHG DW WKH ORFDWLRQ \RX·YH FKRVHQ LQ WKH '3·V PHPRU\...
  • Page 39 2-Unit Presets Selecting 2-Unit Presets ‡ 3UHVV WKH {SELECT} EXWWRQ LI LWV /(' LVQ·W DOUHDG\ OLW #9F97T É8CT #YST9G ÇIGP5R9 È ‡ 3UHVV WKH {CONFIG} EXWWRQ LI LWV OLJKW LVQ·W DOUHDG\ RQ #%6+8' $;2#55'& $;2#55 10(+) 7KH {SELECT} DQG {CONFIG} /('V PXVW EH RQ LQ RUGHU WR VHOHFW 8QLW 3UHVHWV ‡...
  • Page 40 ‡ 7XUQ WKH GDWD HQWU\ NQRE FRXQWHUFORFNZLVH XQWLO WKH GLVSOD\ UHDGV Best Small Space A:REV + B:rev 7KLV LV ´%HVW 6PDOO 6SDFHµ WKH ILUVW RI WKH  8QLW 3UHVHWV VWRUHG LQ WKH '3·V PHPRU\ 1RWH WKDW WKH {SELECT} EXWWRQ LV DJDLQ IODVKLQJ³WKH '3 LV DZDLWLQJ FRQILUPDWLRQ RI \RXU 8QLW 3UHVHW VHOHFWLRQ ‡...
  • Page 41 ‡ 'LDO LQ DQ\ RI WKH 8QLW 3UHVHWV ‡ 3UHVV WKH IODVKLQJ {SELECT} EXWWRQ WR FRQILUP \RXU FKRLFH ‡ 6HQG WKH '3 VRPH VRXQG Editing 2-Unit Presets ‡ :KHQ \RX·YH ILQLVKHG OLVWHQLQJ WR WKH 8QLW 3UHVHWV JR EDFN WR 3UHVHW ³´%HVW 6PDOO 6SDFHµ³...
  • Page 42 :KHQ ZH ZDQW WR FKDQJH WKH HIIHFW XVHG E\ RQH RI WKH 8QLWV LQ D SUHH[LVWLQJ 8QLW 3UHVHW ZH VLPSO\ GLDO LQ D QHZ 8QLW 3UHVHW DV D VWDUWLQJ SRLQW 7KDW·V ZKDW ZH·UH GRLQJ QRZ <RX PD\ KDYH QRWLFHG WKDW D PRPHQW RU VR DIWHU \RX VWRS WXUQLQJ WKH GDWD HQWU\ NQRE WKH GLVSOD\ FKDQJHV VRPHZKDW :KDW·V KDSSHQLQJ LV WKDW WKH '3 LV DXWRPDWLFDOO\ FRS\LQJ WKH 8QLW 3UHVHW \RX·YH SLFNHG 7KH ERWWRP OLQH VKRZV WKH FRSLHG 3UHVHW·V 0L[ DQG 9ROXPH VHWWLQJV...
  • Page 43 flashing 7KLV LV WKH 'HFD\ WLPH VHWWLQJ IRU WKH UHYHUE LQ WKLV KDOI RI RXU 8QLW 3UHVHW 7KH WLPH ILHOG LV IODVKLQJ³DQG WKHUHIRUH VHOHFWHG 8VH WKH GDWD HQWU\ NQRE WR FKDQJH WKLV YDOXH LI \RX·G OLNH 7R ILQG WKLV HIIHFW·V RWKHU SDUDPHWHUV FRQWLQXH WR SUHVV WKH {>} EXWWRQ :KHQ D SDUDPHWHU LV IODVKLQJ \RX FDQ DOWHU LWV VHWWLQJ E\ XVLQJ WKH GDWD HQWU\ NQRE <RX FDQ RI FRXUVH JR EDFN WR SUHYLRXVO\ YLHZHG RU HGLWHG SDUDPHWHUV E\ SUHVVLQJ WKH {<} EXWWRQ...
  • Page 44 Edit 2U PsetName Best Small Space $W WKLV SRLQW \RX FDQ QDPH WKH QHZ 8QLW 3UHVHW DQ\WKLQJ WKDW \RX ZDQW XS WR  FKDUDFWHUV  )RU RXU H[HUFLVH ZH·OO QDPH LW ´0\ )LUVW 8 3VHWµ 1RWLFH WKDW WKH ´%µ RQ WKH ERWWRP RI WKH GLVSOD\ LV XQGHUOLQHG :KHQ QDPLQJ 3UHVHWV LQ WKH '3 FKDUDFWHUV ZKLFK DUH XQGHUOLQHG PD\ EH FKDQJHG ZLWK WKH GDWD HQWU\ NQRE ‡...
  • Page 45 DQG WKHQ FKDQJLQJ LW ZLWK WKH GDWD HQWU\ NQRE³XQWLO \RX·YH VSHOOHG RXW Edit 2U PsetName My First 2U Pset 7XUQ WKH GDWD HQWU\ NQRE DOO WKH ZD\ FRXQWHUFORFNZLVH WR GLDO LQ WKH Tip: EODQN VSDFHV ‡ :KHQ \RX·YH ILQLVKHG SUHVV {WRITE} RQFH DJDLQ 7KH GLVSOD\ PRPHQWDULO\ IODVKHV *** WRITE *** *** OK ****...
  • Page 46 Section 3 Quick-Starts 7KLV VHFWLRQ RI WKH '3 8VHU·V *XLGH FRQWDLQV VWHSE\VWHS LQVWUXFWLRQV IRU D QXPEHU RI WDVNV WKH '3 FDQ SHUIRUP 7KH FKDQFHV DUH JRRG WKDW \RX·OO ILQG D 4XLFN6WDUW WR VXLW \RXU QHHGV 'RQ·W EHOLHYH IRU D PRPHQW WKRXJK WKDW WKH IROORZLQJ 4XLFN6WDUWV UHSUHVHQW DOO RI WKH WKLQJV D '3 FDQ GR 7KH\·UH MXVW PHDQW WR KHOS \RX JHW VWDUWHG ZLWK \RXU SRZHUIXO QHZ HIIHFWV SURFHVVRU Inside this Section...
  • Page 47 9RLFH2YHU ZLWK 0XVLF %HG ...
  • Page 48 Plug your guitar’s effect send from your mixer into the DP/2’s rear-panel input 1 jack. Connect cables from the DP/2’s back-panel Output 1 and 2 jacks to two returns on your mixing console. If you’ve only got one return available, connect a cable from Output 1.
  • Page 49 Plug your guitar cord into the DP/2’s front-panel input 1 jack. Connect cables from the DP/2’s back-panel Output 1 and 2 jacks to two inputs on your stereo guitar amplifier or mixing console. If you’re going into a single-input guitar amp, connect a cable from the DP/2’s Output 1 to the amp’s input.
  • Page 50 Plug a microphone’s effect send from your mixer into the DP/2’s rear-panel Input 1 jack. Connect cables from the DP/2’s back-panel Output 1 and 2 jacks to two inputs on your mixer or stereo amplifier. If you’re going to a single-input mixer or amp, use only Output 1.
  • Page 51 0276 This Quick-Start describes how to set up the DP/2 as two complementary drum kit reverb devices, fed by two separate effect sends from your mixing console. Try using send 1 for your snare and toms, and send 2 for your bass drum and cymbals (including the hihat).
  • Page 52 0276 This Quick-Start describes how to set up the DP/2 as two complementary drum kit effect devices, fed by two separate effect sends from your mixing console. Try using send 1 for your drums, and send 2 for your cymbals (including hihat).
  • Page 53 0276 This Quick-Start describes how to set up the DP/2 as two complementary drum kit effect devices, fed by two separate effect sends from your mixing console. Try using send 1 for your drums, and send 2 for your cymbals (including hihat).
  • Page 54 Connect a mono effect send from your mixer to the DP/2’s rear-panel Input 1 jack. Use this send for mono drum sounds such as the snare and/or bass drum. Connect the DP/2’s Outputs 1 and 2 to two effect returns on your mixer. If you’d prefer to use only one mixer return, use Output 1 and leave output 2 unplugged.
  • Page 55 0276 This Quick-Start describes how to set up the DP/2 as two complementary drum kit reverb devices, fed by two separate effect sends from your mixing console. Try using send 1 for your bass drum and cymbals (including the hihat), and send 2 for your snare and toms.
  • Page 56 0276 This Quick-Start describes how to set up the DP/2 as two complementary drum kit reverb devices, fed by two separate effect sends from your mixing console. Try using send 1 for your drums, and 2 for your cymbals (and hihat).
  • Page 57 Connect cables from the DP/2’s back-panel Output 1 and 2 jacks to two inputs on your stereo bass amplifier or mixing console. If you’re going into a single-input bass amp or mixer, connect a cable from the DP/2’s Output 1 to that input.
  • Page 58 Connect cables from the DP/2’s back-panel Output 1 and 2 jacks to two inputs on your stereo bass amplifier or mixing console. If you’re going into a single-input bass amp or mixer, connect a cable from the DP/2’s Output 1 to that input.
  • Page 59 Connect cables from the DP/2’s back-panel Output 1 and 2 jacks to two inputs on your stereo bass amplifier or mixing console. If you’re going into a single-input bass amp or mixer, connect a cable from the DP/2’s Output 1 to that input.
  • Page 60 Connect cables from the DP/2’s back-panel Output 1 and 2 jacks to two inputs on your stereo guitar amplifier or mixing console. If you’re going into a single-input guitar amp (or mixer), connect a cable from the DP/2’s Output 1 to that input.
  • Page 61 Connect cables from the DP/2’s back-panel Output 1 and 2 jacks to two inputs on your stereo guitar amplifier or mixing console. If you’re going into a single-input guitar amp or mixer, connect a cable from the DP/2’s Output 1 to that input.
  • Page 62 Connect cables from the DP/2’s back-panel Output 1 and 2 jacks to two inputs on your stereo guitar amplifier or mixing console. If you’re going into a single-input guitar amp or mixer, connect a cable from the DP/2’s Output 1 to that input.
  • Page 63 Connect cables from the DP/2’s back-panel Output 1 and 2 jacks to two inputs on your stereo guitar amplifier or mixing console. If you’re going into a single-input guitar amp or mixer, connect a cable from the DP/2’s Output 1 to that input.
  • Page 64 Vocal Remover 0276 The DP/2 can remove the lead vocals from many recordings, allowing you to step right in as the lead singer. This Quick-Start shows how to do it. Turn the DP/2 inputs and outputs knobs down all the way (counter-clockwise).
  • Page 65 Connect cables from the DP/2’s back-panel Output 1 and 2 jacks to two inputs on your stereo guitar amplifier or mixing console. If you’re going into a single-input guitar amp or mixer, connect a cable from the DP/2’s Output 1 to that input.
  • Page 66 Connect cables from the DP/2’s back-panel Output 1 and 2 jacks to two inputs on your stereo guitar amplifier or mixing console. If you’re going into a single-input guitar amp or mixer, connect a cable from the DP/2’s Output 1 to that input.
  • Page 67 Turn the outputs knob up until your mixer (or amp) is receiving the proper level from the DP/2. Set your mixer so that you’re only hearing the output of the DP/2, and none of the original “dry” microphone signal. Press the {EDIT} button, and then the {CONFIG} button.
  • Page 68 Connect your mixer’s two effect sends to the DP/2’s rear-panel Input 1 and 2 jacks. Connect a cable from the DP/2’s back-panel Output 1 jack to an effect return or fader on your mixer. Don’t plug a cable into the DP/2 Output 2 jack.
  • Page 69 0276 This Quick-Start describes how to set up the DP/2 as two separate effect devices, fed by two separate mono effect sends from your mixing console. It provides a reverb and a delay effect, but you can just as easily dial in any effect that you like at Steps 11 and 12.
  • Page 70 Plug a microphone’s effect send from your mixer into the DP/2’s rear-panel Input 1 jack. Connect cables from the DP/2’s back-panel Output 1 and 2 jacks to two inputs on your mixing console or stereo guitar amplifier. If you’re going into a single-input mixer or amp, connect a cable from the DP/2’s Output 1 to that input.
  • Page 71 While playing your guitar, turn the input 1 knob clockwise until the red peak LED just above it is flashing occasionally. While singing, turn up your vocal’s effect sends to a healthy level. Turn the DP/2’s input 2 and knob clockwise until the red peak LEDs just above it is flashing occasionally.
  • Page 72 Connect cables from the DP/2’s back-panel Output 1 and 2 jacks to two inputs on your mixing console or stereo amplifier. If you’ve only got one input available on your mixer (or amp), connect a cable from the DP/2’s Output 1 to that input.
  • Page 73 Connect cables from the DP/2’s back-panel Output 1 and 2 jacks to two inputs on your mixing console or stereo amplifier. If you’ve only got one input available on your mixer (or amp), connect a cable from the DP/2’s Output 1 to that input.
  • Page 74 Turn the outputs knob up until your mixer (or amp) is receiving the proper level from the DP/2. Set your mixer so that you’re only hearing the output of the DP/2, and none of the original “dry” microphone signal. Press the {EDIT} button, and then the {CONFIG} button.
  • Page 75 Using Foot Switches The DP/2 allows you to use the ENSONIQ SW-10 Dual Foot Switch to turn the DP/2’s two effects processors on and off. To set up your foot pedal: Connect the foot pedal to the Foot Switch 1 jack on the DP/2’s back panel.
  • Page 76 Plug your vocal’s effect send from your mixer into the DP/2’s rear-panel Input 1 jack. Connect cables from the DP/2’s back-panel Output 1 and 2 jacks to two returns on your mixing console. If you’ve only got one return available, connect a cable from Output 1.
  • Page 77 Turn the DP/2 inputs and outputs knobs down all the way (counter-clockwise). Plug one vocal’s effect send from your mixer into the DP/2’s rear-panel Input 1 jack and the other’s into Input 2. Connect cables from the DP/2’s back-panel Output 1 and 2 jacks to two returns on your mixing console. If you’ve only got one return available, connect a cable from Output 1 only.
  • Page 78 Plug your vocal’s effect send from your mixer into the DP/2’s rear-panel Input 1 jack. Connect cables from the DP/2’s back-panel Output 1 and 2 jacks to two returns on your mixing console. If you’ve only got one return available, connect a cable from Output 1.
  • Page 79 Plug your vocal’s effect send from your mixer into the DP/2’s rear-panel Input 1 jack. Connect cables from the DP/2’s back-panel Output 1 and 2 jacks to two returns on your mixing console. If you’ve only got one return available, connect a cable from Output 1.
  • Page 80 Plug your vocal’s effect send from your mixer into the DP/2’s rear-panel Input 1 jack. Connect cables from the DP/2’s back-panel Output 1 and 2 jacks to two returns on your mixing console. If you’ve only got one return available, connect a cable from Output 1.
  • Page 81 Turn the outputs knob up until your mixer (or amp) is receiving the proper level from the DP/2. Set your mixer so that you’re only hearing the output of the DP/2, and none of the original “dry” microphone or keyboard signal.
  • Page 82 Turn the DP/2 inputs and outputs knobs down all the way (counter-clockwise). Connect your music source to the DP/2’s rear-panel Input 1 jack. Don’t send the music to your mixer—the DP/2 will take care of that.

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