Farfisa Combo Compact User Manual
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Farfisa Combo Compact User Manual

Electronic portable organ
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  • Page 2 ELECTRONIC PORTABLE ORGAN c 0 M B 0 MOD. COMPACT FAR F Is A SERVICE AND OPERATING MANUAL --�--- FARFISA P. D. BOX AN c D N /4.
  • Page 4 Voicing And Sounds Church Organ 1: Bass 16 ' Flute 4' or MTB 16' and 4' Chruch Organ 2: Bass 16 ' Piccolo 4 ' Church Organ 3 : Bass 16 ' , Flute 4 ', Piccolo 4' Church Organ 4: Piccolo4 ' Strings Ensemble: Strings 16 ' Strings 8 ' Strings 4' (or one of each)
  • Page 5 Manual Bass: 12 keys C to B, in addition to keyboard Pedal board: notes C to C (optional) Photoresistor operated Swell Pedal, volume control Knee lever control for Multi-Tone-Booster ( Farfisa patent) Pre-set volume tabs for manual bass and pedalboard: p (piano) mf ( mezzoforte)
  • Page 6 Flute Piccolo Strings Out signal control : a) Volume b) Bass c) Tr eble ON/OSF switch Pilot light Earphone outlet (impedance 2000 2000 ohm) Transistors: 150 x 71; 2 x Rectifiers : B 30 C 400; E 250 C 50; diode tube SZL 9 Zener Tubes: 2 x...
  • Page 7 BASS», you get standard « performance from Compact, whi · l e swi t c hing on « TREBLE », you emphasize sharp incisive tunes , particularly reqvired by modern music. More power can be obtained Inserting plug into input No.2 of the 2nd channel of FARFISA «20Jt.
  • Page 8 INTERNAL REGULATIONS The Compact organ is delivered in perfect tune conditions. I nternal regulations may be therefore needed only in exceptional cases. The assistance a good technician is highly recommended. For inside ispection, remove the plastic cover unscrewing the lateral screws.
  • Page 9 MAINTENANCE the swell pedal or the Multi-tone-Booster lever does not work, it be due t o an interrup­ tion interesting the l am ps which are situated inside these d � vices. The procedure for the substitution 12 V o f such lamps, by using similar lamps type Philips W mod.
  • Page 10 f\9· -...
  • Page 11 Fig. C Fig.
  • Page 12 F F f FA F/ oo• RE RE# Ml UIIWUU � souo;C: &f OF F PEDAL PEDAL PEDAL � Fig.
  • Page 13 • • • • • • MIO. • \.OHI...
  • Page 14 Fig. I Fig.
  • Page 15 Once the Compact has been put in playing according to the previous instructions, position, follow our suggestions making reference to the drawing, where all the controls are showed.
  • Page 16 a· a• a· a· Medium octave Flute - Oboe - Strings - Trumpet High octave Flute Piccolo - Strings The colour tones may also be classified in th ree groups: a· - Traditional round sounds: Bass - Flute Flute 4' - Penetrating clear sounds of the strings family: Strings - Strings Strings...
  • Page 17 PEDALBOARD No. Manual Bass an additional C: The pedal board (optional) repeats the sounds of the with notes, MANUAL BASS AND PEDALBOARD STOPS No. 4 Three stops provide three different levels of volume: p - piano, mf - mezzoforte, f - forte. stops of superior vo ·...
  • Page 18 Examples TUTTI - Bass and all white stops up to t r in g s Reverb, long -Vibrato, Heavy, Fast - Pedal ..___ __ _, without pushing on the control knee lever. - HORN - Multi-tone-Booster, � Ill - CARILLON - Multi-tone-Booster, 4' Reverb, Long - Pedal p - The control knee lever must pushed before pressing the key and released as soon as the...
  • Page 19 - CONCERT ORGAN - Multi-tone-Booster, 16', 8', 4' - Vibrato, Heavy,Fast - Pedal f Please note in the introduction the sharp stresses obtained by pushing the knee lever. M.T. B � ,...,. .., _,-, tiD..+·: .,.. - ..
  • Page 20 VII - JAZZ ORGAN Multi-tone-Booster, Pedal f Control knee lever always pushed. t1. 'J'.B . II 'J'O S'mcc VIII Vibrato TRUMPET - Trumpet Reverb • • Bass 16' CHURCH ORGAN Flute Pedal • • • • � . l .._ _- -...
  • Page 21 -- -- -- � 'J'R. I':' & • HAWAIIAN MELODY Multi-tone-Booster, Vibrato, Heavy, Fast - Reverb - Pedal p The change of tone is obtained by pushing slightly on the control knee lever. M T B � • .._., 0 __ _.
  • Page 22 Vibrato, 4' - BASS - Strings Strings Fast - Reverb - Pedal f ·• • • • - Vibrato - Pedal p CELLO - Multi-tone-Booster, obtained by softly knee The expressivity of t he melody is pushing on the control lever, released which is...
  • Page 23 • XIII MELODIOUS ORGAN Multi-tone -Booster, 16', Vibrato - Pedal mf or Bass 16' - Oboe Vibrato- Pedal mf 8 ' - BRASS SECTION - Multi-tone-Booster, 16' Pedal mf M A N.VAL. BAss •...
  • Page 24 • - Reverb - Pedal f MANUAL BASS Multi-tone-Booster, 16' 8' Control knee lever always pushed t1 or, 8 • MRNURL &.Hs • • • • • • •...
  • Page 25 16', 8'- MANUAL BASS - Multi-tone-Booster, Reverb - Pedal f Control knee lever always pushed M-T. B· � • • • • • ..- � -- � • • • • • • •...
  • Page 27 Some explanation on schematics • 10: Operating chemat The schematics show the general principles, which are the following ones: tO. Each one of them produces all the frequencies of same a) The signals are originated by oscillators • C produces all C s name 10 ·A prc:x:luces all As, etc,).
  • Page 35 PRINTE D CIRCU IT G TONE GENER ATOR C o w G No s E r---------- - ---------� Onl y c L-----_J C5b+ C5a+ Cia+ C2 b+ C3a+ C3b+ C4a+ C4b+ C I b + C 2a+ C'5b C' 3 b C'4b Ct5•...
  • Page 43 Y /1 0...
  • Page 44 r - --...
  • Page 45 • � ,,...
  • Page 46 - - - - ,, . .,... 1. . 1 2 1 • .._..-.-. -- ...- -......· - ���' �-<o• c : 111 T" "' ' "�� ,, lfl fl�ll l.
  • Page 48 . , ,. ,_, r .-. - - _..lt{vl/11 r.�.tl!f ..!. L�� ·�!. ltle-.H """ � ,., .._ ..�· 1l 6* •N L � -...
  • Page 49 � - � ..·· � -- , .., DfJ TP IIT...

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