Canon EOS C500 Brochure & Specs
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Summary of Contents for Canon EOS C500
- Page 1 EOS C500...
- Page 2 – at up to 60 progressive fps, which are externally recorded. By employing the YCbCr component- video set at a 10-bit depth, the EOS C500 can extend that picture capture rate up to 120 fps. In addition, anticipating the inexorable march of 4K production, this same camera can be switched to a 4K imaging mode that is user-selectable between the cinema-centric 4096x2160 format, or the television-centric 3840x2160 UHDTV format (sometimes called QuadHD).
- Page 3 Many EF lenses utilize the advanced Canon Peripheral Illumination Correction feature, which helps to The EOS C500 is intended to be a major production tool for high-end motion imaging – in the globally established 2K ensure beautiful, consistent color and brightness across the motion picture production and HD television production arenas, as well as in the steadily emerging 4K motion imaging entire image plane.
- Page 4 Canon Color Filter Array (CFA). A significant extension to the performance The EOS C500’s superb imaging abilities start with the highly innovative, 4K image sensor that was developed attributes of these 12-bit RGB components is the ability to by Canon specifically for high frame rate motion imaging.
- Page 5 25.00p / 24.00p While the EOS C500 camera is recording 4K, 2K or HD to • Apply Canon Log to Each of the R Gr Gb B RAW Components 4K color-coded information from the 4096x2160 photosites • Multiplex the Four RAW RGB Components into a 3G-SDI Serial Interface (RGB+A) 59.94i / 29.98p / 23.98p...
- Page 6 PRODUCING A SEAMLESS AND EFFICIENT 4K/2K WORKFLOW The EOS C500’s workflow is almost entirely determined by the nature of the chosen digital recorder operating with the camera at either 2K/HD or 4K. In the case of the former, there is an essentially seamless transfer of 2K/HD component 4:4:4 RGB into the post-production suite –...
- Page 7 Automatic and manual level settings accommodate both microphone- and line-level inputs, plus A pivotal goal in the design of the EOS C500 was to achieve a dramatically superb ergonomic design mixing between the two source channels; channel reverse is that, first and foremost, supported both mobility and superb hand-held maneuverability in order to also provided.
- Page 8 The use of twin card slots for Relay Recording The Canon EOS C500 is completely reliable in the world of feature film creation, high-end television or continuous recording further extends the time available for continuous shoots.
- Page 9 Professionals want to know they are dealing with professionals; while dealing with Canon, you can count on a proven creative partner. Our service is world-class, with Canon support programs specially customized to meet your needs. And, to help ensure that you remain current with new technologies and techniques, our educational commitment spans the range of live and online resources.
- Page 10 50.00Hz Mode: F10 (1920 x 1080/50i, ISO 640 (0 db), 2000 lux, 89.9% Reflection) File Format: MXF (OP-1a) S/N Ratio: 59.94Hz Mode: 54 dB (Typical) (1920 x 1080/29.97p, Canon Log, ISO 850, Dynamic Range 800%) • Tripod Base • Instruction Manual File System: FAT 32 50.00Hz Mode: 54 dB (Typical) (1920 x 1080/25p, Canon Log, ISO 850, Dynamic Range 800%)
- Page 11 All images and effects simulated. Specifications and availability are subject to change without notice. Products not shown to scale. Weight and dimensions are approximate. Not responsible for typographical errors. ©2013 Canon U.S.A., Inc. All rights reserved. Canon, DIGIC, and EOS are registered trademarks of Canon Inc. in the United States and may also be registered trademarks or trademarks in other countries.