Avid Technology Eleven Rack User Manual
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Avid Technology Eleven Rack User Manual

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  • Page 1 ® Eleven Rack User Guide...
  • Page 2 Guide Part Number 9320-65073-00 REV B 06/21 Documentation Feedback At Avid, we are always looking for ways to improve our documentation. If you have comments, corrections, or suggestions regarding our documentation, email us at techpubs@avid.com.

  • Page 3: Table Of Contents

    Eleven Rack Back Panel ........
  • Page 4 MIDI Connections ............67 Using Eleven Rack with an Existing Pro Tools System......68 Chapter 7.
  • Page 5 About www.avid.com ........
  • Page 6 Eleven Rack User Guide...
  • Page 7 Part I: Playing Guitar through Eleven Rack...

  • Page 9: Chapter 1. Introduction

    Got Your Guitar. What’s Next? monitors, a stereo power amp and speakers, or mixer inputs, use the Main outputs. Eleven Rack is a high-quality audio and MIDI in- terface, with classic guitar amp and effects pro- cessing built right in. This means that Eleven Rack is useful when recording, gigging, and practicing.
  • Page 10 In the following example, the left- most knob controls Gain, the second knob con- Set the Eleven Rack Power switch to On. The trols Bass, and so on. Eleven Rack logo will appear, and the Eleven Rack will begin its warm-up process.

  • Page 11: System Requirements And Compatibility

    System Requirements and Getting Around This Guide Compatibility There are two main ways to use Eleven Rack. It can be used as a live guitar processor (see Part I, To use Eleven Rack as a standalone preamp and “Playing Guitar through Eleven Rack.”) Or,...

  • Page 12: Conventions Used In This Guide

    In Part 3, we get into the technical (and very Guide useful) details behind the scenes. Pro Tools guides use the following conventions • Chapter 9, “Eleven Rack MIDI Controls” to indicate menu choices and key commands: • Chapter 10, “Resources” Convention Action File >...

  • Page 13: About Www.avid.com

    Products and Developers Learn about Avid products; download demo software or learn about our Development Partners and their plug-ins, applications, and hardware. News and Events Get the latest news from Avid or sign up for a Pro Tools demo. Chapter 1: Introduction...
  • Page 14 Eleven Rack User Guide...

  • Page 15: Chapter 2. Hardware Overview

    Use the heavy-duty Power switch to turn Eleven The Volume knob can also be set to control Rack on and off. Eleven Rack will take a few sec- other output volume settings in onds to warm up. When the Rig name appears Eleven Rack.

  • Page 16: Scroll Wheel

    You may need to turn on the mode, where many settings that change the be- Sync parameter in the effect you want to sync. havior and configuration of Eleven Rack can be found. For more information on syncing effects, see “Sync”...

  • Page 17: Control Knobs

    Rigs.” the rig, see “Rig Input” on page 90. Control Knobs When using Eleven Rack as an audio inter- face with Pro Tools, all inputs are usable si- Use the Control knobs to access amp and effects multaneously (though the Rig is still limited controls, as well as other Eleven Rack settings.
  • Page 18 Main outputs of Eleven Rack. This can be either the output signal Guitar Input with True-Z of the current Rig when using Eleven Rack as a standalone device, or the output signal of The Guitar input is a 1/4" TS, instrument-level Pro Tools or other applications when using input.

  • Page 19: Eleven Rack Back Panel

    Eleven Rack Back Panel Figure 2 identifies each port on the back panel of the Eleven Rack. FX Loop Output To AES/EBU Sends and Returns Main output AC power input Amp 2 (R) digital I/O Line input Exp. Pedal/ USB port...
  • Page 20 MIDI devices. processors. When Eleven Rack is used as a standalone pro- cessor, the MIDI jacks are used to communicate with MIDI foot controllers, sending and receiv- ing program changes and continuous controller data.
  • Page 21 When Eleven Rack is used with Pro Tools, you can connect a MIDI keyboard or controller and send MIDI data to Eleven Rack to control virtual instruments in your Pro Tools session. You can also send MIDI data from Pro Tools to your MIDI-equipped gear.
  • Page 22 Eleven Rack User Guide...

  • Page 23: Chapter 3. Exploring Rigs

    Rig. effects can achieve. The built-in Rigs are a good place to start, but the power of Eleven Rack re- Press the Edit/Back button twice to return to ally comes into play when you create your own.

  • Page 24: Rig Select Mode

    Details Mode Rig Select Mode When you turn on Eleven Rack, it’s already in Rig Select mode. In this mode, you can turn the Scroll wheel to find and select a Rig. Rig Select Display Modes This mode lists the amp, cabinet, and effects...

  • Page 25: Rig Organization

    Rig Bank For info on using a footswitch accessory, see Eleven Rack has storage for 208 Rigs. Half of “External Pedals” on page 92. For info on these are user-editable Rigs, and the other half using a MIDI controller, see Chapter 9, are factory preset Rigs.

  • Page 26: What's In A Rig

    What’s In A Rig? Figure 3. Example of a common Eleven Rack Rig signal chain Each Rig in Eleven Rack contains the following Effects Lets you choose and manipulate an ex- devices for processing your guitar signal from in- tensive set of guitar effects, including Distor- put to output.

  • Page 27: Rig View

    Page Indicator Rig View In Eleven Rack’s editing screens, a Page indica- Rig View lets you access every aspect of the cur- tor appears on the display if there is more than rent Rig, from the amp, cabinet, and micro- one page of controls.
  • Page 28 (such as compressor or graphic EQ) as well as a When playing Eleven Rack through a guitar variety of modulation effects, using the lit Con- amp, you may want to bypass the Cab and trol knob.
  • Page 29 TEMPO Turn the lit Control knob to select the type of Turn the lit Control knob to set the Rig tempo. Delay effect you want to use. Press CONTROLS to Any amp or effects settings that have a control access additional settings for the chosen Delay set to sync to a specific subdivision of Rig tempo effect.

  • Page 30: Signal Routing

    Rig, or the input or output level of any of the analog, digital, or USB (Pro Tools) I/Os on Eleven Rack. This function is useful for troubleshooting purposes (such as Control page for Green JRC OD effect...

  • Page 31: Saving Your Work

    If there is more than one page of controls avail- To create a new Rig with the new settings: able for the current device or utility setting, a Press the Save button. The display will show Page indicator is displayed. Turn the scroll the Save View.

  • Page 32: The Amps

    “jumped,” so you can feed both the Bright and Normal inputs in parallel. This section takes you through all of the emu- lated amplifiers available in Eleven Rack, and ‘64 Black Panel Lux Vibrato and touches on any special features and controls Normal each amp offers.
  • Page 33 ‘64 Black Vib ‘65 Black Mini Produced for a short time in the mid-60s, the The ‘65 Black Mini amp model is based on a US- amp we based the ‘64 Black Vib model on is an- made 60s era 6-watt tube combo amp, with a other one of the all-time great US-made smaller single eight-inch speaker in an open-back con- club amps.
  • Page 34 Bright switch on and off. On the second on the Normal channel. page, SW2 toggles vibrato on and off. Go to the second Control page and press SW2 to toggle the tremolo on and off. Eleven Rack User Guide...

  • Page 35: Plexiglas 100W

    ‘67 Plexiglas Vari ‘69 Plexiglas 100w Based on one of the most highly sought-after high-volume amplifiers of the late 1960s, our ‘69 Plexiglas model delivers no-nonsense British crunch. The original amp's dual 4x12 cabinets and 100-watt head offered unprecedented vol- ume and power for the time, helping to usher in This amp model is based on a British-made, the era of the Guitar God.
  • Page 36 The M-2 Lead emulation is based on the lead channel with the fat, bright, and gain boost op- tions on. Eleven Rack User Guide...
  • Page 37 ’92 Treadplate Modern and ‘93 MS-30 Vintage The MS-30 amp model is based on a US-made, Released in 1989, the amp that inspired our ‘92 early-90s boutique combo amp, the first design by its manufacturer. Featuring a 30-watt EL84- Treadplate Modern and Vintage models seemed based power section and two twelve-inch speak- cooler than a high-performance racecar.

  • Page 38: Dc Custom Amps

    DC Custom Amps DC Modern SOD This section describes the DC Custom amp models that come with Eleven Rack. These in- This amp is loosely based on a US-made, late-80s clude The DC Modern Overdrive (and its off- 100-watt tube head. It features a tight, extended...

  • Page 39: General Amp Controls

    It also, unconventionally Depth Sets the amount of amplitude modula- for a bass amp, offers a tremolo circuit. tion. Eleven Rack is not affiliated with, sponsored, or endorsed by the makers of the amplifiers that it emulates. Chapter 3: Exploring Rigs...
  • Page 40 Amp Output When using Eleven Rack with Pro Tools, The amp models in Eleven Rack are so faithful to you can choose to sync tremolo and other ef- the classics they’re based on that the output fects to either the Rig tempo or the tempo of level can increase significantly as the preamp, the Pro Tools session.

  • Page 41: The Speaker Cabinets

    This cab model is based on the original speakers This section describes all of the emulated and cabinet that match the AC Hi Boost amp speaker cabinets available in Eleven Rack. model. With two British ceramic 12-inch speak- ers in an open-back cabinet, it offers chimey, mid-focused tones.

  • Page 42: Speaker Breakup

    US-made tube combo amp. It Speaker Breakup emulation (first offered in the features four 10-inch alnico-magnet speakers in plug-in version of Eleven Rack). This function an open-back configuration. can be reached using the front panel controls by...

  • Page 43: The Microphones

    We found that the Speaker Breakup emulation Based on a classic German tube condenser mic, in Eleven Rack can be useful even when using an the Cond 67 model offers a warm, crisp sound. external amp and cabinet, with the internal Cab simulation off.

  • Page 44: The Effects

    For more information about using external foot controllers, see “External Foot Control- Eleven Rack is not affiliated with, sponsored, lers” on page 56. or endorsed by the makers of the speaker cab- inets or microphones that are emulated in this product.
  • Page 45 Wah Effects Distortion Effects Black Wah Tri-Knob Fuzz Black Wah is a standard wah pedal effect, offer- The pedal that inspired Tri-Knob Fuzz was a ing a sweepable resonant filter that lets you add transistor-based unit, originally popular with animation and special timbral effects to the gui- lead guitarists searching for ever-higher gain in tar signal.
  • Page 46 This distortion effect, a custom model built just 70s overdrive pedal, loved by blues and blues- for Eleven Rack, offers a range of overdriven rock players the world over for its sweet, singing tones, aided by its built-in Bass and Treble EQ, sting.
  • Page 47 Modulation Effects C1 Chorus/Vibrato Flanger Based on a heavyweight late-70s analog cho- rus/vibrato pedal, CI Chorus/Vibrato offers warm, liquid modulation effects. In Chorus Originating from the act of pressing on the mode, the signal is routed through a modulated flanges of tape reels, and becoming even more short delay, which is mixed with the dry signal, popular with the advent of analog pedals, the creating a washy, doubled sound.
  • Page 48 This modulation effect is based on the Air Multi- Vibe Phaser effect was traditionally paired with Chorus plug-in that comes with Avid’s Pro Tools an expression pedal that could be used to vary recording software. It offers the ability to stack the rate of pitch modulation over time.
  • Page 49 Eleven SR (Stereo Reverb) A smooth, clean digital reverb, Eleven SR is based on the popular Reverb One Pro Tools plug-in from Avid. Pre-Dly Sets the amount of pre-delay, which changes the time relationship between the dry signal and the reverbed signal. As this setting is turned higher, the apparent size of the synthe- sized reverb “room”...
  • Page 50 If this effect is not desired, turn down the feedback control. Eleven Rack User Guide...
  • Page 51 • Cross: Processes the left and right channels This stereo delay effect is based on the Air Dy- namic Delay plug-in that comes with Avid’s of the incoming stereo signal indepen- dently, and feeds the each side’s delayed Pro Tools recording software.

  • Page 52: Eq & Compressor Effects

    L Type Sets the mode of the low EQ band. Choose between Shelf, Peak, High-Pass (in 6, 12, and 24 db curves), or Notch. Output (Accessible from every page) Sets the fi- nal output level of the EQ’d signal. Eleven Rack User Guide...
  • Page 53 Level Sets the overall output volume of the ef- H Frequency Sets the center frequency of the fect. high-frequency EQ band. Eleven Rack is not affiliated with, spon- H Q Sets the bandwidth of the high-frequency sored, or endorsed by the makers of the ef- EQ band.

  • Page 54: Dyn Iii Compressor

    Release Sets the length of time it takes for the signal approaches the threshold, and reaches Compressor/Limiter to be fully deactivated after full compression after exceeding the threshold. the input signal drops below the threshold This creates smoother compression. you’ve set. Eleven Rack User Guide...

  • Page 55: General Effects Controls

    If you switch to a different Rig before saving, you’ll lose your The time-based effects in Eleven Rack (such as changes. To save the current state of the Rig Chorus, Delay and Flanger) can be set to syn- you’re working on to the same Rig memory lo-...
  • Page 56 Eleven Rack User Guide...

  • Page 57: Chapter 4. Eleven Rack Live Setup

    Chapter 4: Eleven Rack Live Setup In live performance or practice, Eleven Rack can be used as a standalone guitar preamp and processor, connected to an amplifier and/or direct to a PA system. This chapter will describe how to make the necessary connections.

  • Page 58: Basic Live Setup

    Basic Live Setup PA Mixer Figure 5. Eleven Rack connected directly to the PA mixer Plugging in Your Guitar Connecting Eleven Rack to a PA System Connect your guitar to the Guitar input on the front of Eleven Rack with a 1/4" TS cable.

  • Page 59: Using An Amp Onstage

    Using an Amp Onstage PA Mixer Figure 6. Eleven Rack connected to the PA mixer and an onstage amplifier In some cases, having an amplifier onstage can • If using two amplifiers, or an amp with stereo be handy for monitoring or tone reasons. Eleven...
  • Page 60 If you prefer to use the amp simulations in Press Edit/Back twice to leave User Options Eleven Rack to set your tone, you will want to mode. send the signal just after the amp simulation, The signal level running to each Output To...

  • Page 61: Effects And Foot Controllers

    (stompbox) and line-level (rack) effects, it may be preferable to put the guitar-level unit(s) first in the chain. If your line-level To connect external effects to Eleven Rack: unit(s) have guitar-level outputs available, Connect the FX Loop Send output on Eleven the order is not important.

  • Page 62: External Foot Controllers

    Move the expression pedal to its heel position, External Foot Controllers and press Next. Eleven Rack has a 1/4" TRS input that can accept Move the expression pedal to its toe position, input from an expression pedal or a single or and press Next.

  • Page 63: Display Mode And Visibility

    You can connect a MIDI foot controller to the MIDI input on Eleven Rack, providing control over a larger range of simultaneous parameters. For details on Eleven Rack controls that you can control with a MIDI foot controller, see “Eleven Rack MIDI Controls” on page 97.
  • Page 64 Eleven Rack User Guide...

  • Page 65: Setting Up And Using Pro Tools With Eleven Rack

    Part II: Setting Up and Using Pro Tools with Eleven Rack...

  • Page 67: Chapter 5. Installing And Connecting Eleven Rack

    Chapter 5: Installing and Connecting Eleven Rack To use Eleven Rack with Pro Tools or any other To install the drivers and connect the Eleven Rack: CoreAudio- or ASIO-compatible applications, Make sure you are logged in as an Administra- you must install the Eleven Rack hardware driv- tor for the account where you want to install the ers on your computer.
  • Page 68 After the computer has restarted, connect the small end of the included USB cable to the USB port on Eleven Rack and connect the other end to any available USB port on your computer. Eleven Rack must be connected to a dedi- cated port on the computer in order to func- tion properly.

  • Page 69: Chapter 6. Eleven Rack Studio Setup

    Using Eleven Rack as Your Pro Tools Interface This section will take you through connecting and configuring Eleven Rack to work at its best with Pro Tools software and the other gear in your recording setup (such as speakers, headphones, instru- ments and microphones).

  • Page 70: Listen To Your Sound From Pro Tools

    Connecting the Main Outputs mics and instruments), digital devices (such as keyboards), and even a signal line dedicated for The Main outputs on the back of Eleven Rack are re-amping (see “Re-Amping” on page 86). male XLR connectors. To listen to audio coming...

  • Page 71: Analog Audio Inputs

    Plug your device into the Line inputs on the To ensure you hear your audio when using back panel of Eleven Rack using one or two stan- Eleven Rack as a standalone signal proces- dard 1/4-inch (TRS or TS) cables. If the device is sor, be sure to set the Rig Input User Option mono, plug it into one of the Line inputs.

  • Page 72: Digital Audio Input And Output

    To connect a microphone or other mic-level device To connect a digital device to Eleven Rack, do one to Eleven Rack: of the following: • Connect the AES/EBU output on the device to If using a microphone that may be damaged...

  • Page 73: Midi Connections

    If the device has a MIDI input and you plan to send MIDI signals to it from Pro Tools, connect another MIDI cable from the MIDI Out port on the back of Eleven Rack to the MIDI In port of your device. MIDI Out...

  • Page 74: Using Eleven Rack With An Existing Pro Tools System

    -or- Digital I/O Pro Tools HD Audio Interface Figure 9. Eleven Rack connected to a Pro Tools|HD system For info on which versions of Pro Tools software Apart from its roles as a Pro Tools interface and support Eleven Rack, visit the compatibility sec-...
  • Page 75 To connect Eleven Rack to your Pro Tools interface using AES/EBU or S/PDIF digital I/O: To connect Eleven Rack to your Pro Tools Connect the Eleven Rack to an open pair of interface using analog I/O: digital inputs and outputs on your audio inter- face, either AES/EBU or S/PDIF.
  • Page 76 Setting Eleven Rack Sample Rate and quality USB 2.0 cable, shorter than five meters) Clock Source to connect Eleven Rack to an open USB 2.0 port When Eleven Rack is connected to a digital de- on your computer. vice, the sample rate must match between the Launch Pro Tools.
  • Page 77 Instead, use the Digidesign Eleven Rack System Preferences page (Mac) or Control Panel (Win- dows) to change these settings. To access Eleven Rack’s sample rate and clock source settings when connected via USB: Open the Digidesign Eleven Rack settings: • On Mac, open System Preferences from the Apple menu and choose Digidesign Eleven Rack.
  • Page 78 Eleven Rack User Guide...

  • Page 79: Chapter 7. Using Eleven Rack With Pro Tools

    This chapter shows you how to take advantage • Up to 128 audio tracks (with up to 48 active of some of the unique features that Eleven Rack tracks), 128 Auxiliary Input tracks, 64 Master brings to Pro Tools. If you’ve never recorded...

  • Page 80: The Eleven Rack Control Window

    Figure 10. Eleven Rack Control window (in Pro Tools) The Eleven Rack Control window is a special window in Pro Tools that lets you control Eleven Rack entirely from your computer when Eleven Rack is connected to your computer’s USB port. It can be accessed whether Eleven Rack is your Pro Tools interface or you have Eleven Rack connected to an ex- isting Pro Tools system as a standalone preamp and processor.

  • Page 81: Accessing The Eleven Rack Control Window

    In Pro Tools, you can access the Eleven Rack Control Window by clicking Window > Eleven Rack. This applies whether you are using Eleven Rack as an audio interface for Pro Tools, or as a preamp and pro- cessor along with an existing Pro Tools system.

  • Page 82: Rig View Section

    Rigs to and from Eleven Rack and your of Eleven Rack. computer. If you want to save this Rig into Eleven Rack for For info on embedding Rig data in audio, see later use, be sure to save it using the Eleven Rack “Embedding Rig Settings in Audio Regions”...
  • Page 83 When Pro Tools is set to manual tempo (ignor- brarian, an all-in-one view of all Rigs currently ing the Conductor track), and Eleven Rack is set stored in the memory of Eleven Rack. to lock to Session tempo, changes in Rig tempo...
  • Page 84 • If the selector you click is already assigned to an Output to Amp out (highlighted), you get a menu letting you assign that To Amp output to another point in the signal chain. Eleven Rack User Guide...

  • Page 85: Control Section

    Rig just pane, the controls of the device are shown in the like you can in the Rig View on Eleven Rack. Vi- Control section. sualize the signal travelling from left to right through the signal chain.

  • Page 86: Master Control Section

    Tuner Output Mute Buttons This tuner works like the one you can access us- ing the front panel of Eleven Rack, but is much These two buttons let you mute the Headphone larger and easier to see when working in output and the Main outputs on Eleven Rack Pro Tools.

  • Page 87: Guitar Recording With Pro Tools

    Record-enable The simplest way to record guitar with button Eleven Rack is to simply plug in your guitar, cre- ate a track in Pro Tools, and record the sound coming from the Rig. To record guitar through the Rig to a track in...

  • Page 88: Recording Wet And Dry Signals When Using Eleven Rack As An External Processor

    To record wet and dry versions of a guitar part signal is optimized for future re-amping simultaneously for future re-amping: through Eleven Rack. If you need to do intri- Click on the Track menu in Pro Tools and cate rhythmic editing and find the audio select New.

  • Page 89: Embedding Rig Settings In Audio Regions

    Pro Tools system: Audio Regions Connect one of the digital outputs on Eleven Rack to one of the digital inputs on your (Eleven Rack as Pro Tools Interface or with Pro Tools interface using a S/PDIF or AES/EBU Existing Pro Tools System) cable.
  • Page 90 Record your part. The Rig is loaded into Eleven Rack and is ready to use. Press Stop to stop recording. The settings of the currently loaded Rig (as of the moment you stop recording) will be embed- ded in each audio region that is recorded from the input you select in the Embed Setting From menu.
  • Page 91 Click the Rig Settings menu. Any regions with embedded Rig data will show up as a list at the bottom of the menu. The Rig is loaded into Eleven Rack and is ready to use. Choosing a region from the RIg Settings menu...

  • Page 92: Re-Amping

    Set the Rig Input on Eleven Rack to Re-Amp, Re-Amping using the Rig Input setting in User Options, or the Eleven Rack Control Window in Pro Tools. (Eleven Rack as Pro Tools Interface Only) Create a new audio track, and assign its input This section describes the Re-Amping process to Interface >...

  • Page 93: Controlling Eleven Rack Parameters With Midi Data

    Pro Tools. • If re-amping through a processor with a line-level output, select Interface > Line In- To control the Rig Volume on Eleven Rack with put L. MIDI CC data from Pro Tools: Set up and connect your chosen external amp Create a MIDI track in Pro Tools.
  • Page 94 Eleven Rack User Guide...

  • Page 95: Chapter 8. User Options

    This section describes the details of the User Op- To explore User Options mode when using Eleven Rack with Pro Tools: tions mode within Eleven Rack. User Options mode lets you access the behind-the-scenes con- Show the Eleven Rack Control window, by trols in Eleven Rack.
  • Page 96 Eleven Rack, or the signal sent to the Re-Amp output in Pro Tools. It is a phenomenon particular to the type of am- plifier used as well the type of cabinet used.

  • Page 97: Digital Output

    Output to Amp 2 will output the right chan- S/PDIF. nel. When Eleven Rack is plugged into a computer When feeding signal to a external guitar with USB for use with Pro Tools, these options amplifiers, it is generally preferred to apply must be set in the host software (Pro Tools or no cab and mic emulation to the signal.

  • Page 98: Display Contrast

    This control allows you to set the contrast of the LCD display to match your viewing angle or light conditions. MIDI The MIDI page lets you set up how Eleven Rack responds to MIDI data. Channel Sets the MIDI receive and send channel, from 1-16.
  • Page 99 Volume Pedal is located in the same place in the signal chain. The Tempo button on the front panel of Eleven Rack can be set to blink in time with the In the Persistent Volume Pedal User Option current Rig tempo. The Blink control toggles page, pressing SW1 will toggle the Persistent this behavior on and off.

  • Page 100: Volume Control

    Reset Memory In this screen, pressing SW1 will reset the mem- ory of Eleven Rack back to factory specs. All user- created Rigs and settings will be erased. You can exit this screen without resetting the memory by pressing the Edit/Back button.

  • Page 101: Part Iii Reference

    Part III: Reference...

  • Page 103: Chapter 9. Eleven Rack Midi Controls

    Chapter 9: Eleven Rack MIDI Controls Many of the parameters in Eleven Rack can be controlled using MIDI. This opens up the possibility of using both external MIDI devices (such as foot controllers) and the MIDI capabilities of Pro Tools to vary Eleven Rack’s tonal aspects in real time.

  • Page 104: Amplifier Controls

    AMP OUTPUT CAB/MIC BYPASS (0–63=“Off”: 64–127=“On”) Tweed Lux TONE INSTRUMENT VOLUME MIC VOLUME NOISE GATE THRESHOLD NOISE GATE RELEASE OUTPUT Tweed Bass PRESENCE MIDDLE BASS TREBLE BRIGHT VOLUME NORMAL VOLUME NOISE GATE THRESHOLD NOISE GATE RELEASE OUTPUT Eleven Rack User Guide...
  • Page 105 VIBRATO SYNC VIBRATO INTENSITY VIBRATO ON/OFF (0–63=“Off”: 64–127=“On”) NOISE GATE THRESHOLD NOISE GATE RELEASE OUTPUT Black Panel Lux Normal VOLUME TREBLE BASS VIBRATO SPEED VIBRATO SYNC VIBRATO INTENSITY NOISE GATE THRESHOLD NOISE GATE RELEASE OUTPUT Chapter 9: Eleven Rack MIDI Controls...
  • Page 106 VIBRATO ON/OFF (0–63=“Off”: 64–127=“On”) NOISE GATE THRESHOLD NOISE GATE RELEASE OUTPUT Black SR VOLUME TREBLE BASS BRIGHT SWITCH (0–63=“Off”: 64–127=“On”) VIBRATO SPEED VIBRATO SYNC VIBRATO INTENSITY VIBRATO ON/OFF (0–63=“Off”: 64–127=“On”) NOISE GATE THRESHOLD NOISE GATE RELEASE OUTPUT Eleven Rack User Guide...
  • Page 107 TREBLE BASS VIBRATO SPEED VIBRATO SYNC VIBRATO INTENSITY VIBRATO ON/OFF (0–63=“Off”: 64–127=“On”) NOISE GATE THRESHOLD NOISE GATE RELEASE OUTPUT PRESENCE BASS MIDDLE TREBLE VOLUME 1 VOLUME 2 NOISE GATE THRESHOLD NOISE GATE RELEASE OUTPUT Chapter 9: Eleven Rack MIDI Controls...
  • Page 108 (0–63=“Off”: 64–127=“On”) NOISE GATE THRESHOLD NOISE GATE RELEASE OUTPUT Black Panel Duo VOLUME TREBLE MIDDLE BASS BRIGHT (0–63=“Off”: 64–127=“On”) VIBRATO SPEED VIBRATO SYNC VIBRATO INTENSITY VIBRATO ON/OFF (0–63=“Off”: 64–127=“On”) NOISE GATE THRESHOLD NOISE GATE RELEASE OUTPUT Eleven Rack User Guide...
  • Page 109 Plexiglas - 50w PRESENCE BASS MIDDLE TREBLE VOLUME 1 VOLUME 2 NOISE GATE THRESHOLD NOISE GATE RELEASE OUTPUT Plexiglas – 100W PRESENCE BASS MIDDLE TREBLE VOLUME 1 VOLUME 2 NOISE GATE THRESHOLD NOISE GATE RELEASE OUTPUT Chapter 9: Eleven Rack MIDI Controls...
  • Page 110 TREBLE BASS U-LO U-HI MID FREQ BRIGHT ON/OFF (0–63=“Off”: 64–127=“On”) NOISE GATE THRESHOLD NOISE GATE RELEASE OUTPUT Lead 800 – 100W PRESENCE BASS MIDDLE TREBLE PREAMP VOLUME MASTER VOLUME NOISE GATE THRESHOLD NOISE GATE RELEASE OUTPUT Eleven Rack User Guide...

  • Page 111: M-2 Lead

    VOLUME TREBLE BASS MIDDLE DRIVE MASTER BRIGHT (0–63=“Off”: 64–127=“On”) PRESENCE NOISE GATE THRESHOLD NOISE GATE RELEASE OUTPUT SL-100 Drive PREAMP BASS MIDDLE TREBLE PRESENCE MASTER (0–63=“Off”: 64–127=“On”) NOISE GATE THRESHOLD NOISE GATE RELEASE OUTPUT Chapter 9: Eleven Rack MIDI Controls...
  • Page 112 SL-100 Crunch PREAMP BASS MIDDLE TREBLE PRESENCE MASTER BRIGHT (0–63=“Off”: 64–127=“On”) NOISE GATE THRESHOLD NOISE GATE RELEASE OUTPUT SL-100 Clean PREAMP BASS MIDDLE TREBLE PRESENCE MASTER BRIGHT (0–63=“Off”: 64–127=“On”) NOISE GATE THRESHOLD NOISE GATE RELEASE OUTPUT Eleven Rack User Guide...
  • Page 113 Treadplate Modern MASTER PRESENCE BASS MIDDLE TREBLE GAIN NOISE GATE THRESHOLD NOISE GATE RELEASE OUTPUT Treadplate Vintage MASTER PRESENCE BASS MIDDLE TREBLE GAIN NOISE GATE THRESHOLD NOISE GATE RELEASE OUTPUT Chapter 9: Eleven Rack MIDI Controls...
  • Page 114 MS-30 VOLUME TREBLE BASS MASTER NOISE GATE THRESHOLD NOISE GATE RELEASE OUTPUT RB01b Red, Blue, and Green VOLUME TREBLE BASS PRESENCE GAIN BOOST NOISE GATE THRESHOLD NOISE GATE RELEASE OUTPUT Eleven Rack User Guide...
  • Page 115 NOISE GATE THRESHOLD NOISE GATE RELEASE OUTPUT DC Modern SOD GAIN BASS MIDDLE TREBLE PRESENCE MASTER BRIGHT (0–63=“Off”: 64–127=“On”) TREMOLO SPEED TREMOLO SYNC TREMOLO DEPTH TREMOLO ON/OFF (0–63=“Off”: 64–127=“On”) NOISE GATE THRESHOLD NOISE GATE RELEASE OUTPUT Chapter 9: Eleven Rack MIDI Controls...
  • Page 116 NOISE GATE THRESHOLD NOISE GATE RELEASE OUTPUT DC Modern Clean GAIN BASS MIDDLE TREBLE PRESENCE MASTER BRIGHT (0–63=“Off”: 64–127=“On”) TREMOLO SPEED TREMOLO SYNC TREMOLO DEPTH TREMOLO ON/OFF (0–63=“Off”: 64–127=“On”) NOISE GATE THRESHOLD NOISE GATE RELEASE OUTPUT Eleven Rack User Guide...
  • Page 117 NOISE GATE THRESHOLD NOISE GATE RELEASE OUTPUT DC Vintage Overdrive GAIN BASS MIDDLE TREBLE PRESENCE MASTER BRIGHT (0–63=“Off”: 64–127=“On”) TREMOLO SPEED TREMOLO SYNC TREMOLO DEPTH TREMOLO ON/OFF (0–63=“Off”: 64–127=“On”) NOISE GATE THRESHOLD NOISE GATE RELEASE OUTPUT Chapter 9: Eleven Rack MIDI Controls...
  • Page 118 (0–63=“Off”: 64–127=“On”) NOISE GATE THRESHOLD NOISE GATE RELEASE OUTPUT DC Bass GAIN BASS MIDDLE TREBLE PRESENCE MASTER BRIGHT (0–63=“Off”: 64–127=“On”) TREMOLO SPEED TREMOLO SYNC TREMOLO DEPTH TREMOLO ON/OFF (0–63=“Off”: 64–127=“On”) NOISE GATE THRESHOLD NOISE GATE RELEASE OUTPUT Eleven Rack User Guide...

  • Page 119: Effects

    Effects Compression Dyn3 Compressor (as FX1) (as FX2) THRESHOLD ATTACK RELEASE BYPASS GAIN RATIO KNEE Gray Compressor (as FX1) (as FX2) BYPASS SUSTAIN LEVEL Chapter 9: Eleven Rack MIDI Controls...

  • Page 120: Bbd Delay

    INPUT LEVEL (0–63=“Chorus”: 64–127=“Vibrato”) DEPTH NOISE (0–63=“Off”: 64–127=“On”) EXPANDED DELAY (0–63=“Off”: 64–127=“On”) Dyn Delay BYPASS SYNC L/R RATIO FEEDBACK HI-CUT LO-CUT WIDTH ENV MOD RATE DELAY EM FEEDBACK EM MIX MODE (chooses between four delay modes) Eleven Rack User Guide...

  • Page 121: Tape Echo

    Tape Echo BYPASS DELAY SYNC FEEDBACK REC LEVEL HEAD HISS (0–63=“Off”: 64–127=“On”) EXPANDED DELAY (0–63=“Off”: 64–127=“On”) Chapter 9: Eleven Rack MIDI Controls...

  • Page 122: Dc Distortion

    Distortion Black Op Distortion BYPASS DISTORTION VOLUME DC Distortion BYPASS DISTORTION TREBLE BASS VOLUME Green JRC Overdrive BYPASS DRIVE TONE LEVEL Tri-Knob Fuzz BYPASS VOLUME SUSTAIN TONE White Boost BYPASS DISTORTION TREBLE BASS VOLUME Eleven Rack User Guide...

  • Page 123: Graphic Eq

    800 Hz 2 kHz 3.25 kHz OUTPUT Para EQ (in FX1 (in FX2) BYPASS LM Q HM FREQ L GAIN HM Q H FREQ LM GAIN HM GAIN H GAIN OUTPUT L FREQ LM FREQ Chapter 9: Eleven Rack MIDI Controls...
  • Page 124 (as FX1) (as FX2) BYPASS CHORUS RATE SYNC DEPTH CHORUS/VIBRATO (0–63=“CHORUS” 64–127=“VIBRATO”) Flanger (as MOD) (as FX1) (as FX2) BYPASS PRE-DELAY DEPTH RATE SYNC FEEDBACK Orange Phaser (as MOD) (as FX1) (as FX2) BYPASS RATE SYNC Eleven Rack User Guide...
  • Page 125 (as FX1) (as FX2) BYPASS SPEED BALANCE TYPE SPEED Setting Value Slow 0–31 Brake 32–95 Fast 96–127 TYPE Setting Value 0–9 10–27 28–45 Foam Drum 46–63 Rover 64–82 Memphis 83–100 Wolf 101–118 Watery 119–127 Chapter 9: Eleven Rack MIDI Controls...
  • Page 126 Vibe Phaser (as MOD) (as FX1) (as FX2) BYPASS VOLUME DEPTH RATE SYNC CHORUS/VIBRATO (0–63=“CHORUS” 64–127=“VIBRATO”) Reverb Blackpanel Spring Reverb BYPASS DECAY TONE Eleven Rack User Guide...
  • Page 127 Concert Hall 67–71 Bright Hall 72–77 Church 78–82 Cathedral 83–87 Arena 88–93 Small Plate 94–98 Medium Plate 99–103 Large Plate 104–109 Canyon 110–114 Supa Long 115–119 Early Reflect 1 120–125 Early Reflect 2 126–127 Chapter 9: Eleven Rack MIDI Controls...
  • Page 128 Volume Pedal BYPASS POSITION Black Wah BYPASS POSITION Shine Wah BYPASS POSITION Eleven Rack User Guide...

  • Page 129: Utility Settings

    Quarter Note 55–63 Quarter Note Triplet 64–73 Dotted Eighth Note 74–83 Eighth Note 84–93 Eighth Note Triplet 94–103 Dotted Sixteenth Note 104–113 Sixteenth Note 114–123 Sixteenth Note Triplet 124–127 Tap Tempo (0–63=“tap”: 64–127=“tap”) Tuner BYPASS Chapter 9: Eleven Rack MIDI Controls...

  • Page 130: Miscellaneous Midi Controls

    Miscellaneous MIDI Controls Multiple FX Control (MULTI FX) PEDAL POSITION Rig Volume PEDAL POSITION User/Factory Bank Change (Precedes Program Change) Bank Change Value 1 = Factory Rigs 0= User Rigs Eleven Rack User Guide...

  • Page 131: Chapter 10. Resources

    Guide and other guides in the Pro Tools guide many other paid plug-in option offered from set can be purchased separately from the Avid. Avid Store (http://shop.avid.com). • Pro Tools Menus Guide covers all the Pro Tools on-screen menus. User Guide •...

  • Page 132: About Www.avid.com

    Development Partners and their online resources: plug-ins, applications, and hardware. • For questions about installation, visit News and Events Get the latest news from Avid Avid’s online Knowledge Base. Go to: or sign up for a Pro Tools demo. http://www.avid.com/onlinesupport •...

  • Page 133: Chapter 11. Compliance Information

    Chapter 11: Compliance Information Proposition 65 Warning Environmental Compliance This product contains chemicals, including lead, known to the State of California to cause cancer and Disposal of Waste Equipment by Users birth defects or other reproductive harm. Wash hands in the European Union after handling.

  • Page 134: Emc (Electromagnetic Compliance)

    Australian Compliance EMC (Electromagnetic Compliance) N1709 Avid declares that this product complies with the following standards regulating emissions and immunity: • FCC Part 15 Class B • EN55022 Class B Canadian Compliance • EN55024 Class B • AS/NZS CISPR 22 Class B •...

  • Page 135: Safety Compliance

    The main power switch is located on the front panel of the Eleven Rack. It should remain accessible after installation. 1) Read these instructions. Before you power on Eleven Rack, make sure any connected 2) Keep these instructions. amplifiers or powered monitors are turned off or muted. When powering on studio equipment, it is common practice to turn 3) Heed all warnings.
  • Page 136 Eleven Rack User Guide...
  • Page 137 DC Vintage Crunch 33 EQ & compressor effects 46 DC Vintage OD 33 Plexiglas 100w 29 Dyn III Compressor 48 Graphic EQ 46 SL100 30 Gray Comp 47 Treadplate 31 Para EQ 46 audio digital connections 66 Avid customer success 126 Index...
  • Page 138 11 Phones output 12 power switch 4, 9 headphones 3 Pro Tools installing 61 using Eleven Rack as external processor 68 input and output connectors 14 installing Pro Tools 61 re-amping 86 Rig devices key commands 6...
  • Page 139 Mod 22 moving 24 Tap Tempo 10 Rev 22 technical support 126 Vol 22 Tremolo 33 Wah 22 True-Z 12 Rig Input 90 Tuner view 10 Rig Select mode 18 Default display mode 18 Details display mode 18 Simple display mode 18 User Options mode 10 settings 89 Rig View 21...
  • Page 140 Eleven Rack User Guide...
  • Page 142 Avid Technical Support (USA) Product Information 2001 Junipero Serra Boulevard Visit the Online Support Center at For company and product information, Daly City, CA 94014-3886 USA www.avid.com/support visit us on the web at www.avid.com...

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