Behringer X32 DIGITAL MIXER User Manual page 52

40-input, 25-bus digital mixing console with 32 programmable midas preamps, 25 motorized faders, channel lcd’s, firewire/usb audio interface and ipad/iphone remote control
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X32 DIGITAL MIXER Preliminary User Manual
Note that the graphics at the top of the screen will always display a green led
when the console has achieved proper "digital lock", from either its own internal
clock or a valid external clock.
7. Tap the 4th encoder to cycle through the different settings for the console's
internal date and time settings.
8. Adjust the 4th encoder to set the value for the currently selected
date/time setting.
9. Adjust the 5th encoder to select the console's "Bus Pre-Configuration".
This settings allows the mix bus outputs to be configured in various
combinations of:
Pre-fader, variable output auxiliary sends
Post-Fader, variable output auxiliary sends
Fixed-output sub groups
10. Choices include:
8 pre-fader auxiliary sends, 8 post-fader auxiliary sends,
and no sub-groups
8 pre-fader auxiliary sends, 4 post-fader auxiliary sends,
and 4 sub-groups
6 pre-fader auxiliary sends, 4 post-fader auxiliary sends,
and 6 sub-groups
4 pre-fader auxiliary sends, 4 post-fader auxiliary sends,
and 8 sub-groups
10 pre-fader auxiliary sends, 6 post-fader auxiliary sends,
and 0 sub-groups
11. Tap the 5th encoder to assign the currently selected configuration.
As the configuration is selected, a display on the right-hand side of the color
screen changes to show the currently selected configuration.
7.5.3 Setup Screen: Remote Tab:
The setup screen's remote tab allows setting up the console as a control surface
for various DAW recording software on a connected computer. With its large
complement of motorized faders, the console can act as an excellent controller
for various DAW software, allowing the user to make level adjustments quickly
and easily without using a mouse.
To adjust the various remote settings, perform the following steps:
1. Tap the 1st encoder to enable the console's top panel Remote button.
This switches various console hardware, such as the bus faders, to control
computer DAW software instead of the console's internal audio path.
2. Adjust the 2nd encoder to select the specific control surface protocol used,
in conjunction with the target DAW software. Choices include:
Mackie Control: Use this protocol to control any DAW software that is
compatible with a Mackie Control hardware control surface.
HUI: Use this protocol to control any D.A.W. software that is compatible
with a HUI hardware control surface, such as Pro Tools.
3. Tap the 2nd encoder to assign the currently selected control surface protocol.
4. Adjust the 5th encoder to select whether the remote function uses the MIDI
In and OUT jacks or the XUF card's MIDI.
5. Tap the 5th encoder to confirm the selection.
6. Adjust the 6th encoder to adjust various MIDI-based operations for the
console. Choices include:
MIDI In/Out: This toggles the MIDI input and outputs for the console
on/off.
Card MIDI: Allows MIDI transmission through the XUF card.
USB In/Out: This toggles the console's USB ports on/off.
RTP (Real-time Transport Protocol): This toggles on/off the console's
ability to interface with an Ethernet-based MIDI system.
Enable MIDI scene recall: This toggles on/off the console's response to
incoming MIDI messages for switching console scenes.
7. Tap the 6th encoder to toggle the currently selected MIDI option
on/off. This can be useful if you want to ensure that any connected MIDI
transmitters cannot interfere with the console.
7.5.4 Setup Screen: Network Tab:
The setup screen's network tab contains settings used when connecting the
console to a standard Ethernet network. The user can set parameters such as
using a fixed IP address or having one assigned, as well as setting up the Ethernet
and subnet mask settings.
To set the network address for the console, perform the following steps:
1. Adjust the 1st encoder to select which specific network field to adjust.
Choices include:
IP Address
Subnet Mask
Gateway
2. Adjust encoders 2, 3, 4, and 5 to set the 4 numerical fields to be adjusted,
for the selected network field.
3. Tap the 6th encoder to assign the adjusted settings.

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Questions and answers

Myron Blackmon
April 9, 2025

how do I send reverb to the in ear monitors

1 comments:
Mr. Anderson
April 9, 2025

To send reverb to in-ear monitors on the Behringer X32 Digital Mixer:

1. Assign the effect processor:
- Use rotary encoder #6 to highlight an effects processor on the right side of the screen.
- Use rotary encoders #1 and #2 to set the source for both left and right inputs to “Insert”.

2. Choose the effect type:
- Select a reverb effect (e.g., Hall Reverb) for the chosen processor.

3. Route the effect send:
- Select the input channel to send to the reverb.
- Adjust the “Bus Send” knob (e.g., Bus 1) for that channel to send signal to the bus where the reverb is applied.

4. Send the effect return to the monitor mix:
- On the output fader section, select the monitor bus (e.g., Bus 1).
- Set the fader to 0 dB initially.
- Ensure the effect return channel is routed to the same bus.

This will allow reverb to be heard in the in-ear monitors.

This answer is automatically generated

Myron C Blackmon
April 9, 2025

my church system is Behringer x32, with P16M IEMs, how do i send reverb to the IEMs

1 comments:
Mr. Anderson
April 9, 2025

To send reverb to the IEMs using the Behringer X32 Digital Mixer with the P16M:

1. Assign the reverb effect return to a mix bus (usually a stereo bus).
2. Route that mix bus to one of the 16 P16 channels:
- Press the ROUTING button.
- Go to the ULTRANET tab.
- Use the 1st encoder to select the P16 channel.
- Use the 3rd encoder to choose the source category (e.g., Mix Bus).
- Use the 4th encoder to select the specific bus carrying the reverb return.
3. On the P16M, select the corresponding channel to include it in the IEM mix.

This allows the reverb to be included in the personal monitor mix.

This answer is automatically generated

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