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Analog way Pulse 2 User Manual
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Analog way Pulse 2 User Manual

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USER MANUAL
Pulse
/ Pulse
-3G / Pulse
-H
2
2
2
Ref. PLS350 / PLS350-3G / PLS350-H

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Summary of Contents for Analog way Pulse 2

  • Page 1 USER MANUAL Pulse / Pulse -3G / Pulse Ref. PLS350 / PLS350-3G / PLS350-H...
  • Page 2 Information contained in this document, in particular data, pictures, information, trademarks and logos are exclusive property of Analog Way and are protected by copyrights and other intellectual property rights. 2014, Analog Way, all rights reserved – 11/2017 Consequently, any representation and/or reproduction, in part or in full, is prohibited and would be considered a violation of Analog Way’s copyright and other intellectual property rights.
  • Page 3 THANK YOU By following these simple steps you will be able to obtain the most from your powerful Pulse² / Pulse -3G / Pulse -H (Pulse ) and its many features. 1. TRADEMARKS 2. INTRODUCTION 3. TERMS AND DEFINITIONS 4. HARDWARE SPECIFICATIONS 4.1 Safety instructions 4.1.1 English 4.1.2 French...
  • Page 4 5. CONNECTING THE PULSE² 5.1 Description 5.1.1 Rear panel Pulse - Ref. PLS350 5.1.2 Front panel Pulse - Ref. PLS350 5.1.3 Rear panel Pulse - Ref. PLS350-3G 5.1.4 Front panel Pulse - Ref. PLS350-3G 5.1.5 Rear panel Pulse -H - Ref. PLS350-H 5.1.6 Front panel Pulse -H - Ref.
  • Page 5 8.2 Settings in Mixer mode 8.2.1 Source Input selection 8.2.2 Input selection settings 8.2.3 Source Output selection 8.2.4 Output selection settings 8.2.5 Preview features 8.2.6 Preview Id 8.2.7 Working with layers 8.2.8 Working with layers functions 8.2.9 Opening transitions and closing live layers 8.2.10 Layer adjustment menu 8.2.11 Layers with transitions &...
  • Page 6 11. WARRANTY 11.1 Warranty conditions 11.2 Repair and return instructions 11.3 Return conditions 12. CONTACT INFORMATION 13. APPENDICES 13.1 Crestron 3 series Midra™ Driver 13.2 AMX NetLinx® Integrated Controllers Midra™ Driver...
  • Page 7 HDBaseT™ and the HDBaseT Alliance logo are trademarks of HDBaseT Alliance. 2. INTRODUCTION Thank you for choosing the Analog Way Pulse². Before you start setting up your Pulse² for the first time, please read through all of the documentation to become familiar with its powerful features. The Pulse² can be used in several configurations, which results in a versatile video production tool for live event staging and fixed installation applications.
  • Page 8 3. Terms and definitions 3. TERMS AND DEFINITIONS BACKGROUND: a “Background” is a source, typically originating from a computer. Pulse² enables you to work with still (frame) background — visually in back of all other sources. LAYER: a “layer” is an image display element (such as a PIP window, Key, logo or Background) that has a visual priority —...
  • Page 9 4.1.1 English 4. HARDWARE SPECIFICATIONS 4.1 Safety instructions 4.1.1 English For optimal use of this device, read all safety and operating instructions before use. Keep the safety and operating instructions for future reference. Please follow all of the warnings on this product and its operating instructions.
  • Page 10 4.1.2 French 4.1.2 French Pour une utilisation optimale de cet appareil, nous vous conseillons de bien lire toutes les consignes de sécurité et de fonctionnement avant utilisation. Conservez les instructions de sécurité et de fonctionnement afin de pouvoir les consulter ultérieurement. Respectez toutes les consignes marquées dans la documentation, sur le produit et sur ce document.
  • Page 11 4.1.3 Italian 4.1.3 Italian Per un utilizzo ottimale dell’apparecchio, leggere tutte le istruzioni di sicurezza e di utilizzo prima dell’uso. Conservare le istruzioni di sicurezza e di funzionamento al fine di poterle consultare ulteriormente. Seguire tutti i consigli indicati su questo manuale e sull’apparecchiatura. •...
  • Page 12 4.1.4 German 4.1.4 German Zum optimalen Gebrauch dieses Gerätes lesen Sie bitte vorher alle Sicherheits- und Bedienhinweise. Diese Sicherheits- und Betriebsanweisungen für einen späteren Gebrauch sicher aufbewahren. Alle in den Unterlagen, an dem Gerät und hier angegebenen Sicherheitsanweisungen einhalten. • ACHTUNG: um jegliches Risiko eines Stromschlags oder Feuers zu vermeiden, das Gerät nicht Regen, Feuchtigkeit oder intensiven Wärmequellen aussetzen.
  • Page 13 4.1.5 Spanish 4.1.5 Spanish Para un uso óptimo de este equipo, lea las instrucciones de seguridad y operación antes de utilizarlo. Conserve las instrucciones de seguridad y de funcionamiento para que pueda consultarlas posteriormente. Respete todas las consignas indicadas en la documentación, relacionadas con el producto y este documento. •...
  • Page 14 Before racking and plugging any inputs and outputs, it is advised to power on the unit. Should you encounter any issue, you must contact immediately your local distributor or dealer, or closest Analog Way technical (see chapter: 12. Contact support offices information).
  • Page 15 4.4 Cable and adaptator information 4.4 Cable and adaptor information A large choice of cables and adaptors are compatible with the Pulse². Please refer to the hardware specifications chapter to find the most suitable cables for your operations. 4.5 Hardware specifications 4.5.1 Signal descriptions For each type of signal, here are the levels and the impedance accepted by the Pulse².
  • Page 16 4.5.2 Supported video formats Analog computer Digital computer Type Levels Impedance Type Characteristics RGsB R = 0,7 Vpp HDBaseT RGB or YUV – 8 bits – 4.4.4 or 4.2.2 – 0/255 G = 0,7 Vpp + 0,3 Vpp 75 Ω RGB –...
  • Page 17 4.5.5 Output computer formats 4.5.5 Output Computer formats The Pulse² outputs support GTF (version 1.1), CVT (version 1.1) and DMT (version 1.0 rev 12) standards. Other non-standard formats are supported via the custom format capability of the framework. The Pulse² offers a list of pre-defined output formats. Frequency Frequency Format...
  • Page 18 4.6 Input specifications M3x0,5 mm The Pulse² uses an HDMI plug with a standard mounting screw above the connector. Please see the diagram below. This hole is occupied by a Torx10 screw when you receive 27 mm the unit. If desired, this screw can be removed and replaced by a compatible aftermarket HDMI plug locking mechanism to ensure a secure HDMI connection.
  • Page 19 4.6 Input specifications Each input can display only one active plug at a time. It is instantly available on the device and can be dis- played simultaneously on many layers or outputs, with different sizes and positions. Single-Link Standard Size HD-15 3G-SDI HDMI...
  • Page 20 4.7 Output specifications 4.7 Output specifications 4.7.1 Standard output For the reference PLS350 and PLS350-3G, the Pulse² has two standard outputs. The standard output contains: - Analog Computer/Video (HD15), - HDMI output over a DVI-I connector or DVI-I output (DVI-Analog and DVI-Digital). DVI-I Please see the formats available on the output: Output Type...
  • Page 21 4.8 Communication specifications 4.7.2 Video output For the references PLS350-3G and PLS350-H, the Pulse² has one video output. This video output contains: - 3G/HD/SD-SDI (BNC). Output Type Format Signal SDTV Digital SDTV 3G/HD/SD-SDI Output HDTV Digital HDTV Cinema DCDM 2K 4.8 Communication specifications 4.8.1 Serial interface A standard RS232 interface is available through a DB9 female connector:...
  • Page 22 4.9 Environmental specifications 4.9 Environmental specifications For PLS350 and PLS350-3G: Dimensions: Weight:  D 15.75’’x W 19’’ x H 3.46’’ with rack mount and handles  6,3kg / 13.9 lb  D 400 mm x W 483 mm x H 88 mm (Compatible with a Standard 19”...
  • Page 23 4.9 Environmental specifications For PLS350-H: Dimensions: Weight:  D 18.70’’x W 19’’ x H 3.46’’ with rack mount and handles  7.2kg / 15.87lb  D 475 mm x W 483 mm x H 88 mm (Compatible with a Standard 19” rack, Height = 2 U) ...
  • Page 24 4.10 HDCP management 4.10 HDCP management 4.10.1 Input HDCP detection The input HDCP detection is managed by the input components according to HDCP specification. 4.10.2 Output HDCP detection The Pulse² manages the output HDCP detection according to one of the following criteria: - Hot plug, - 3-second period attempt.
  • Page 25 5.1.1 Rear panel Pulse - Ref. PLS350 5. CONNECTING THE PULSE² 5.1 Description 5.1.1 Rear panel Pulse - Ref. PLS350 1. Power supply: 100-240 VAC 2.5A 50/60HZ / FUSE F4A 250 VAC; internal, autoswitchable; 110W 2. 3G/HD/SD-SDI: SDI #1 to #2 3.
  • Page 26 5.1.2 Front panel Pulse - Ref. PLS350 5.1.2 Front panel Pulse - Ref. PLS350 1. Front panel display: 4-line VFD 2. Menu scroll knob 3. Layer selection: - Frame: un-scaled layer for still frames - Logo 1/2: un-scaled, positionable layer for still logos - Layer A/B: scaled positionable layers for live sources 4.
  • Page 27 5.1.3 Rear panel Pulse - Ref. PLS350-3G 5.1.3 Rear panel Pulse - Ref. PLS350-3G 1. Power supply: 100-240 VAC 2.5A 50/60HZ / FUSE F4A 250 VAC; internal, autoswitchable; 110W 2. 3G/HD/SD-SDI: SDI #1 to #2 3. S/PDIF: audio inputs #1 to #2 4.
  • Page 28 5.1.4 Front panel Pulse - Ref. PLS350-3G 5.1.4 Front panel Pulse - Ref. PLS350-3G 1. Front panel display: 4-line VFD 2. Menu scroll knob 3. Layer selection: - Frame: un-scaled layer for still frames - Logo 1/2: un-scaled, positionable layer for still logos - Layer A/B: scaled positionable layers for live sources 4.
  • Page 29 5.1.5 Rear panel Pulse -H - Ref. PLS350-H 5.1.5 Rear panel Pulse - H - Ref. PLS350-H 12 13 14 1. Power supply: 100-240 VAC 2.5A 50/60HZ / FUSE F4A 250 VAC; internal, autoswitchable; 110W 2. 3G/HD/SD-SDI: SDI #1 to #2 3.
  • Page 30 5.1.2 Front panel Pulse -H- Ref. PLS350-H 5.1.2 Front panel Pulse -H - Ref. PLS350-H 1. Front panel display: 4-line VFD 2. Menu scroll knob 3. Layer selection: - Frame: un-scaled layer for still frames - Logo 1/2: un-scaled, positionable layer for still logos - Layer A/B: scaled positionable layers for live sources 4.
  • Page 31 6.1 RCS² requirement 6. CONTROLLING THE PULSE² The Pulse² can be controlled and operated either via the Front Panel, from your computer via the RCS², or via one of our Event Controllers. (Control of the Pulse² can also be integrated into automation and control systems, contact your local technical support for more details.) 6.1 RCS²...
  • Page 32 6.2 Connecting with the RCS² Enter the IP address of the device and then the remote port. Click on Connect to start the connection. Once connected, you have access to this screen: In case of difficulties: - Verify that you are using the correct network cable and that it is free from defects. (Crossover or straight cable as required.) - Check the IP address of both the device and the computer.
  • Page 33 6.3 RCS² top menu 6.3 RCS² top menu 6.3.1 Setup The Setup page is where you will review and modify the device configuration, such as output resolutions, input settings, and more. 6.3.2 Edit The Edit mode is the place where you will manage preset creation. You will make input selections, manage your inputs, adjust the layer attributes such as size, position, effect, etc.
  • Page 34 7.1 Operating mode 7. OPERATING THE PULSE² FROM THE RCS² 7.1 Operating mode Before you start setting up your Pulse² for the first time, take some time to think about how you will be using it. The Pulse² offers a choice of two operating modes, which results in a versatile video production tool for live event staging and fixed installation applications.
  • Page 35 7.2.2 Audio Matrix mode This mode turns your Pulse² into a true 8 x 2 scaled matrix, while preserving seamless switching capabilities. Program 1 and Program 2 outputs can be set to different resolutions and rates. Switching between any of the inputs can be done with the various effects (Cut, Fade, Slides…) and synchronized on both outputs.
  • Page 36 7.2.3 Screens 7.2.3 Screens In the screen configuration, you will find the state of your screen. It indicates the screen resolution, the maximum number of layers you can use. You will find configuration for the Quick Frame and the background color too. The Quick Frame will be your emergency frame that can be displayed in front of every layer.
  • Page 37 7.2.6 Output management 7.2.6 Output management Into the output section, you will be able to manage your output resolutions, formats, sync types, test patterns, etc. On the SETUP > OUTPUT TAB, the following screen will appear: A short summary of each output settings appears on the main page.
  • Page 38 7.2.7 Input management Custom format The device offers the possibility to create your own output format: Choose CVT mode (restricted settings) or FULL mode (full settings) and start to create your format by adjusting the Horizontal Vertical pixels, frame rates and reduced blanking. Click on CHECK to verify if your format is a valid signal.
  • Page 39 7.2.7 Input management - CONTROL: Black: select Black to transform your input in a uniform color (black). Freeze: use this button to freeze the specific input, - EDID: choose the EDID for the selected plug. Under the HDCP section, you can: - Enable/disable the HDCP communication feature - Read the HDCP status, If the HDCP status says Active, this output connection is currently utilizing HDCP to protect the signal.
  • Page 40 7.2.7 Input management Under the ASPECT RATIO section: - ASPECT IN: forces a particular aspect ratio for the source. (5:4, 4:3, etc). This setting has no effect when set to native, - PREDEFINED CROP: choose a specific cropped ratio if you use a source with black bands on top/bottom or left/right, - ASPECT OUT: define the way the image will be displayed into a layer (full screen, centered, cropped or 1:1),...
  • Page 41 7.2.8 Logo/frame management DSK TITLING: after your keying, the DSK titling feature allows you to play with the transparency of your deleted pixels. Enabling this, simply adjust the opacity settings to make your keyed pixels less or more dark. This is useful when keying white or light colored text over a bright background. How to use the LUMA KEY: Select the lumakiller and then adjust manually, the luma level: - Manually:...
  • Page 42 7.2.9 Video out Select the area you want to save using the adjustable white square. Once it is ok, simply click on execute to save the logo. How to save a frame: Choose first Program or Preview, click on FREEZE if you want to freeze your output. Then click on EXECUTE to save your frame into the selected slot.
  • Page 43 7.2.10 Audio management 7.2.10 Audio management The audio section permits the management of level, balance, and other audio settings for each input. Before modifying the audio settings, be sure to check the audio input mapping. Each video input has one audio source mapped to it.
  • Page 44 Depending on the device you will use after the analog way device, adjust carefully the analog gain. Basically, for a 0 level, the default value is 4 dBu.
  • Page 45 7.2.11 Service management 7.2.11 Service management Into the service section, you will find tools. Under IMPORT / EXPORT, you have the possibility to export or locally import the Local Presets, the Thumbnails and the Shortcuts. The TEMPERATURE and HARDWARE INFO sections provide via alarm tabs the status of the PFGA and boards TECHNICAL SUPPORT: Display the different technical support contacts depending on your area.
  • Page 46 7.3.1 Layer management Erase memories Into this section, you can erase individual settings. • Erase input settings memory: all input settings will return to their default value. This includes image, aspect, user format and keying parameters. • Erase thumbnail: all the thumbnails you store on your computer will be erased. Factory reset Click on start to erase all settings (except network and RCS²...
  • Page 47 7.3.2 Layer adjustments In this example, 2 inputs are affected to 2 layers into the Screen 1 Preview. The TAKE button on the bottom right side allows sending your configuration, made on the Preview screen, to the Program screen. With each press of the TAKE button, the Preview screen is transitioned to the Program screen. By default, PRESET TOGGLE mode is disabled.
  • Page 48 7.3.3 Effects Position/Size Adjust the size horizontally (X) or vertically (Y), then adjust the width and the height of your layer. You can use the cursor or directly enter a value. To keep the aspect ratio by using the cursor, please enable the KEEP ASPECT RATIO button.
  • Page 49 7.3.4 Background frame Layer layout The layer layout gives you access to several predefined layouts with 2 or 1 PIP already sized and placed into the output. It can help you to quickly set up 2 PIPs side by side for example. Once clicking on the layout button, you have access to the presets with 2, 1 PIPs or all layouts.
  • Page 50 7.3.5 Preset load and save management - WIREFRAME MODE: allows to enable/disable the layer thumbnails on your RCS², - SHOW LAYER OUT OF SCREEN: enable/disable the possibility to display a layer out of the screen into the RCS², - TRAP LAYERS ON SCREEN: disable the ability to position the layer off of the screen, - HIDE UNUSED LAYERS: empty layers will not be displayed in the RCS²,...
  • Page 51 7.4 Live 7.4 Live The Live mode is designed for easy live operation of the device after you have created some presets. On the right, you will find all your saved presets under the tab called “MASTER MEMORIES”. A simple drag and drop on the screen will load your preset into the screen (Program or Preview).
  • Page 52 Use the loop button to load again your timeline when it’s finished. Take a look at the global time of your timeline thanks to the clock on the right of the toolbar. Note: To control the Pulse², Analog Way also provides Crestron and AMX modules. For more details, see appendices.
  • Page 53 8.1.1 Menu navigation 8. OPERATING THROUGH THE FRONT PANEL 8.1 Front panel 8.1.1 Menu navigation To access the Pulse² menu, press the EXIT/MENU button in the control section. To highlight items in the menu which will appear on the VFD screen, turn the scroll knob left or right to the desired menu item.
  • Page 54 Analog Way engineers have developed a handy, user friendly way of identifying machine status on the front panel, via the use of color codes on the buttons of the machine. All new Analog Way machines use the same codes, for quick recognition of the status of any device of the range, at any given time.
  • Page 55 8.2.2 Input selection settings You can find several settings for each input (some settings are specific to some signal type): - INPUT STATUS: display the input status, - AUTOSET INPUT: launch an automatic setup on the inputs, FREEZE: freeze the input, - ACTIVE PLUG: choose the active plug of the input, - TYPE:...
  • Page 56 8.2.4 Output selection settings - DVI as HDMI: DVI output content as HDMI. Audio is included, - HDCP DETECT: enable or not the HDCP detection on the output, - CENTERING PIC: display the centering test pattern, - TEST PATTERN: choose to display one of the available test pattern. All changes have to be validated by pressing the ENTER button in order to be saved NOTE: The output status can provide you all information about the output in real time.
  • Page 57 8.2.8 Working with layers functions - Size Templates: adjust a specific size (Fullscreen, 1/2, 1/3, ...), - Transparency: adjust the layer transparency, - Border: choose the border and adjust its properties, - FORCE TRANSITION: enable/disable the selected transitions, - Opening and Closing effect: adjust the Open/Close effect type and duration, - Smooth move: enable/disable smooth move,...
  • Page 58 8.2.9 Opening transitions and closing live layers - Logo 2: one stored logo selected from 8 available, - Quick Frame: one of the 8 frames available. 8.2.9 Opening transitions and closing live layers When transitioning live layers, depending on how many scalers are in use, the Pulse² TAKE function will act in one of 3 different ways when transitioning the next preset (Preview) to the current preset (Program): •...
  • Page 59 8.2.11 Layers with transitions & borders - WIPE: • Numerous wipes can be selected horizontal and vertical, from the center or outside, in circle, Zoom in and out, • Horizontal: from left, center -or- vertical: from up, down, center, - SLIDE: •...
  • Page 60 8.2.12 Capturing frames - BORDER: The border has to be setting up in the Layer Menu: Press Layer# button > go in border menu > select and set your border with color and size Press TAKE to view the result on the Program screen. NO BORDER EDGE BORDER SHADOW BORDER (4 possible orientations)
  • Page 61 8.2.13 Working with frames Attempting to use a frame at a different resolution will result in a partial frame display or a frame which does not fill the screen. During the capture, the output is outlined by a white border and includes the pixels into the white rectangle. 8.2.13 Working with frames Frames are mainly used as backgrounds in a typical show or event setup, and can be recorded from any of the Pulse²...
  • Page 62 8.2.17 Capturing logos To set up your logo you have several features available: - Position / Size Adjustment - Keying type - Luma / Chroma key - Cut out color. Select the logo number you want to save and wait until the unit finishes saving. Your logo is now saved and you can use it through the logo button.
  • Page 63 8.2.19 Logos input setup menu Select the animated logo #8 and wait until the unit finishes saving. Your animation is now saved and you can use it through the background logo button. Only one animated logo can be saved in the Pulse². 8.2.19 Logos input setup menu In the logos/frames menu, the logos can be deleted in the Erase menu: Logos/Frames menu >...
  • Page 64 8.2.24 Working with audio 8.2.24 Working with audio Into the audio menu, you will find some audio adjustments: • Audio mode: - NO AUDIO: the audio of your device is switched off - PRESET MODE: the standard mode of use of the device You have two possibilities: ▪...
  • Page 65 8.2.25 Special features live input, • Background is removed and replaced by another source, • Title can be keyed (DSK) on Analog or Digital Sources. To use keying, first select a source in the desired layer: Layer button > source number button Layer Frame Image live...
  • Page 66 8.2.25 Special features useful to choose the transparency value of your keying. Keying/Titling menu > Type menu > Select your keying type Once your keying mode is selected, the Pulse² provides you some keying advance setting: For Luma Key: • Luma Keying is used to key from a particular luminous intensity. It produces a hard edged key based on intensity, which is most suitable for titling effects.
  • Page 67 8.2.25 Special features - Manual Setting: Select Chroma Key menu > Manual Settings menu • R,G,B: these controls allow you to manually select a hue, defined by its Red, Green, and Blue values as you can find in Windows (Paint software). •...
  • Page 68 8.3.1 Source Input selection 8.3 Settings in native Matrix mode 8.3.1 Source Input selection Same as Mixer mode 8.3.2 Input selection settings Same as Mixer mode 8.3.3 Working with layers Same as Mixer mode Settings Layer A Position Size Zoom Transparency Border Opening effects...
  • Page 69 8.3.6 Working with native Matrix mode Video out - For Pulse - Ref. PLS350-3G and Ref. PLS350-H only Display mode Presentation Availability Output #1 Menu > Video Out > Connection > Screen 1 Output #2 Matrix mode only Menu > Video Out > Connection > Screen 2 Output #1 &...
  • Page 70 8.4 Menu tree 8.3.8 Working with presets in Matrix mode In Matrix mode, you will find a new menu into Preset menu called “Preset management”. This will help you to define what kind of preset you want to save: - BOTH OUTPUT: preset saved for both outputs, - CURRENT OUTPUT: preset saved only for the current output,...
  • Page 71 8.4 Menu tree The following menu tree provides the sections of the MIDRA’s menus. Please note that the availability of the sections depends of the reference and the configuration of your device. MENU [...] VIDEO OUT MODE OUTPUT SYNC W.OUT1 CONFIG MODE MIXER MATRIX...
  • Page 72 8.4 Menu tree MENU [...] IMAGE INPUTS PRESET CONFIG STATUS PRESET MNGT AUTO CENTERING AUTOSET ALL PRESET LAYOUTS BLANKING ADJUST SYNC. STATUS STEP BACK CROPPING SAVE PRESET INPUT # OPTIMIZE LOAD PRESET UNDER/OVER INPUT STATUS ERASE PRESET ASPECT IN AUTOSET PREDIFINE CROP FREEZE ASPECT OUT...
  • Page 73 8.4 Menu tree MENU [...] LAYER KEYING TITLING SCREEN SETTINGS SCREEN # LAYER COPY MODE TYPE LUMA KEY LAYER ADJUST BACKGRND COLOR CHROMA KEY LAYER ZOOM QUICK FRAME TITLING ALPHA SIZE TEMPLATES AUTO TAKE INVERT KEYING TRANSPARENCY PRESET TOOGLE BORDER OPENING EFFECT CLOSING EFFECT SMOOTH MOVE...
  • Page 74 8.4 Menu tree MENU [...] LAYER LOGOS FRAME AUDIO AUDIO MODE VERSIONS ORIGIN FOR REC. RECORD FRAMES SOURCE SETTINGS CONNECTION # INPUT RS232/LAN RECORD LOGOS MUTE RS232 BAURATE RECORD ANIM STEREO LAN SETUP ERASE ANALOG GAIN FUNCTIONS AUTOLOCK LEVEL BALANCE DIGITAL OUTPUT AUTO QUICKFRAME DYNAMIC FIT...
  • Page 75 8.4 Menu tree [...] RESET ERASE RESET LAYERS ERASE MEMORIES ERASE PRESETS ERASE CUST. FRMT DEFAUT VALUES TECH SUPPORT...
  • Page 76 9. 1 Dashboard (RCS²) 9. MAINTENANCE AND SUPPORT 9.1 Dashboard (RCS²) On the RCS², you have access to a chart with general information on the unit. Please click on the Dashboard button: On this chart, you will find under the INFO tab, the Device name, the Serial number of your product, the actual firmware and the software version of the RCS².
  • Page 77 The Pulse² is fully HDCP compliant, meaning that you will be able to use the Pulse² to accept HDCP protected sources and route them to any HDCP protected outputs. As Analog Way is a licensed HDCP adaptor, this also means that the Pulse² is prevented from displaying any HDCP protected images on any non-HDCP compliant outputs (as is the case for all licensed HDCP compliant devices).
  • Page 78 10.2 HDBaseT 10.2 HDBaseT HDBaseT is a global standard of the transmission of high-definition video and audio, Ethernet, controls, USB and up to 100W of power over a single cable, for up to 100M/328ft. The Pulse -H (Ref. PLS350-H) is fully compliant with the HDBaseT Specifications. Equipped with HDBaseT receivers and transmitters, the Pulse -H is able to input video, embedded audio, Ethernet pass-through and manage a Power over Ethernet feed (30W) and to output video, embedded audio,...
  • Page 79 10.2 HDBaseT EMI, it is best to use shielded cables. Most Cat5e cables are unshielded, which makes them more flexible, durable and inexpensive. But they are also more susceptible to EMI. If using unshielded cables, keep them away from any source of EMI such as other cables, transformers and light fixtures. In high RF environments, it is best to use shielded cables.
  • Page 80 • Analog Way’s direct employees are solely authorized to make this determination. • Analog Way reserves the right to refuse for repair and service a product for which the warranty is void. • In no way shall Analog Way be responsible for direct or indirect loss of profit or consequential damages resulting from any defect in this product.
  • Page 81 UNITED STATES SINGAPORE The Americas Europe, Middle East & Africa Asia Pacific Analog Way SAS - Headquarters Analog Way Inc. Analog Way Pte Ltd Tel.: +33 (0)1 81 89 08 60 Tel.: +1 (678) 487 6644 Tel.: +65 6292 5800...
  • Page 82 13.1 Crestron 3 series 13. APPENDICES 13.1 Crestron 3 series Midra™ Driver Using this driver, software developers and integrators can easily provide powerful solutions for remotely controlling any Midra™ series Switchers through Crestron 3-series Control Systems®. The package includes: - The precompiled driver modules that can be used for recalling presets, selecting source inputs, changing PIP content, configuring audio inputs and outputs, - One sample SIMPL program that demonstrates the use of all the features available within this driver.
  • Page 83 Follow us PLS350/PLS350-3G/PLS350-H - 01/NOV/2017...

This manual is also suitable for:

Pulse 2-3gPulse 2-hPls350Pls350-3gPls350-h