Table Of Contents - JVC KB-700 Owner's Manual

Thank you for pu rchasing JVC's KB-700 Stereo Keyboard.
To use the KB-7DO correctly and extend its life, be sure to
read these instruc1:ions carefully. After reading, retain this
manual for future reference.
IMPORTANT
A voltage selector is provided on the rear as shown in the
illustration on page 3. Before connecting the mains supply
plug, check that i1: is set to correspond to your local power
voltage (120 V,
220
Vor 240 V).
For areas where the voltage is between 110 V and 127 V, set
to the 120 V position.
IMPORTANT (In the United Kingdom)
Mains Supply (AC 240 V"v, 50 Hz only)
Do not make any connection to the Larger Terminal
coded E or Green. The wires in the mains lead are
coloured in accordance with following code:
Blue to N (Neutral) or Black
Brown to L (Live; or Red
If these colours do not correspond with the terminal
identifications of your plug, connect as foliows:
Blue wire to terminal coded N (Neutral) or colQured
Black. Brown wire to terminal coded L (Live) or
coloured Red.
If
in doubt - consult a competent electrician.
WARNING
There are high voltages inside this unit. Before removing the
bottom cover, be sure to unplug the mains power supply cord.
CAUTION
To prevent electric shock, do not remove screws, covers or
cabinet.
No user-5erviceable parts inside. Refer servicing to qualified
serv ice perso nnel.
Note
Disconnect the mains plug from the supply socket when not
in use.
WARNING: TO PREVENT FIRE
OR SHOCK HAZARD, DO NOT
EXPOSE THIS APPLIANCE TO
RAIN OR MOISTURE.
Eftersom denna apparat använda det sekundär ström­
knappsystem, konsumeras en liten mängd ström (ungefär
1 W) även om POWE R knappen star pa ON. För att
stänga av strömen helt och hallet, drag ut strömkontakten
- 1 ­
FEATURES
• Sound quality is the most striking feature of JVC Stereo
Keyboards; this is a development based on our long experi ­
ence in audio. The KB-700 has 12 Orchestral Preset Voioes
and 4 Solo Synthesizer Preset Voices.
• Key Split; this allows the keyboard to be divided into two
parts. The melody keys played by the right hand can be
enhanced with the preset voioes while the left hand provides
the string and bass accompaniment.
• Faseinating Chord automatic accompaniment is the easiest
way a professional sound can be achieved with 4 bass line
patterns, 3 arpeggio patterns, 2 rhythmic accompaniments
(piano or guitar) and string chords.
• Auto Rhythm - 14 different rhythms plus 2 Intro & Fill In
patterns.
• Key Transpose lets you transpose any key so that you can
play in C - this is convenient for playing with other instru­
ments or vocalists.
• Compueorder stores the chord and bass progressions for up
to 64 bars in each of 3 tracks so that up to 192 bars can be
replayed from memory.
• Ultra Chord adds harmony to a melody fine played by the
right hand.
• In addition to the JVC-<leveloped two-speaker stereo effect,
effect controls are provided for Ensemble, Presence,
Tremolo, Orchestral Sustain and Bass Sustain.
• Magie Foot switch controls Sustain, Intro & Fill In and
Pitch Bending.
• Stereo Pan Pot Mixer lets you create any acoustic image
with 7 sound level controlsand 5 panoramic potentiometers
giving all the functions of a recording studio.
• MIC input terminal allows the connection of an external
audio source a microphorie, another electric musical
instrument, a tape deck or a stereo system.
• Stereo output terminals are provided for the oonnection to
other equipment and for recording.
CONTENTS
Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . " 1
Names of Sections . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Preparations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Stereo Pan Pot Mixer. . . . . . . . . . . . . . . . . . . . . . . .. 4
Key Spllt . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Accompaniment Strings and Bass. . . . . . . . . . . . . . . .. 5
Orchestral Presets and Solo Synthesizer Presets . . . . . . . 6
Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 7
Auto Rhythm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Fascinating Chord . . . . . . . . . . . . . . . . . . . . . . . , . .. 9
Ultra Chord . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 11
Key Transpose . . . . . . . . . . . . . . . . . . . . . . , . . . . .. 12
Compucorder . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 13
Magic Foot Switch and Expression Pedal . . . . . . . . . . . . 15
Connection Terminals and Pitch Controls . . . . . . . . . ".. 16
Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . .. 17
Safety Precautions . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18