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This is done with the help of the KM 100 F filter output stage, which can be used instead of the normal KM 100 output stage and has a slide switch permitting se- lection of an 80 Hz or 120 Hz cutoff frequency.
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9 V battery operation, two-channel, 5-pin XLR connectors The complete signal path then looks like this: AK ... + KM 100 (F) + (XLR 3 Cable) + N 48 i-2 / BS 48 i + XLR 3 Cable + Mixing Console 2x AK ...
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The smallest of all solutions is embodied by the MF-AK table stand. The active capsule screws right onto the swiveling headpiece, is align- able in the horizontal and vertical planes, and connects to the KM 100 output stage via the permanently attached cable. The cable exits at the side or below, making it possible to run the cable through the table where it is hidden by the stand itself.
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Thus it is easy to aim the capsule at the speaker. AK ... + SG-AK + KM 100 F + EA 2124 A Large Setups Positioning the microphone closer to the speaker improves the signal- to-noise ratio as well as cancelling table reflections.
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Then effective pop screens or windscreens are indispensable. The WNS 100 windscreen is included with every micro- phone in the KM 100 series (KM 120: WNS 120). This is sufficient protection against light winds and popping, with minimal effect on frequency response, and that only in the very highest frequencies.
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The extremely flexible gooseneck of the KVF... cap- sule extension also permits overhead miking by aiming the microphone at the instrument from above, as it is the usual practice with strings. See “Suspended Vari- ants and Overhead Miking”.
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TEREO PPLICATIONS he KM 100 system accessories make it possible to realize compact setups for all common stereo configurations. The accessories described below can simply be mounted to any stand, preferably with a shock- absorbing rubber pad. If necessary, the Z 26 mt shock mount can also be inserted to reduce body sound transmission even further.
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The Elastic Variant their low weight, the miniature microphones of the KM 100 series can be fastened by their own cables with- If additional mechanical decoupling from the ceiling is out any problems. The same holds true for the LC 3 KA required, then the microphone can also be suspended cable (just 3.5 mm thick) used to connect the de-...
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ICROPHONE ISHPOLES ten used to get the microphone as close to the speaker as possible in a given situation. Shotgun microphones are frequently used for this. But miniature microphones – for example, ones with a hypercardioid pattern – pro- duce comparable directivity indices. When working in...
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Catalog No.: 07045 Catalog No.: 07117 Catalog No.: 06798 MNV 100, Auditorium hanger KM 100, Output stage KM 100 F, Output stage (with clamp for AK ...) Catalog No.: 07395 Catalog No.: 07376 Catalog No.: 06811 DS 100, Double swivel mount SMK 100-2 KA, Double gooseneck (for KVF ...
KM 120 • Acts very neutral when used close up to bass instruments, such as double bass, bass amps, • MS-Stereo microphone, as a combination of guitar amps, Leslie speakers, toms the AK 20 with the AK 40 cardioid capsule or another AK ...
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Copyright 2001 Georg Neumann GmbH, Berlin. Multiple reproduction or republication of any material of this newsletter requires the permission of Neumann, Berlin. Errors excepted, subject to changes. Printed in Germany Publ. 06/2001 Georg Neumann GmbH, Berlin • Ollenhauerstr. 98 • 13403 Berlin • Germany • Tel.: +49 (30) 417724-0 • Fax: +49 (30) 417724-50 E-Mail: sales@neumann.com, engineering@neumann.com, catalog-info@neumann.com •...
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