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Anthem Statement D2v Operating Manual

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STATEMENT D2v
O P E R AT I N G M A N U A L
™
UPDATES: www.anthemAV.com
S O F T W A R E V E R S I O N 2 . 0 x

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  • Page 1 STATEMENT D2v O P E R AT I N G M A N U A L UPDATES: www.anthemAV.com S O F T W A R E V E R S I O N 2 . 0 x ™...

  • Page 2: Safety Precautions

    SAFETY PRECAUTIONS READ THIS SECTION CAREFULLY BEFORE PROCEEDING! WARNING RISK OF ELECTRIC SHOCK DO NOT OPEN WARNING: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. The lightning flash with arrowpoint within an equilateral triangle warns of the presence of uninsulated “dangerous voltage”...
  • Page 3 8. Ventilation – Slots and openings in the cabinet are provided for ventilation and to ensure reliable operation of the product and to protect it from overheating, and these openings must not be blocked or covered. The openings should never be blocked by placing the product on a bed, sofa, rug, or other similar surface. This product should not be placed in a built-in installation such as a bookcase or rack unless proper ventilation is provided or the manufacturer’s instructions have been adhered to.
  • Page 4 For this reason Paradigm Electronics Inc. (the manufacturer of Paradigm speakers and Anthem electronic products) has arranged with its distributors in European Union member nations to collect and recycle this product at no cost to you. To find your local distributor please contact the dealer from whom you purchased this product or go to our website at www.paradigm.com.

  • Page 5: Table Of Contents

    3.15 ARC-1 Anthem Room Correction ........
  • Page 6 4. OPERATION 4.1 Power On and Off ..............50 4.2 Path Selection .
  • Page 7 6. SOFTWARE UPDATING 6.1 Software Version Identification ............78 6.2 Software Updating Via Your Dealer.

  • Page 9: Introduction

    Thank you for purchasing the nthem Statement D2v processor. The Statement D2v is a cutting-edge home theater audio processor with HDMI switching and video upconversion, multizone capabilities, and FM/ M tuner, along with state of the art video processing which includes deinterlacing, scaling, aspect ratio control, and picture adjustment.

  • Page 10: Front Panel

    1. INTRODUCTION continued … FRONT P NEL 1 – Path selection 9 – Mute 2 – Mode and decoder indicators 10 – Status review / setup menu access 3 – Display 11 – Balance setting 4 – FM • M preset selection 12 –...

  • Page 11: Front Panel Display

    1. INTRODUCTION continued … FRONT P NEL DISPL Y M IN Display Example: DVD1 DolbyHD 1080p 5.1+PLIIx Movie -7.5 1 – Source selection. 2 – udio input format or sleep timer if engaged. 3 – Video input resolution. 4 – Volume.

  • Page 12: Rear Panel

    1. INTRODUCTION continued … RE R P NEL 1 – 7 composite video inputs 14 – RS-232 interface (bidirectional) 2 – 7 S-Video inputs 15 – Main audio output (10 jacks) 3 – 5 S-Video outputs 16 – 6-channel analog audio input 4 –...

  • Page 13: Remote Control

    1. INTRODUCTION continued … REMOTE CONTROL 1 – Learn – for customization of remote 2 – Power On and Power Off 3 – Control mode. These are not source selection keys (see #17). 4 – • Copy M IN when ZONE2, ZONE3, or RECORD is selected. •...

  • Page 14: Speaker Placement

    1. INTRODUCTION continued … SPE KER PL CEMENT These illustrations show typical speaker placement for a 7.1-channel surround system. The surround and rear speakers are normally positioned 2-3 feet above ear level. The subwoofer can be placed in any location where severe resonances are prevented –...

  • Page 15: Interconnects

    1. INTRODUCTION continued … INTERCONNECTS These illustrations show audio, video, IR, and trigger connectors used between source components, the processor, displays, and power amplifiers. RC coaxial cables with 75-ohm impedance are equally suitable for analog video and digital audio. RC Black or RC Red RC Yellow HDMI...

  • Page 16: Connections

    2. CONNECTIONS VIDEO CONNECTIONS To configure inputs see section 3.6 and to configure video outputs see section 3.1. HDMI: Video is sent with audio from source components to the processor. Maximum video resolution is 1080p60. Connect M IN HDMI output to a display with HDMI or DVI input – one with High-bandwidth Digital Content Protection (HDCP) is required to display copy-protected material.

  • Page 17: Audio

    2. CONNECTIONS continued … UDIO CONNECTIONS Digital udio Inputs and Outputs: Digital audio source components can be connected with a coaxial, optical, balanced, or HDMI cable. These carry 2-channel PCM, Dolby Digital, and DTS. The HDMI inputs also accept up to eight channels of PCM. Should you need audio from the HDMI output to...
  • Page 18 2. CONNECTIONS continued … nalog udio Outputs: Balanced connection offers the highest transmission quality over long cable lengths, because it rejects noise pickup. In the processor, XLR output voltage is twice that of RC (6 dB higher). The RC outputs and the XLR outputs are always active –...

  • Page 19: Fm•Am Antennas

    2. CONNECTIONS continued … FM • M NTENN S To connect the M loop antenna, press the spring-loaded tabs of the NTENN connector and insert the bare ends of the two wires. Move the antenna until best reception is found. To connect the FM antenna, connect the two wires to the screw terminals of the 75-ohm to 300-ohm adapter, then connect the adapter to the FM NTENN...
  • Page 20 2. CONNECTIONS continued … Example 1: Disc Player to processor to main display HDMI IN Connect if Connect if using using digital REC-OUT or Connect if Connect for ZONE2/3 or if source’s video using ZONE2 M IN output is DVI UDIO CO X YPbPr OUT...
  • Page 21 2. CONNECTIONS continued … Example 2: /V Recorder to processor EJECT For ZONE2, ZONE3, and REC, in most cases you must use the same input type as the output type. If M IN uses a different input connection, all you need to do is add these connections for ZONE2, ZONE3, and REC.
  • Page 22 2. CONNECTIONS continued … Example 3: Processor to amplifiers and subwoofer (Balanced connection shown, single-ended is similar) Trigger Setup Suggestion: If it is not necessary to have both amplifiers turned on when stereo To powered sources are playing, set triggers subwoofer to turn on only the 2-channel amplifier when a stereo source is...

  • Page 23: Setup

    3. SETUP For optimum performance and enjoyment, your processor should be properly set up. This may appear like a lot of work but keep in mind that most settings do not need to be changed from the factory ones. The most important things are entering information about your display and speakers if the defaults do not apply, the distance from each speaker to the listening area, balancing output levels to one another, and input connections.

  • Page 24: Video Output

    Component (processed) if “Preferred” is changed to “Component” in menu 1 submenus. S-Video on-screen display is available in both cases. ZONE2 on-screen display is available via S-Video output. STATEMENT D2v SETUP 1. VIDEO OUTPUT 2. SET TIME / TIMERS 3. SPEAKER CONFIG 4.
  • Page 25 Video Output Configurations: The Statement D2v allows you to set four video output configurations – only Configuration 1 is needed in most cases. The rest can be used to match the output refresh rate to source refresh rates, i.e. 1080p24, 1080p50, and 1080p60 if your display accepts these rates, or with a secondary display that needs different settings –...
  • Page 26 480i/576i component video output may be best. If the player can be set to put out both 480i (NTSC) and 576i (P L) according to source, you can use that setting – the Statement D2v accepts both formats. If your HD cable/satellite receiver has passthrough mode where output resolution follows each station’s resolution, use it.
  • Page 27 3. SETUP continued … Output Resolution: Input from S-Video, Component, and HDMI is scaled to this resolution for Component and HDMI output. If interlaced to progressive scan conversion is in effect, it is uncompromisingly pixel-adaptive even with 1080i, and the same robust film mode detection applies as with standard-definition interlaced input. Resolution is expressed as follows: number of pixels across the screen frames per second (Hz)
  • Page 28 3. SETUP continued … Letterbox: When the source’s aspect ratio (the proportion of image width to height) does not match the display’s aspect ratio and you want to preserve the original image’s proportions, the unused areas of the screen will be blank. You can select the shade of these areas from ten levels between light gray and black.

  • Page 29: Set Time And Timers

    3. SETUP continued … SET TIME / TIMERS The time and day, plus 6 different timers are set in this menu. The timers in the processor are like an alarm clock, but allow two different timer settings for each of M IN, ZONE2, and ZONE3. 2.
  • Page 30 3. SETUP continued … Timer Options: There are two Timers for Main and each Zone to allow greater flexibility. You can set week and weekend on/off times twice – once for the morning and again for the evening, for example. Using the 3 4 buttons, TIMER 1 and TIMER 2 choices are: •...
  • Page 31 3. SETUP continued … Example 1: Select a source for the ZONE2 Timer: • Enter the setup menu. Go to SET TIME / TIMERS and press SELECT. • Press the 6 button until you reach SET ZONE2 TIMERS. • Press SELECT. The SET ZONE2 TIMERS submenu will appear. •...

  • Page 32: Speaker Configuration

    3. SETUP continued … SPE KER CONFIGUR TION The Speaker Configuration Setup allows you to enter information about your speakers so that sounds from sources are not lost or distorted. 3. SPEAKER CONFIGURATION a. BASS MANAGEMENT-MOVIE b. BASS MANAGEMENT-MUSIC c. SURROUNDS: Dipole REARS: Dipole-7.1 UNITS: ft f.
  • Page 33 3. SETUP continued … Highlighting B SS M N GEMENT-MOVIE then pressing SELECT displays this menu: 3a.BASS MANAGEMENT-MOVIE a. ADV SETTINGS: Off FRONTS: Small CENTER: Small SURROUNDS: Small REARS: Small SUBS: 1 Sub g. XOVER FREQ: 80 THX h. FRONTS XOVER: -- Hz i.
  • Page 34 3. SETUP continued … Bass response highly depends on room acoustics and experimentation with subwoofer placement is recommended. Start by temporarily placing the subwoofer in the listening area, play some music with a range of bass and walk around the room. Positions where the bass range sounds smooth are suitable for permanent subwoofer placement as long as decor allows.
  • Page 35 3. SETUP continued … Highlighting ROOM RESON NCE FILTER then pressing SELECT displays this menu: ROOM RESONANCE 3h.ROOM RESONANCE FILTER TEST TONE: Off TEST LEVEL: +0.0dB TEST FREQ: 21 Hz RESONANCE FILTER d. APPLY FILTER: No CENTER FREQ: 60 Hz f.
  • Page 36 3. SETUP continued … Procedure for adjusting Room Resonance Filter: • Enter the setup menu. Go to SPE KER CONFIGUR TION and press SELECT. • Press the 6 button until you reach ROOM RESON NCE FILTER and press SELECT. • Use the 3 4 buttons to set TEST TONE to uto. Press SELECT to start automatic sweeping of the test tones.

  • Page 37: Listener Position

    3. SETUP continued … LISTENER POSITION The Listener Position menu lets you enter the distance between each speaker and the listening area. Ideally, speakers should be placed at an equal distance so their sound arrives at the listening area at the same time, but since this is rarely practical, the processor can delay the sound coming from speakers that are closer to the listener.

  • Page 38: Level Calibration

    3. SETUP continued … LEVEL C LIBR TION Level Calibration uses internal test noises to match speaker output levels at the listening position. These noises are also a way of checking system connections between processor, amplifier, and speaker. udio calibrations from home theater setup discs are not recommended – some use incorrect methods. sound pressure level (SPL) meter with C-weighting is recommended if not using RC.
  • Page 39 3. SETUP continued … If SUBS is set to Super in B SS M N GEMENT-MOVIE (not advised) or B SS M N GEMENT-MUSIC, do not rely on an SPL meter to set subwoofer level – set it by ear while playing various sources. Level Calibration cannot take into account the bass that’s added to the subwoofer from speakers set to Large, which results in more bass during playback than the calibrated level.

  • Page 40: Source Setup

    3. SETUP continued … SOURCE SETUP This is where you set up each source and path according to how you want them to be used. SOURCE SETUP a. CD b. 2-Ch c. 6-Ch d. TAPE e. FM/AM f. DVD1 g. DVD2 h.
  • Page 41 3. SETUP continued … Highlighting DVD1 then pressing SELECT displays this menu – the other submenus are similar: 6f. DVD1 SOURCE SETUP RENAME: DVD1 b. VID OUT CNFG: 1 c. SCALER INPUT: HDMI1 d. COMPONENT IN: 1 S-VIDEO IN: DVD f.
  • Page 42 3. SETUP continued … Scaler Input (M IN only): ssign which input is used by the video processor when the source is selected – any HDMI, Component video, S-Video input, or “None”. Before setting this, be sure that you have read section 2.1. Note that if S-Video is selected, the input connection is the one specified in S-VIDEO IN.
  • Page 43 “N ” is displayed. Lip-Sync (M IN only): Video can become unsynchronized with audio for different reasons. The Statement D2v’s video processing is considered to be synchronized with the audio because it only causes a 24 millisecond delay, which is less than the duration of one frame.

  • Page 44: Mode Presets

    3. SETUP continued … MODE PRESETS Mode and THX presets are applied when the source is selected or M IN is turned on. Each input format except mono and nlg-Dir has a setting. If you do not want to use presets, set them to Last Used. fter selecting a source in the MODE PRESETS root menu, a menu such as the DVD1 example below appears.

  • Page 45: Analog Input Levels

    3. SETUP continued … N LOG INPUT LEVELS For sources set to nlg-DSP or nlg-Dir in under Source Setup, you can match input levels in M IN to each other so there are no large changes in volume as you change sources. This is also where recording level is set when using the processor as an analog-to-digital converter (see sections 3.6, 3.9, and 4.3).

  • Page 46: Adc And Audio Output

    3. SETUP continued … DC / UDIO OUTPUT In the DC / udio Output menu you can set analog to digital conversion for the digital Record output and configure the balanced analog outputs. 9. ADC / AUDIO OUTPUT a. 6-CH ANLG-DSP: 96 kHz b.

  • Page 47: Volumes And Path Names

    3. SETUP continued … 3.10 VOLUMES / P TH N MES This menu allows you to define the power-on volume settings, set whether or not M IN outputs shut off when headphones are used, and to rename ZONE2, ZONE3, and RECORD. 10.

  • Page 48: Triggers, Ir, And Rs-232

    3. SETUP continued … 3.11 TRIGGERS / IR / RS232 When a trigger output on the processor is connected to the trigger input of another component, such as an amplifier or projector, the processor can turn it on or off according to the trigger’s Setup. For components that do not have trigger inputs, a triggerable power bar may work (see your dealer).
  • Page 49 3. SETUP continued … fter highlighting Power or a source, press SELECT and use the 3 4 buttons to move from one path to another. To set the condition, use the 56 buttons to change the “–” to a “*”. Don’t forget: In the root menu you have to set LL TRIGGERS to Enabled for the triggers to work.

  • Page 50: Displays And Timeout

    3. SETUP continued … 3.12 DISPL YS / TIMEOUT This menu allows you to configure on-screen display, front panel display, and selection time. 12. DISPLAYS / TIMEOUT a. MAIN OS OUT: S-V + HD b.MAIN OS INFO:All Zones c.MAIN OS POS'N: Bottom d.MAIN OS COLOR: Blue e.MAIN VID MUTE: Gray Z2 OS OUT: S-V Only...
  • Page 51 3. SETUP continued … Front Panel Wake-Up: If Display is set to Medium, Low, or Off, it can be made to change to a brighter level while you make any adjustment – choose None, Up 1 brightness level, or Hi. When None is chosen and the Display is Off, it will behave as if set to Up 1 to prevent confusion as to whether the power is on or off.

  • Page 52: Save And Load Settings

    3. SETUP continued … 3.13 S VE / LO D SETTINGS Two memories can back up menu settings. If your system was set up by your dealer, the settings may be saved in Installer memory. You can make further adjustments – save those settings in User memory. Video processor settings (section 4.11) and FM •...

  • Page 53: Lockout And Passwords

    3. SETUP continued … 3.14 LOCKOUT / P SSWORDS Passwords are used to protect the saved User and Installer settings. Once you have set a password, it can also be used as a Lockout to prevent settings from being changed by anyone without one of the passwords. 14.

  • Page 54: Anthem Room Correction

    3. SETUP continued … 3.15 RC-1 NTHEM ROOM CORRECTION RC-1 corrects the effects of reflective surfaces and room boundaries on sound quality by measuring the response of each speaker relative to the listening area and equalizing it. RC equalizes response without stressing the amplifier or speakers and does not downsample the source material to process it.
  • Page 55 Before starting: • Ensure that the processor software and RC software that you will be using are compatible with one another – check www.anthem V.com for latest versions. Processor software installation instructions are in section 6. • Your RC-1 microphone, its support files, and your processor are a system with matching serial numbers –...
  • Page 56 3. SETUP continued … RC software installation: Play the RC CD in your computer’s CD or DVD drive. Instructions will appear on your screen. If your computer does not allow a CD to auto-run then double-click on the My Computer icon that’s on Desktop, select the drive that the CD is in to view its contents, and double-click on setup.exe.
  • Page 57 Updating RC: Check www.anthem V.com periodically for RC software updates. The download contains revision history, which may also indicate that the processor requires an update for the RC version to work correctly.

  • Page 58: Power On And Off

    4. OPER TION POWER ON/OFF The processor comes on at the volume setting in the Volumes setup menu. The power amplifier should be turned on last and off first to prevent “popping” when upstream components are turned on and off. Front Panel –...

  • Page 59: Manually Copying The Main Path To Zone2/3 And Record

    4. OPER TION continued … M NU LLY COPYING THE M IN P TH TO ZONE2, ZONE3, OR RECORD When Main is copied to another path, the source selected in M IN is directed to the other path. If a source component’s audio is connected to the processor using digital connection only, the Copy function is the only way to deliver the sound to another path.

  • Page 60: Fm•Am Tuner

    4. OPER TION continued … 4.4.1 FM • M TUNER The processor has an FM • M tuner. The selected station is common to all paths. Manual Tuning: fter selecting the desired band by pressing FM • M, use the 56 buttons (remote control) or press TUNE and rotate the Master Control Knob (front panel).

  • Page 61: Volume Control

    4. OPER TION continued … VOLUME CONTROL Front Panel: M IN – djust using the Master Control Knob. If levels have been calibrated according to setup instructions, set volume to 0 dB for the M STER playback level at which the film was presented in theaters. CONTROL KNOB ZONE2 or ZONE3 –...

  • Page 62: Bass, Treble, And Balance

    4. OPER TION continued … B SS / TREBLE / B L NCE To change the Bass, Treble, or Balance of: • M IN – ll Speakers Simultaneously: Press B SS, TREBLE, or B L NCE, then adjust. • M IN – Fronts Only: Press FRONTS, press B SS, TREBLE, or B L NCE, then adjust.

  • Page 63: Anthemlogic

    4. OPER TION continued … LOGIC LOGIC 4.8.1 nthemLogic ™ These are proprietary surround modes developed by nthem that offer outstanding surround performance and can be applied to any 2-channel source: nthemLogic-Music ™ nthemLogic-Music enhances the stereo listening experience without detracting from the ™...

  • Page 64: Surround Modes For 2.0-Channel Sources

    4. OPER TION continued … 4.8.3 SURROUND MODES FOR 2.0-CH NNEL SOURCES Number of output channels is indicated. THX must be Off for all modes to be available. Press MODE then use the Master Control Knob or 56 (up/down) on the remote control to cycle through selections: Stereo No surround mode is applied.

  • Page 65: Dolby Digital

    4. OPER TION continued … Why can’t I select a surround mode when playing a multichannel source? 1. If it’s not PCM and its sampling rate higher than 96 kHz, surround processing may not be applicable. 2. If you are using less than 7.1 speakers and the speaker configuration menu is set correctly, modes that require more speakers cannot be selected.

  • Page 66: Thx

    4. OPER TION continued … 4.8.6 THX THX is an exclusive set of standards and technologies established by the world-renowned film production company Lucasfilm Ltd. THX grew from George Lucas’ desire to make your experience of the film soundtrack, both in movie theaters and in your home theater, as faithful as possible to what the director intended.
  • Page 67 4. OPER TION continued … Depending on speaker configuration and input format, THX options are: THX Cinema: When THX Cinema is selected, Dolby Pro Logic IIx Movie is engaged. lternatively, Dolby Pro Logic or DTS Neo:6 Cinema may be selected. Other surround modes do not apply and do not appear when pressing MODE.

  • Page 68: Mode And Thx Options For 2.0-Channel Sources

    4. OPER TION continued … 4.8.7 Mode and THX options for 2.0-channel sources Select using Master Control Knob or 56 keys on remote control. To make all modes available, turn THX off. Stereo (2-Ch) Press MODE presets are in nthemLogic-Music (6.1) setup menu LOGIC LOGIC...

  • Page 69: Mode And Thx Options For 5.1-Channel Dolby Sources And 6-Ch S/E

    4. OPER TION continued … 4.8.8 Mode and THX options for 5.1-channel Dolby sources and 6-Ch S/E Select using Master Control Knob or 56 keys on remote control. To make all modes available, turn THX off. None (5.1) Press THX THX Cinema (5.1) Press MODE Re-EQ, Timbre Matching, dp.Decorrelation...

  • Page 70: Mode And Thx Options For 5.1-Channel Dts Sources

    4. OPER TION continued … 4.8.9 Mode and THX options for 5.1-channel DTS sources Select using Master Control Knob or 56 keys on remote control. To make all modes available, turn THX off. None (5.1) Press THX THX Cinema (5.1) Press MODE Re-EQ, Timbre Matching, daptive Decorrelation presets are in...

  • Page 71: Dynamics

    4. OPER TION continued … 4.8.10 DYN MICS DYN MICS allows you to control the difference between the softest and loudest passages on multichannel Dolby Digital and DTS soundtracks that contain dynamic scaling cues. t least 5.1 speakers must be used. Use the Master Control Knob or 56 keys on the remote control to select: Reduced: llows the quieter parts to be heard more easily, and works by raising the level of quieter sounds and/or reducing the level of louder ones...

  • Page 72: Video Source Adjustment

    4. OPER TION continued … 4.11 VIDEO SOURCE DJUSTMENT Sources sometimes contain anomalies. HD inputs may have the wrong color space, while S-Video and component video signals may need adjustment before being converted to digital, for HDMI output. The processor allows separate adjustment for each source. nthem’s video processor allows separate adjustment for each source.

  • Page 73: Picture

    4. OPER TION continued … PICTURE The Picture menu provides video adjustments for each source. Do not make adjustments in this menu if your display has not been calibrated – see the Test Patterns section and return after calibrating your display. PICTURE CROP INPUT SC LE OUT...
  • Page 74 4. OPER TION continued … Noise Reduction By treating parts of the picture selectively to avoid a soft overall image, this reduces or removes “block” and “mosquito”artifacts that appear in overcompressed video sources – adjust if necessary (default for each adjustment is 0).

  • Page 75: Crop Input

    4. OPER TION continued … CROP INPUT The Crop Input menu is where the image’s frame is set. If there’s anything outside of the image that you want to remove, this is the best place to do it, i.e. before the image is scaled, preventing unnecessary artifacts. PICTURE CROP INPUT SC LE OUT...

  • Page 76: Scale Output

    4. OPER TION continued … SC LE OUTPUT The Scale Output menu provides options for making non-16:9 inputs fit on a 16:9 screen. PICTURE CROP INPUT SC LE OUT OUTPUT P TTERNS INFO Panoramic Stretch namorphic Stretch Pillar Box No Scaling Panoramic Stretch Fills the screen by stretching only the sides of the picture while the middle portion stays undistorted.

  • Page 77: Aspect Ratio Control Examples

    4. OPER TION continued … spect Ratio Control Examples – how to crop and scale various sources for display on 16:9 and 2.4:1 screens: Display as original Standard-definition 4:3 source CROP INPUT: uto Detect SC LE OUTPUT: Letter / Pillar Box Stretch sideways to fill screen Standard-definition 4:3 source CROP INPUT:...
  • Page 78 4. OPER TION continued … spect Ratio Control Examples continued Crop and/or stretch to fill screen namorphic SD-DVD, 2.4:1 source CROP INPUT: Custom, adjust to taste SC LE OUTPUT: namorphic Stretch Display as original using anamorphic lens namorphic SD-DVD, 2.4:1 source CROP INPUT: Custom, Vertical Size 810 SC LE OUTPUT: namorphic Stretch Display as original...

  • Page 79: Output

    4. OPER TION continued … OUTPUT The Output menu is used to select gamma correction and to turn frame lock on/off. PICTURE CROP INPUT SC LE OUT OUTPUT P TTERNS INFO Gamma Corr Exponential4 Gamma Corr Custom Sngl Gamma Corr Custom RGB Gamma Corr Off Frame Lock Gamma Correction (normally for use only by calibration specialists)

  • Page 80: Test Patterns

    4. OPER TION continued … TEST P TTERNS This section is a primer on display calibration and although the procedure is no match for a professional setup, the result will almost always be better than using the display with its factory settings. The only tool needed to adjust color this way is a blue filter that comes with test discs or the glasses from www.thx.com.

  • Page 81: Info Panel

    4. OPER TION continued … Color Bars is the SMPTE test pattern, with bars at 75% saturation: Setting your display’s brightness and contrast Increase brightness (black level) so that areas can be seen as two areas with different brightness, then reduce the level until these areas match each other, or in other words, when the on the left disappears by blending into the background.

  • Page 82: Sleep Timer

    4. OPER TION continued … 4.12 SLEEP TIMER (remote control only) If you would like to go sleep while listening to a program or music, the Sleep Timer will turn the processor power off after the selected amount of time: •...

  • Page 83: Codes For Other Brands

    5. REMOTE CONTROL CUSTOMIZ TION CODES FOR OTHER BR NDS The processor remote can control other components – brands and setup instructions are in ppendix B. If the brand for your component is not listed, try searching for a code: 1.

  • Page 84: Copying Commands

    5. REMOTE CONTROL CUSTOMIZ TION continued … COPYING COMM NDS The command from one key can be copied to another key (not applicable to Power, Record, and Learn keys). To copy a command to another key in the same control mode: 1.

  • Page 85: Programming Macros

    5. REMOTE CONTROL CUSTOMIZ TION continued … PROGR MMING M CROS Macros are used to execute multiple functions with one key press, such as powering the processor, cable box, and display On at the same time. Up to 32 commands can be programmed. Programming a Macro that works regardless of control mode setting: 1.
  • Page 86 Software installation: 1. Find out which version is installed by pressing ST TUS. 2. Go nthem’s web site www.anthem V.com and locate the latest software. Proceed only if your version is a lower number, indicating that it is older. 3. Click on the software link. You will be asked where to save a .zip file – save it to Desktop.
  • Page 88 PPENDIX – IR M CROS Using the factory remote control’s IR codes for M IN, the following 3-key macros can be programmed into suitable aftermarket remotes to create a separate button for each mode, source, and tuner bank: For Stereo sources: For Dolby Digital 5.1 sources: For DTS sources: MODE, 0, 1 –...
  • Page 89 PPENDIX B – PRESET MEMORY CODES for units shipped September 2009 and later If codes for your components are not in this library, see sections 5.1 and 5.2. To enter a 5-digit code: 1. Press the control mode key near the top of the remote (e.g. DVD). 2.
  • Page 90 PPENDIX B – PRESET MEMORY CODES continued … 20821, 21268 Tredex 20800 20278, 20202, 20208, 20061, Malata 20782, 21159 Unimax 20770 20479, 20561, 20593, 21278, Marantz 20503, 20539, 20675 United 20730 21479, 21593 McIntosh 21533 Universum 20591 Fisher 20039, 20047, 20000, 20104, Medion 20651 Urban Concepts...
  • Page 91 PPENDIX B – PRESET MEMORY CODES continued … Mind 21972 20208 Satellite Receivers: Minolta 20042, 20105 Sears 20060, 20035, 20162, 20037, 01514 Mitsubishi 20060, 20048, 20047, 20000, 20048, 20039, 20047, 20033, lphaStar 00772 20042, 20067, 20043, 20041, 20045, 20000, 20042, 20104, Bell ExpressVu 00775 20061, 20807...
  • Page 92 PPENDIX B – PRESET MEMORY CODES continued … DirecTV 20739 Fujitsu 01497 DVD-controlled DVD / PVR Combos: Gateway 21972 00144 Emerson 20675 Hewlett Packard 21972 General Instrument 00476, 00810, 00276, 00003, Go Video 21730 Howard Computers 21972 00012, 00014 Hitachi 21764 21972 Gibralter...
  • Page 93 PPENDIX B – PRESET MEMORY CODES continued … Commercial Solutions 11447, 10047 Inteq 10017, 10145 10055, 10650, 11291, 11410, Conic 10178 10054 11919, 11941, 11946, 11947 Contec 10180, 10185 10000 Panda 10706 Craig 10180, 10171, 10282 Jensen 10761, 10815, 10817, 11933 Paxonic 10060, 10030 Crosley...
  • Page 94 PPENDIX B – PRESET MEMORY CODES continued … Sony 10017, 10154, 11100, 10000, DVD-controlled TV / DVD Combos: Curtis Mathes 21035 10150, 10053, 10080, 10632, Daewoo 21278 dvent 21016 10834, 11904, 11925 Emerson 20002, 20479, 20593, 21278, 20695 Soundesign 10180, 10178 21479 pex Digital 20830...
  • Page 95 PPENDIX B – PRESET MEMORY CODES continued … Optimus 30395, 30013, 30300, 30823 Onkyo 30135, 30380, 30842, 31298, Bantor 00160 Parasound 30246 31320, 31531 Centronic 00160 Philips 30892 Optimus 31023, 30074, 30014, 30121, CyberPower 01272 Pioneer 30013, 30300, 30823 30186, 30502, 30531, 30670, D-Link 01554, 01731 Polk udio...
  • Page 96 SPECIFIC TIONS N LOG VIDEO SWITCHING Bandwidth from input jack to output jack (bypass mode for component video) Composite & S-Video ............70 MHz Component: Y .
  • Page 97 SPECIFIC TIONS continued … M IN Path (RC & XLR output) Frequency Response and Bandwidth nalog-Direct Inputs ....10 Hz to 20 kHz (+0, -0.2 dB), 1 Hz to 130 kHz (+0, -3 dB) nalog-DSP Inputs at 24/96 .
  • Page 98 Pinout (Statement D2v side) ......

  • Page 99: Specifications

    LIMITED W RR NTY C N D & US The warranty period on nthem products is five (5) years for power amplifiers and integrated amplifiers, three (3) years for audio preamplifiers and audio processing, two (2) years for video equipment and video processing, one (1) year for remote controls, and six (6) months for projector lamps from date of purchase from nthem or an uthorized nthem Dealer.
  • Page 102 D E S I G N E D N D M N U F C T U R E D I N N O R T H M E R I C t e l . ( + 1 ) 9 0 5 - 3 6 2 - 0 9 5 8 M - F 9 : 0 0 a m - 5 : 3 0 p m ( E T ) w w w .

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