Dsp Type List (Psr-740) - Yamaha Portatone PSR-640 Owner's Manual

DSP Type List (PSR-740)

DSP Type System/Insertion
Hall1-5 System
Room1-7 System
Stage1-4 System
Plate1-3 System
Delay Left - Center - System
Right1, 2
Delay Left - Right System
Echo System
Cross Delay System
ER1, 2 System
Gate Reverb System
Reverb Gate System
White Room System
Tunnel System
Canyon System
Basement System
Karaoke1-3 System
Chorus1-8 System
Celeste1, 2 System
Flanger1-5 System
Symphonic1, 2 System
Rotary Speaker 1-6 System
2way Rotary Speaker System
Tremolo1-3 System
Guitar Tremolo System
Auto Pan1, 2 System
Phaser 1, 2 System
Distortion Hard System
Distortion Soft System
Distortion Heavy System
Overdrive System
Comp + Distortion System
Amp Simulator System
EQ Disco System
EQ Telephone System
3Band EQ (MONO) System
2Band EQ (STEREO) System
Auto Wah1, 2 System
Touch Wah1, 2 System
AWah+Distortion System
AWah+Overdrive System
HarmonicEnhancer System
TWah+Distortion System
TWah+Overdrive System
Compressor System
Noise Gate System
Pitch change 1, 2 System
Voice Cancel System
Ensemble Detune System
Ambience System
Talking Modulator System
Lo-Fi System
Distortion+Delay System
Overdrive+Delay System
Comp+Dist+Delay System
Comp+OD+Delay System
Wah+Dist+Delay System
Wah+OD+Delay System
No Effect —
Through —
About the Digital Effects (Reverb/Chorus/DSP)
Description
Concert hall reverb.
Small room reverb.
Reverb for solo instruments.
Simulated steel plate reverb.
Three independent delays, for the left, right and center stereo positions.
Initial delay for each stereo channel, and two separate feedback delays.
Stereo delay, with independent feedback level settings for each channel.
Complex effect that sends the delayed repeats "bouncing" between the left and right channels.
This effect isolates only the early reflection components of the reverb.
Gated reverb effect, in which the reverberation is quickly cut off for special effects.
Similar to Gate Reverb, but with a reverse increase in reverb.
A unique short reverb with a bit of initial delay.
Simulation of a tunnel space expanding to left and right.
A hypothetical acoustic space which extends without limit.
A bit of initial delay followed by reverb with a unique resonance.
A delay with feedback of the same types as used for karaoke reverb.
Conventional chorus program with rich, warm chorusing.
A 3-phase LFO adds modulation and spaciousness to the sound.
Pronounced three-phase modulation with slight metallic sound.
A multi-phase version of Celeste.
Rotary speaker simulation.
Rotary speaker simulation.
Rich Tremolo effect with both volume and pitch modulation.
Simulated electric guitar tremolo.
Several panning effects that automatically shift the sound position (left, right, front, back).
Pronounced, metallic modulation with periodic phase change.
Hard-edge distortion.
Soft, warm distortion.
Heavy distortion.
Adds mild distortion to the sound.
Since a Compressor is included in the first stage, steady distortion can be produced regardless of
changes in input level.
A simulation of a guitar amp.
Equalizer effect that boosts both high and low frequencies, as is typical in most disco music.
Equalizer effect that cuts both high and low frequencies, to simulate the sound heard through a
telephone receiver.
A mono EQ with adjustable LOW, MID, and HIGH equalizing.
A stereo EQ with adjustable LOW and HIGH. Ideal for drum Parts.
Cyclically modulates the center frequency of a wah filter.
Changes the center frequency of a wah filter according to the input level.
The output of an Auto Wah can be distorted by Distortion.
The output of an Auto Wah can be distorted by Overdrive.
This effect adds new overtones to the input signal to make the sound stand out.
The output of a Touch Wah can be distorted by Distortion.
The output of a Touch Wah can be distorted by Overdrive.
Holds down the output level when a specified input level is exceeded. A sense of attack can also
be added to the sound.
Gates the input when the input signal falls below a specified level.
Changes the pitch of the input signal.
Attenuates the vocal part of a CD or other source.
Chorus effect without modulation, created by adding a slightly pitch-shifted sound.
Blurs the stereo positioning of the sound to add spatial width.
Talking Modulator.
Degrades the audio quality of the input signal.
DISTORTION and DELAY are connected in series.
OVERDRIVE and DELAY are connected in series.
COMPRESSOR, DISTORTION and DELAY are connected in series.
COMPRESSOR, OVERDRIVE and DELAY are connected in series.
TOUCH WAH, DISTORTION and DELAY are connected in series.
TOUCH WAH, OVERDRIVE and DELAY are connected in series.
No effect.
Bypass without applying an effect.
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