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REAR PANEL
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TAPE INPUTS AND OUTPUTS
Four
inputs
and outputs
are provided
for direct
connection to a 4-channel multitrack tape deck. The
outputs from the tape deck connect to the MM30
TAPE
IN jacks, and the tape deck inputs connect to
the MM30
TAPE
OUT jacks. The tape inputs are
selected for mixdown or monitoring by setting the
appropriate channel input selectors to TAPE. These
specialized inputs and outputs mean
that the tape
deck can stay connected
all the time--unlike many
more expensive mixers with which you have to keep
patching and repatching cables whenever you need
to change from line to tape input.
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INPUT JACKS
These jacks are the main inputs to the ММ30"5 four
input
channels.
They
accept
both
line-level
and
microphone
input depending on the setting of the
respective
input
selector
switch.
Standard
1/4"
phone
jacks insure compatibility
with just about
any
electronic
instrument
or
microphone--and
naturally with all Yamaha
Producer
Series compo-
nents.
STEREO OUTPUTS
These are the main outputs from the MM30. They
carry
the
stereo
program
set
up
at
the
input
channels and AUX
inputs. These 1/4" phone jacks
can connect
directly to a pair of "'self-powered"
monitor speakers such as the Producer Series MS10,
or to virtually any type of amplification or signal
processing equipment.
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HEADPHONE JACK
This
is a convenient
feature
in that it lets you
directly
plug in any standard
pair of stereo head-
phones
for monitoring
without
the
need for an
external amplifier.
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AUXILIARY INPUTS
Any line-level stereo (or mono
if necessary) signal
can
be
added
to the
main
program
by these
terminals.
This
is a great
place
to connect
the
outputs from a stereo cassette deck, for example.
Q
LINE OUTPUTS
These
terminals
deliver
the
same
signal
as the
STEREO
OUT jacks, but the level of the signal is
unaffected by the master fader. This is handy if, for
example,
you're
using
the
MM30
as an on-stage
keyboard
mixer.
The STEREO
OUT
jacks go to
your
on-stage
monitors
so
you
can
adjust
the
monitor
level yourself using the master fader, and
the
LINE
OUT
terminals
go to the main
sound
reinforcement mixer where the sound man controls
the overall level.
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