Index - Sony PCM-3348HR Operation Manual

Digital audio recorder
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A
AES/EBU boards A-9
Adjusting gain
analog audio input signal 2-2
analog audio output signal 2-3
Adjusting tape speed 4-27
ADV OUT switch 11-8
Advance recording 3-3, 3-6
ALL CHANNEL INPUT button 3-1
ALL CHANNEL REC MUTE button 3-2
ALL CHANNEL REC REC READY
button 3-1
ALL CHANNEL REPRO button 3-1
ALL INPUT button 4-6
ALL REPRO button 4-6
ANALOG A1/A2 INPUT/OUTPUT
connectors A-9
Analog audio channel
playback 3-14
recording 3-15
Analog audio signal
connections 2-1
emphasis 2-11
input gain adjustment 2-2
output gain adjustment 2-2
ARP board A-23, 11-6
Assemble recording 3-3, 3-10
automatic 3-11
forced 3-11
Audio control 4-1
AUTO INPUT button 3-2, 4-5
AUTO PUNCH button 4-17
Auto punch in/out 4-14
correcting the punch-in/out points 4-16
executing 4-17
saving punch-in/out points during
rehearsal or recording 4-15
saving time values directly in the IN and
OUT point registers 4-16
Automatic assemble recording 3-11
Automatic playback from the located point
3-28
Automatic recording of analog audio
channels 3-14
AUX connector A-17
B
Backup copy 8-1
copying CTL and digital audio signal
8-3
copying digital audio signals only 8-2
C
Channel setting memory 4-8
Channel settings
recalling 4-8
saving 4-8
Cleaning 12-1
CLEAR button 4-21
Clock signal selection 2-11
Composite video signal for external
synchronization 10-14
Connections
analog audio signal 2-1
digital audio signal 2-3
power supply 2-6
RM-3348HR 2-5
Continuous auto punch in/out 4-18
Cross fade sound monitoring during sync
recording 4-10
Cross fade time 4-9
CTK board 10-2, A-22
CTL
absolute value display mode 3-6
protect mode 3-15
relative value display mode 3-6
setting absolute mode 3-7
setting relative mode 3-8
CTL/time code status lamp 3-17
Cue point memory 3-38
Cue point register 4-25
CUE STORE button 3-28
D
DAD-1 to DAD-12 boards A-24
Demagnetizing heads 12-2
DIGITAL AUDIO CHANNEL LINE
INPUT connector A-8
DIGITAL AUDIO CHANNEL LINE
OUTPUT connector A-8
Digital audio signal
connections 2-3
emphasis 2-11
Digital copy 6-1
carrying out 6-9, 6-11
multi-channel mode 6-1
selecting the channels 6-3, 6-10
selecting the digital copy mode 6-2
selecting the operation mode 6-2
two-channel mode 6-1
vocal select mode 6-1
Digital meter unit 1-9
Direct trim adjustment 4-26
D-OUT ADV/NORM switch 11-6
Dust cover 12-2
E
ED-1 board A-25
ED-2 board A-25, 11-6, 11-8
Editing 9-1
carrying out 9-7
connections 9-2
correcting editing points 9-5
edit points 9-1
editor mode 9-3
rehearsal 9-7
rehearsing individual editing points 9-8
setting editing points 9-4
EMPH switch 2-11
Emphasis 2-11
EMPHASIS MISMATCH lamp
12-3, 12-4
EXT CLOCK ERROR lamp
12-3, 12-5
External synchronization 10-1
basic operation 10-4
combination with video equipment and
other digital audio equipment 10-13
of a PCM-3348HR and a PCM-9000
digital master disc recorder 10-8
of a PCM-3348HR with a PCM-1630
digital audio processor system 10-10
of a PCM-3348HR with a professional
DAT format digital audio recorder
10-11
of two PCM-3348HR units with video
equipment 10-6
to video equipment and sector-based
external synchronization 10-12
with a composite video signal 3-16
with a digital VTR 10-7
with video equipment 10-5
External time code
regeneration recording 3-21
through recording 3-20
External trigger mode 5-12
F, H
Forced assemble recording 3-11
FORMAT MISMATCH lamp 12-3, 12-4
Headphones, monitoring 3-15
Index
I-1

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