Yamaha MIXING CONSOLE Owner's Manual page 183

Digital mixing console
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The following table lists the preset memories in the EQ library:
No.
Preset Name
Emphasizes the low range of a bass drum and the attack created by the
Bass Drum 1
1
beater.
Bass Drum 2
2
Creates a peak around 80 Hz, producing a tight, stiff sound.
Snare Drum 1
3
Emphasizes "snappy" and rimshot sounds.
Snare Drum 2
4
Emphasizes various ranges for that classic rock snare drum sound.
Tom-tom 1
5
Emphasizes the attack of tom-toms, and creates a long, "leathery" decay.
Cymbal
6
Emphasizes the attack of crash cymbals, extending the "sparkling" decay.
High Hat
7
Use on a tight high-hat, emphasizing the mid to high range.
Emphasizes attack and adds clarity to the high-range of instruments, such
Percussion
8
as shakers, cabasas, and congas.
E. Bass 1
9
Produces a tight electric bass sound by cutting very low frequencies.
E. Bass 2
10
Unlike preset 9, this preset emphasizes the low range of an electric bass.
Syn. Bass 1
11
Use on a synth bass with emphasized low range.
Syn. Bass 2
12
Emphasizes the attack that is peculiar to synth bass.
Piano 1
13
Makes pianos sound brighter.
Used in conjunction with a compressor, this preset emphasizes the attack
Piano 2
14
and low range of pianos.
Use for line-level recording of an electric or semi-acoustic guitar to get a
E. G. Clean
15
slightly harder sound.
E. G. Crunch 1
16
Adjusts the tonal quality of a slightly distorted guitar sound.
E. G. Crunch 2
17
A variation on preset 16.
E. G. Dist. 1
18
Makes a heavily distorted guitar sound clearer.
E. G. Dist. 2
19
A variation on preset 18.
A. G. Stroke 1
20
Emphasizes the bright tones of acoustic guitars.
A variation on preset 20. You can also use it with an acoustic-electric nylon
A. G. Stroke 2
21
string guitar.
A. G. Arpeg. 1
22
Ideal for arpeggio playing on acoustic guitars.
A. G. Arpeg. 2
23
A variation on preset 22.
Use with trumpets, trombones, or saxes. When used with a single instru-
Brass Sec.
24
ment, try adjusting the HIGH or HIGH-MID frequency.
An EQ template for male vocals. Try adjusting the HIGH or HIGH-MID
Male Vocal 1
25
parameters according to the voice quality.
Male Vocal 2
26
A variation on preset 25.
An EQ template for female vocals. Try adjusting the HIGH or HIGH-MID
Female Vo. 1
27
parameters according to the voice quality.
Female Vo. 2
28
A variation on preset 27.
Chorus&Harmo
29
An EQ template for brightening choruses.
Use on a stereo mix during mixdown. Sounds even better when used with a
Total EQ 1
30
compressor.
Total EQ 2
31
A variation on preset 30.
A variation on preset 30. Can also be used with paired Input or Output
Total EQ 3
32
Channels.
Bass Drum 3
33
A variation on preset 1, with low and mid range reduced.
Snare Drum 3
34
A variation on preset 3, creating a thicker sound.
Tom-tom 2
35
A variation on preset 5, emphasizing the mid and high ranges.
Piano 3
36
A variation on preset 13.
Piano Low
37
Emphasizes the low range of pianos recorded in stereo.
Piano High
38
Emphasizes the high range of pianos recorded in stereo.
Fine-EQ Cass
39
Add clarity when recording to or from cassette tape.
Narrator
40
Ideal for recording narration.
Using Libraries
Description
01V96—Owner's Manual
183
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